Cite this article: Jabbi, U. M. 2026. “Impact of Sokoto Jihad on Building Construction in Contemporary North- western Nigeria”. Sokoto Journal of History Vol. 14, Iss. 01. Pp. 10-17. www.doi.org/10.36349/sokotojh.2026.v14i01.002
IMPACT OF
SOKOTO JIHAD ON BUILDING CONSTRUCTION IN CONTEMPORARY NORTH- WESTERN NIGERIA
By
Umar
Muhammad Jabbi
Department
of History and International Studies,
Usmanu
Danfodiyo University, Sokoto
Abstract: The 19th
Century Jihad movement in Hausaland, Nupe and some Yoruba areas was a
revolution that produced dramatic changes on the political, social and cultural
life of the inhabitants. The aim of the paper is to locate changes in house
form, settlement pattern and improved artistic skills in north- western Nigeria
in particular and Hausaland in general as one of the consequences of the jihad
and of the Sokoto caliphate. The data for this research was sourced through
extensive literature review. The scope of the research is the North-western
Nigerian areas of present day Kebbi, Sokoto and Zamfara States. The paper found
that the jihad produced significant impact on the spatial Organization of new
settlements and house form.. The designs of buildings took into cognisance the
privacy, security and religious needs of the people. But most importantly the
study uncovered that, the peaceful atmosphere created by the jihad resulted in
economic buoyancy which provided the material basis for the patronage of the
construction industry by the new jihad leaders. This created favorable
conditions for the emergence of master masons (Gwanis), leading to the creation
of an architectural revolution that occurred in the second half of the 19th
century.
Introduction
The Shehu Usman Danfodiyo's led Jihad movement in the
areas of the central Sudan began as an effort to enlighten the populace on the
proper way to practice the Islamic religion and also to launch verbal attacks
on the social, economic and political evils in the society. The movement
started with itinerant preaching across areas of the region preaching to the
mass of the people and at times visiting the kings to admonish them to follow
the true teachings of the religion. From this peaceful beginning the Jihad
graduated into an open conflict between the dominant traditional institutions
concerned with preserving their domineering influence and privileges on the one
hand, and the Jama'a (followers of the Shehu) trying to dislodge the old
order and replace it with a new Islamic government. The encounters started with
minor raids by the Gobir’s authorities on the followers of the Shehu to major
military engagements such as the Tabkin Kwatto, Alwassa , Tsuntsuwa and
Alkalawa Battles. By 1810A.D, most parts of the areas (central Sudan)
especially Hausaland, had been pacified and brought under one central
authority. The adoption of Arabic as a language of scholarship and religious
practice in Hausaland was facilitated by the establishment of Islamic schools
and Sufi orders. These institutions became centres for producing, copying, and
disseminating Arabic manuscripts, with hand copying emphasizing the value
placed on written knowledge. Over time, a unique manuscript culture emerged in
Hausaland, blending locally authored texts with classical Arabic works
popularly known as Ajami.[1] This
culture was not a passive adoption of North African and Sudanese traditions but
a dynamic fusion of intellectual and cultural exchange. Hausa scholars engaged
with Arabic texts while integrating local knowledge and experiences, producing
manuscripts on topics such as Islamic law in Hausa society, Sufi poetry
reflecting local spiritual aspirations, and historical chronicles of Hausa
states.
The Jihad produced tremendous influence on the
political, social and cultural life of the inhabitants. Politically, the Sokoto
caliphate based on Islamic tenets was established. Socially, Jihad leaders like
Shehu Usman Danfodiyo from the beginning of the movement have being launching
persistent attacks on the social norms and cultures prevalent in Hausaland
which were considered unIslamic. The writings of the Shehu such as Nurul-albab, Bayanul bid’I as shaytaniyya,
Kitabul farq bayn wilayatil Ahlal islam Wa Wilayati Ahl kufr, his Ajami
poems among others are replete with condemnations of such practices as the
mixing of sexes at social gatherings,the denial of inheritance to the female
heirs, the practice of marrying more than four wives,imposition of illegal
taxes on the masses, the display of moral laxity in festivities, were women
were made to dance before Men naked, aberrations in the administration of the
justice and the like[2].
The
socio-political transformation ushered in by the Sokoto Jihad constituted a
fundamental turning point in the organization of society, economy, and material
culture across what later became North-Western Nigeria. Beyond its
well-documented religious and political consequences, the Jihad generated a new
moral economy that emphasized discipline, productive labour, and social
responsibility. Jihad leaders consistently encouraged engagement in lawful
economic pursuits such
as farming, trading, and craft production, while
condemning idleness, mendicancy, and social dependency. This ideological
reorientation, combined with the consolidation of political authority and
relative internal security, created a peaceful and prosperous environment
conducive to sustained economic and artisanal growth.
Within
this context, craft industries flourished, benefiting from increased political
patronage, urban expansion, and rising demand for public and private
infrastructure. Building construction, in particular, witnessed significant
transformation as the post-Jihad environment provided favourable material and
social conditions for the emergence of highly skilled builders, commonly
referred to as Gwanaye or Gwani. These craftsmen were not only
technicians but also innovators who adapted inherited indigenous architectural
traditions to new socio-religious realities. As a result, new ideas of house
forms, spatial organization, and settlement patterns began to take root,
reflecting both continuity with pre-Jihad Hausa building traditions and
adaptation to the administrative, religious, and social imperatives of the
emerging caliphal order.
Despite
the centrality of the Sokoto Jihad in shaping the historical trajectory of
North-Western Nigeria, existing scholarship has overwhelmingly focused on its
religious reforms, political institutions, jihadist leadership, and
administrative structures. Comparatively little scholarly attention has been
paid to its impact on material culture, particularly in the domain of building
construction and architectural practice. Studies that do engage with indigenous
architecture in the region often treat it as static or timeless, with
insufficient historical interrogation of the transformative processes
introduced by the Jihad and their enduring influence on contemporary building
traditions. This paucity of focused literature has left a significant gap in
our understanding of how ideological change, political stability, and economic
restructuring translated into concrete transformations in the built
environment. It
is against this backdrop that this study interrogates the impact of the Sokoto
Jihad on building construction practices in contemporary North-Western Nigeria.
By situating building craftsmanship within the broader socio-political and
economic changes initiated by the Jihad, the study seeks to bridge the gap
between political-religious history and architectural history. In doing so, it
contributes to a more holistic understanding of the Jihad as not merely a
movement of reform and state formation, but also a catalyst for enduring
transformations in indigenous building knowledge, skills transmission, and
settlement development.
Caliphate
leader’s Patronage of Indigenous Construction industry
With the success of the Jihad and the establishment of
the Caliphate the jihad leaders focused on laying down principles that could
build a prosperous and just society that will guarantee the protection of the
right and privileges of the people as well as providing them with amenities for
the smooth conduct of their temporal and spiritual life. It is against this
background that Caliph Muhammad Bello the immediate successor of the Shehu
ordered all Muslim leaders in the caliphate to:
Foster artisans, and be concerned with tradesmen who
are indispensable to the people such as farmers and Smiths, tailors and dryers,
physicians and grocers, carpenters and all sorts of trade which contribute to
(stabilise) the proper order of this world. He must keep villages and country
side in prosperity construct fortresses and bridges maintain markets and
realise for them all what are public interest… he must provide his people with
religious facilities by building mosques...[3]
Observance of these instructions and those of other
leaders of the caliphate led to an increased patronage of craftsmen such as
builders. The role of patronage in boosting morale leading to improved skills
cannot be over emphasised, most especially with artist and craftsmen that could
not produce without a patron like builders. A famous Hausa musician Saidu Faru has
beautifully identified the role of patronage to his vocation. He started thus:
Ku bar
ganin laifinmu sarakuna
Rowa na
bushe makoshi
In nace
ho! Albarka
Launi
saba'in ka fito min.
Oh Hausa Kings do not take offence
Absence of Patronage kills ingenuity
But whenever I am propped up
My ideas and styles expands[4]
The need to create more and larger Mosques to
accommodate the increasing number of converts to Islam and the desires of the
new princes to use the expressive function of the construction industry to
emphasise their power, provided the necessary impetus for the architectural
revolution that occurred in the second half of the 19th century. This area
witnessed the emergence of master builders known as Gwani's in Hausaland
whose artistic skills were displayed in the erection of a number of splendid
Mosques such as the famous Zaria Friday Mosque described by J.C. Moughtin, the
Kano Friday Mosque, the Sultan Bello's Mosque in Sokoto reported by Clapperton
etc. in addition, the princess got a number of beautiful reception halls,
audience chambers, magnificent palaces large and splendid residences
constructed by them. Clapperton visiting Sokoto in the 1820’s described buildings
in the Sultan’s house.
The house of the Sultan is surrounded by a wall of 20
feet high having two low tower entrances the wall of house forms as it were a
little town itself passing through and within a few yards of it (audience
chamber) stand a large square clay tower with an entrance on the west side it
is an shape of a dome ‘[5]
In terms of the display of artistic skills, the
Sultan’s audience chamber was even more glamorous, as shown by Clapperton’s
description of the structure. He reported that:
it was in the shape of a dome formed of eight arches
springing from the ground in the centre of which is a large brass Basin resting
as it were in the place of a key stone to the arches, which are turned by
branches plastered over with clay… they are ornamented in their fashion while
the clay was wet… from the arches about one-third above up runs a gallery quite
round the interior building having a railing with pillars of wood covered and
ornamented with clay. There are three steps leading to the gallery from which
everything in the dome may be seen or heard, passages also leads from it into
small rooms, having each one small window or square hole… the floor of the dome
was covered with clean sand… the air inside this dome was cool and pleasant.[6]
Ribat and
Fortification Policies
The word Ribat is derived from the Arabic expression-Rabatal
khayl, literally meaning ‘he tied a rope’. Ribat is a camping place on the
frontiers of a major population centre in anticipation of enemy attack[7]. It
is usually a walled settlement in accordance with the instructions of the Shehu
to all provincial administrators to fortify strongholds[8]. Establishment of ribats and
fortifications around settlements have through history been the Islamic
solution to territorial insecurity, the Sokoto jihadist from the onset imbibed
the idea[9]. For
example, with the establishment of the first permanent base at Gwandu a series
of fortified positions against directions of possible enemy attack were
established to provide the settlement with defence, among those camps was
Sokoto, providing protection on the northern and eastern flanks against the
advance of Gobirawa and Zamfarawa.
With the death of the Shehu in 1817AD, the Caliphate
was confronted with a security crises. It was in response to this challenge
that the new Caliph Muhammad Bello drawing from Islamic teachings and the
practice of earlier Muslim rulers launched aggressive Ribat and fortification
policies that were to have profound significance for the history of urban
phenomenon in the caliphate and the study area. To legitimise the policies and
mobilise the people in their support, the caliphate leaders made reference to
Islamic traditions. Caliph Muhammad Bello was credited with the writing of two
treatises on the subject of Ribat and fortification namely: al-Ribata wal
Hirasa, and al- ilam fima yajib alal imam min hifzi Baydat al- Islam.
In addition specific instructions were given to individual leaders for the
establishment of Ribat and fortifications. For example on the Zamfara side of
the area the Caliph was said to have instructed his brother and successor
Abubakar Atiq in 1836 to turn the village of Bakura into a Ribat. Later leaders
of the caliphate also continued with the policy of establishing Ribats and the
construction of defensive walls around settlements. For instance when the
Zamfarawa, Gobirawa, Burmawa leader Banaga Dan Bature of Morai raised the
banner of Tawaye (rebellion) against the Caliphate administration
leading to the breakup of Gusau town and its desertion by the inhabitants, the
re- establishment of the town was followed by an instructions from the Sarkin
Musulmi Abubakar Atiq (1854-1866) for the building of Ganuwar Gusau ( defensive wall for Gusau) the people of Kauran
Namoda, Maru, Bungudu were instructed to aid the Gusau people in the
construction work[10].
The Ribat and fortification policies of the caliphate
led to the emergence of a number of frontier walled towns and a number of older
settlements had defensive walls constructed around them. Some prominent Ribat
towns built around Sokoto included Wurno, Bakura, Gandi, Kadaye, Shinaka,
Kware, Lajinge, Sansanin Isa Silame, Cimmola etc[11]. These settlements, apart
from serving the strategic defence of the caliphate were also urbanisation and
sedentarisation centres. The proliferation of walled towns is a clear
indication that the policies pursued by the caliphate leaders created a period
of buoyancy for the construction industry in the area.
One of the most crucial thing for building
construction is land acquisition it is the bedrock upon which all buildings
rested. It was partly as a result of this realisation that Shehu’s brother and
a great intellectual of the Jihad Abdullahi bn. Fodiyo shed so much ink to
meticulously outline the categories of land and the Islamic principles guiding
land acquisition[12].
Another impact of the caliphate policies on indigenous
building construction was on the spatial organisation of the new settlements.
In pre-Jihad times, settlements in the area grows organically from gida (house) or compound to unguwa or kauye (hamlet) to gari
town and finally to Birni city and
were of irregular shapes[13].
But with the establishment of the caliphate settlements began to take a more
rectilinear and regular shape with one of the sides facing the east direction
of Mecca. The central place of the settlement, accommodating the palace, the
Friday Mosque and the market constitute the node to which all roads within the
settlement leads. This is the religio- political and economic centre of the
settlement[14]. It
is also the palace were men and their leaders from surrounding dependencies
display their allegiance to the king during the annual Muslims festivals.
Domestic
buildings
Before the establishment of the Sokoto caliphate what
guided the type and form of domestic houses was principally the need for
shelter against the elements. A study conducted by schwerdtfeger in Zaria
confirmed that in the past and even down to the early period of Muslim rule
Women move freely in conjunction with men[15] and as mention earlier, one
of the criticisms of the Shehu against the Hausa society during the formative
period of the Jihad was that of the mixing of sexes at social gatherings, the
practice of allowing women to go to market while men sat at home[16].
The establishment of the Sokoto caliphate entrenched
more firmly the concept of privacy, segregation and seclusion of the women
folk. To achieve the desired privacy, a number of building innovations were
introduce, such as the construction of compound walls in mud, cornstalks or
thatches to define the inside outside dichotomy. The creation of a hierarchy of
spaces within the compound wall, The construction of Zaure or a number of Zaurukka
entrance cells and bent entrances left and right to prevent by- passers from
viewing the interior part of the house.
The interior part of the house is progressively
disallowed to the male non_members of the family or close agnates. The
separation of the inner part of the house and other section of the house is
achieved through a series of successive courtyards depending upon the size of
the plot and the social status of the owner of the house. Spaces are classified
as public zone, semi_public zone, semi private zone and the finally the private
zone[17].
The public zone consisted of kofar gida
(frontage of the house) zaure or zaurukka these spaces are free
for everybody's use but it is essentially a male controlled area. This is the
place where the low status house holder (talaka) rests, received his
guest, he also practice his profession such as smithing, weaving etc and the
learned house owner or a visiting Islamic scholar conduct their makarantar
allo (local koranic school) in this place. It is also at this point that
visitors to the house are expected to say the salam (the Islamic, Assalamu Alaikum) and excuse the house-
hold head or anybody in the house. No male stranger is allowed to go beyond
this zone without the permission of the household head.
The next zone in the hierarchy of spaces within a
domestic house is the semi_public zone which in most cases is the preserve of
the sarakuna and rich merchants. This zone consist of a fore court an audience
chamber and guest rooms and in some cases houses stables. Fadawa
(countries) , Yan hira (overnight
guest) and friends of the boys in the house, come as far as this space.
Beyond the semi_public zone is the semi-private domain
which consist of a Zaure (an inner
room).this is where the wives receive their male visitors such as their male
parents, brothers and other blood relations .in normal situations, all mature
male non-members of the family are restricted to this place.
The last in the hierarchy of spaces is the private
domain. This is the deepest part of the house. The space is exclusively
reserved for the house wives, their female visitors and children below the age
of puberty, the service zone consisting of toilets, normally pit latrines,
bathrooms granaries, and the place for keeping domestic animal are located in
this space. The emphasis on privacy and seclusion of the women folk should not
be misconstrued as making them prisoners in the house, for they were usually at
liberty to go out and pay visits to their parents’ relatives and friends
whenever the need arose.
The
desire of the Sokoto Caliphate leadership to entrench Islamic principles of
social coexistence and domestic life across its territories extended beyond
matters of worship and governance into the regulation of everyday spatial
practices, including housing and settlement organization. Central to this
vision was the conviction that the built environment should reflect Islamic
ethical values, promote social harmony, and prevent interpersonal conflict.
Consequently, several scholars within the caliphal elite devoted intellectual
attention to articulating Islamic norms governing interpersonal relations,
neighbourhood conduct, and domestic privacy—norms that had direct implications
for building construction and urban form.
Guided
by the prophetic injunction that “harm shall neither be inflicted nor
reciprocated” (lā ḍarar wa lā ḍirār),[18] Sokoto jihad leaders
emphasized the moral responsibility embedded in spatial design and
construction. Among the most influential contributors to this discourse was Abdullahi
ibn Fodio, whose juridical writings sought to translate Islamic legal
principles into practical social regulations. In his work Diya’ al-ḥukkām,
Abdullahi articulated a set of housing and neighbourhood principles grounded in
Islamic jurisprudence (fiqh), aimed at safeguarding privacy, preventing
nuisance, and sustaining peaceful coexistence within densely populated
settlements[19].
One
of the core principles emphasized in these writings concerns the protection of
domestic privacy (ḥurmat al-buyūt). To achieve this, the opening of
doors, windows, or apertures that directly overlook another household’s living
quarters was strongly discouraged or outright prohibited. This regulation
reflects a broader Islamic concern with shielding family life from intrusive
gazes and preserving moral boundaries within residential spaces. In
architectural terms, this principle informed the inward-looking design of
houses, the strategic placement of entrances, and the controlled use of
windows—features that became defining characteristics of domestic architecture
in much of North-Western Nigeria.
Equally
significant was the emphasis on good neighbourliness (ḥusn al-jiwār),
which shaped construction practices at the level of shared walls and property
boundaries. Islamic legal opinion, as reflected in Abdullahi ibn Fodio’s
exposition, held that adjacent neighbours should not be prevented from resting
the main beams or structural masts of their buildings on existing demarcation
walls, provided such actions did not cause harm or structural damage. This
principle encouraged cooperation, mutual accommodation, and efficient use of
space within compact urban environments. It also reduced disputes over land and
construction rights, reinforcing social cohesion within caliphal towns and
villages. These
juridical prescriptions reveal that housing in the Sokoto Caliphate was not
merely a technical or aesthetic enterprise but a moral and legal one. Building
construction became a medium through which Islamic values were materialized in
everyday life. The enduring influence of these principles is evident in
contemporary building practices across North-Western Nigeria, where concerns
for privacy, shared walls, and neighbourly relations continue to shape
residential architecture. By foregrounding these intellectual foundations, this
study demonstrates that the impact of the Sokoto Jihad on building construction
was as much ideological and legal as it was material, embedding Islamic social
ethics into the very fabric of the built environment.
Conclusion
The paper has attempted albeit briefly, to examine the
impact of the Sokoto caliphate on the traditional construction industry with
special emphasis on North - western Nigeria. The unification of the warring
Hausa states in the region and in fact the whole of Hausaland brought about
peace and prosperity favourable to technical development. The political
patronage of the construction industry by the new leaders of the Caliphate
resulted in the display of improved technical skills in the form of magnificent
palace and Mosque buildings.
The Jihad permanently implanted the general principle
of maximum privacy for the women quarters in the compound which was achieved
through series of courtyards and bent entrances. Moreover, the layout of the
town was made to reflect religious, political and economic organisation. The
central and public space of the town accommodates the Palace, the central
mosque and the market.
[1] See for instance, H.M.
Maishanu, Five Centuries of Historical Writing in Hausaland and Borno
1500-2000, (Ibadan, Macmillan Nigeria Ltd, 2007) pp. 56-84
[2]
Refer Shayk Usman bn Fodio, Bayan bid’i Shaythaniyya Arabic Text, Bayan Wujub
Hijra Trans. Elmasri, 1978, p.140, also Usman Bugaje, The Past as Future:
Some Preliminary Thoughts on the Sokoto Caliphate, Abuja, Books and
Libraries, 2015, pp. 51-54.
[3] S. Yamusa,
“The Political Ideas of the Jihad leades: Being a Translation and Edition of of
Usulul Siyasati” M.A. Dissertation, Abdullahi Bayero College, Kano, 1975, p. 19.
[4]
Saidu Faru, A popular Hausa Musician
[5]
J.H. Clapperton, Journal of a Second
Expedition into the Interior of Africa, London, John Murry, 1829. pp. 208-209
[6]
Ibid.
[7]
J.E. Philips, Ribat in the Sokoto Caliphate, PhD. University of
Califonia, Los Angeles, 1992, p. 411.
[8]
J.P. Smaldone, Warfare in the Sokoto Caliphate, London, Penguin Books, p.
63.
[9] M. Last,
The Sokoto Caliphate, p.74.
[10]
Y.B. Usman, Studies in the History of the Sokoto Caliphate: Sokoto
Seminar Papers, Zaria, P. 154
[11]
J.E. Philips,’’Ribat in the Sokoto Caliphate’ PhD. University of Califonia, Los
Angeles, 1992, p. 227.
[12] Refer
M.S Zaharadeen, ‘’Acquisition of Land and its Administration in the Sokoto
Caliphate as provided in Abdullahi Danfodiyo’s Ta’lim al-Radi’’ in M.A
Kani and K.A. Gandi (edts), State and Society in the Sokoto Caliphate,
UDU Press, 1990, pp. 197-206.
[13] Abdullahi
Smith, ‘The early States of the Central Sudan’’ in J.F.A. Ajayi and Michael
Crowder, History of West Africa, Vol. I.; London, Longman,1971, pp. 179-182.
[14]
Hamman T.S, ‘’Islamic Urban Heritage in the Central Sudan: Problems and
Prospects for Modern Development’’ Studies in Humanities Vol. I. No. I.
October 1988, p. 133.
[15] C.A.
Folorunsho, ‘Socio-Cultural and Economic Meaning of Settlement Configurations:
Some West African Examples’ in B.W. Andah (ed), The Epistemology of West
African Settlements, West African Journal of Archaeology (WAJA), Ibadan, 1995,
p. 176.
[16]
Y.B. Usman (ed), Studies in the History of the Sokoto Caliphate. p. 205
[17]
A.A.M. Oumar, ‘’Gidan Bahaushe” The Socio-Cultural Ethoes of the Kano House’
Paper presented at Millenial Conference on Kano, 1998.
[18]
Prophetic saying, Hadith 32 of al Nawawi’s fourty Traditions in A.R. Doi, Introduction
to the Hadith, Lagos, Islamic Publication Bureau, 1981,P.56.
[19]
B.S. Hakim and Z. Ahmad, ‘Rules for the built Environment in 19th Century
Northern Nigeria’ Journal of Architectural Planning and Research 23:1, 2006,
p. 7.
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