Cite this article as: Gwarzo, Y. A.& Salisu, R.G. (2025). A cognitive analysis of metaphorical expressions in Yi Akwei Armah’s the Beautyful Ones Are Not Yet Born. Sokoto Journal of Linguistics and Communication Studies (SOJOLICS), 1(2), 175–184. https://doi.org/10.36349/sojolics.2025.v01i02.020
A COGNITIVE
ANALYSIS OF METAPHORICAL EXPRESSIONS IN YI AKWEI ARMAH’S THE BEAUTYFUL ONES
ARE NOT YET BORN
By:
Yusuf Ahmed Gwarzo,
Ph.D.
Department of
Nigerian Languages, Northwest University, Kano
Email: aygwarzo@yumsuk.edu.ng
&
Rabiu Garba Salisu
Postgraduate
Student, Department of English and Literary Studies
Northwest
University, Kano
Abstract
The aim of the study is to explore the
metaphorical expressions in Ayi Kwei Armah's The Beautyful Ones Are Not Yet Born using the conceptual
theory of metaphor (CMT) by Lakoff& Johnson (1980) and Idealized cognitive
models (ICMs) by Radden & Kovecses (1999) as its framework. The research objectives include identifying metaphorical
expressions, exploring cognitive mechanisms and highlighting the function of
idealized cognitive models (ICMs) in the text. A qualitative approach was
employed, involving a descriptive analysis of linguistic expressions in the
text. The data collection process involved reading the text multiple times,
highlighting linguistic expressions and categorizing them according to
structural metaphors using CMT. The study identifies 42 metaphorical
expressions grouped under 14 conceptual metaphors The study found 14 conceptual
metaphors. The findings also revealed the extensive use of structural metaphors
in the text, supporting the universality of conceptual metaphors (Lakoff&
Johnson, 1980; Kovecses, 2010). Additionally, 6 idealized cognitive models
(ICMs) were identified as playing a role in the creation of these conceptual
metaphors. This research contributes to the understanding of cognitive
metaphorical expressions in literary texts, highlighting the significance of
CMT in analyzing conceptual metaphors and ICMs. The findings also support the
claim of the universality of metaphors, demonstrating how metaphorical
expressions are extensively exploited in literary text.
1. Introduction
Metaphor is for most people a device of the poetic imagination, metaphor
is typically viewed as characteristic of language alone, a matter of words
rather than thought or action. For this reason, most people think they can get
along perfectly well without metaphor. We have found on the contrary, that
metaphor is pervasive in everyday life, not just in language but in thought and
action. Our ordinary conceptual system; in terms of which we both think and
act, is fundamentally metaphorical in nature (Lakoff and Johnson 1980).Kovecses
(2010) arguesthat for most of us, metaphor is a figure of speech in which one
thing is compared with another by saying that one is the other, as in,He is
a lion or, as the Encyclopedia Britannica put it: “metaphor(is a) figure of
speech that implies comparison between two unlike entities, as distinguished
from simile”.According to Kovecses (2014) there are five traditional concepts
of metaphor: First, metaphor is a property of words. Second, metaphor is used
for some artistic purpose. Third, metaphor is based on a resemblance between
the two entities. Fourth, metaphor is a conscious and deliberate use of words,
and you must have a special talent to be able to do it and do it well. Fifth,
it is also commonly held that metaphor is a figure of speech that we can do
without, we use it for special effects, and it is not part of everyday human
communication.He added that, a new perspective view of metaphors that challenged
all these aspects of traditional theory in a systematic way was first developed
by George Lakoff and Mark Johnson in 1980 in their book “Metaphors We Live By”.
Their conception has become known as the “Cognitive Linguistic View of
Metaphor”. Lakoff and Johnson challenged the deeply view of metaphor by
claiming that.(i)metaphor is a property of concepts and not of words. (ii)the
function of metaphor is to better understand certain concepts, and not just
some artistic purpose. (iii)metaphor is often not based on similarity. (iv)metaphor
is used effortlessly in everyday life by ordinary people.(v)metaphor is not
only pleasing linguistic ornament; it is an inevitable process of human thought
and reasoning.
Researchers highlight the significance of body parts in grounding human
thought and experience (Deignan& Potter, 2004). This has sparked
investigations into how human thought conceptualizes body parts to generate
metaphoric expressions. Numerous studies have explored metaphor, demonstrating
its importance in understanding human cognition and language. With reference to
the above information, this study aims to reveal the underlying conceptual
metaphors in Beautyful Ones Are Not Yet Born and offer insights into
cognitive mechanisms and other cultural beliefs. The book was authored by A.K.
Armah (born October 28, 1939, in Ghana) a renowned novelist and Pan-Africanist
whose works explore postcolonial disillusionment, identity, and corruption,
making him one of Africa’s most influential literary voices. The book portrays
moral decay through the story of a principled railway clerk who resists
corruption despite poverty and social pressure, symbolizing the struggle to
uphold integrity in a morally compromised society.
2. Literature Review
Cirovic (2022) examined Shakespeare’s Othello using Conceptual Metaphor
Theory (CMT) to show how animal-based metaphors reveal cognitive links between
race, gender, and evil. The study demonstrated that metaphorical language
exposes underlying perceptions of the “Other.” Similarly, Sobola and Agboola
(2016) found that conceptual metaphors possess syntactic structures similar to
canonical sentences, but their interpretation depends on conceptual not
structural factors. In the Hausa context, Gwarzo (2015) analyzed metaphorical
and metonymical uses of hannu‘hand’
and kai ‘head’, revealing that these body part terms conceptualize mental
operations, control, and cultural beliefs. Likewise, Almajir (2010) applied a
cognitive-semantic approach to Hausa metaphors, showing that metaphor is a key
cognitive tool linking thought and linguistic expression. Nokele (2015)
explored CMT in translating metaphors from Mandela’s Long Walk to Freedom into
isiXhosa and isiZulu, finding conceptual consistency across languages. Agnes
(2009) investigated metaphors in media advertisements, illustrating how
figurative language influences perception and consumer behavior. Charbati
(2008) stressed that metaphors are pervasive in human thought and behavior, not
merely linguistic devices, while Ungerer and Schmid (2006) traced the evolution
of metaphor theory from a stylistic to a cognitive orientation, following
Lakoff and Johnson’s (1980) seminal contribution. Collectively, these studies
demonstrate the centrality of CMT in analyzing how metaphors shape cognition,
language, and cultural understanding a framework equally relevant to exploring
metaphorical expressions in African literary and linguistic contexts.
3. Theoretical Framework
This study adopted the Conceptual Metaphor Theory (CMT) proposed by
Lakoff& Johnson (1980) and
Idealized Cognitive Models (ICMs) by Radden&Kövecses, (1999). These
theories cover the areas identified for the purpose of this research. The
theoretical foundation was established by Lakoff and Johnson (1980) in
Metaphors We Live By and later expanded by Kovecses (2002, 2010). These
scholars classify metaphors into three main types: structural, orientational,
and ontological. Structural metaphors allow complex abstract ideas to be
understood through more concrete frameworks, enabling systematic
correspondences between conceptual elements. Orientational metaphors organize
abstract experiences through spatial orientation derived from bodily
experience, such as happy is up and sad
is down(Lakoff& Johnson, 2003). Ontological metaphors, meanwhile,
conceptualize abstract phenomena such as emotions, ideas, or events as physical
entities or substances, allowing speakers to reason about them as tangible
experiences.
A central component of this framework is metaphorical mapping, the
cognitive process by which elements from a concrete source domain are projected
onto an abstract target domain (Lakoff& Johnson, 1980). Radden and Dirven
(2007) note that such mappings are often partial only selected aspects of the
source are mapped onto the target revealing the selective nature of conceptual
understanding. Conceptual domains themselves are mental networks that organize
human experience, with the source domain typically representing familiar,
physical knowledge and the target domain representing abstract concepts.
4. Methodology
According to Creswell (2014), methodology reflects the researcher’s
philosophical orientation, research design, and the specific procedures
employed to ensure a systematic and coherent approach to a study. This research
adopts a qualitative approach, deemed appropriate for analyzing the linguistic
expressions extracted from the selected literary text. The qualitative design
was chosen because the study investigates naturally occurring linguistic and
cognitive phenomena as reflected in the data. The data collection involved
multiple careful readings of The
Beautyful Ones Are Not Yet Born to identify metaphorical linguistic
expressions relevant to the study. The text was read at least five times to
ensure accuracy and depth of understanding. Metaphorical expressions were then
highlighted, recorded, and categorized based on Conceptual Metaphor Theory
(CMT), specifically focusing on structural metaphors. The data were
subsequently organized and analyzed according to the types of conceptual
metaphors identified, along with their corresponding linguistic expressions.
5. Data Presentation and Analysis
The total data collected for analysis in this study comprise forty-two
(42) linguistic expressions, which encompass fourteen (14) conceptual metaphors
identified from the text. A detailed breakdown of the data is presented in the
table below.
|
S/N |
Beautyful
Ones Are Not Yet Born |
TOKEN |
|
1 |
Movement is uncertainty |
3 |
|
2 |
Progress is movement |
3 |
|
3 |
Machines are living things |
3 |
|
4 |
Height is power |
3 |
|
5 |
Throat is a Container |
3 |
|
6 |
Movement is Progress |
3 |
|
7 |
Time is Container |
3 |
|
8 |
People are Machines |
3 |
|
9 |
People are Corpses |
3 |
|
10 |
People are Small Being |
3 |
|
11 |
Emotions are Forces |
3 |
|
12 |
Argument is War |
3 |
|
13 |
Money is a Resource |
3 |
|
14 |
Touch is Connection |
3 |
|
Total |
|
42 |
Table
1: frequency of the compiled data
1.
Movement is Uncertainty
The above
conceptual metaphor constitutes the source domain and the target domain
concepts. uncertainty, which is
the target, is understood in terms of the source movement. Movement is the act or process of changing
position, place or direction.At the conceptual level, between the source and
target we have the following metaphorical expressions that really emphasize the
saying that movement is uncertainty. As in the following examples:
1. "The bus moved uncertainly down the
road" (Pg. 1, L 1)
2. "The driver sped along the road like
an afternoon breeze" (Pg. 140 L 21)
3. "Shift
in the ghost" (Pg. 96 L30)
In Example (1),
the word moved is understood as
uncertainty, while for (2) sped is
extended to be unpredictable and in (3) a shift
is conceptualized as uncertain and transformation. The set of correspondence
between the elements of the source movement
and those of the target domain uncertaintyas
in:
Source
Domain: (Movement) Target Domain:
(Uncertainty)
Movement Uncertainty
Direction Clarity
Speed Confidence
Obstacles Challenges
Destination
Goal
2.
Progress is Movement
Considering movement
as the source domain and progress
as the target domain the target is comprehended in terms of the source domain
movement. The metaphorical expressions in this include:
4. "The bus had come to a stop"
(Pg. 1, L 3-4)
5. "Passenger shuffled up the center
aisle" (Pg. 1, L 19-20)
6. "Shoot like a star toward the
gleam" (Pg. 96 L27-28).
For Example (4),
stop is seen as a setback or an
obstacle to progress, while for (5) shuffled
is understood as a challenge in making progress and in (6) shoot implies rapid or progressive movement. The noticeable
features that can be conceptualized from the source movement and the target progress
are as follows:
Source
Domain: (Movement) Target Domain:
(Progress)
Movement Progress
Static Lack of progress
Direction Purpose
Speed Rate of progress
Obstacles Challenges
to progress
3.
Machines are living things
The above
conceptual metaphor contains the source and the target concept. machines, is the target
understood in terms of the source living
things. Living things are entities that exhibit the
characteristics of life. At the conceptual level, between the source and the
target domain we have the following linguistic expressions that really
emphasize the saying that machines are living things. The expression includes:
7."Spasticshudder" (Pg. 1, L 5).
8."Touchingrusty metal" (Pg. 5, L 32)
9."Dragging them after us" (Pg. 96
L16)
In Example (7)
above, spastic is understood as a
malfunction or erratic behavior, while in (8) rusty is conceptualized as sign of deterioration, which decreases
mobility and for (9) Dragging is
conceptualized as inefficiency that reduces performance. A set of
correspondences between the constituent elements of the source living things
and those of target domain machines is as follows:
Source
Domain: (Living Things) Target Domain: (Machines)
Life Functionality
Death Malfunction
Movement Operation
Sensation Response
Energy Power
Repair Healing
4.
Height is Power
The two
conceptual domains in the above are height and power. The target domain height
is understood in terms of the source domain, power. The metaphorical linguistic
expressions used to talk height are as follows:
10. "Eyes
had in them the restless happiness of
power" (Pg. 2, L 30)
11. "Dwarfs unable to run away"
(Pg. 2, L 14-15)
12. "Lean
figures emerged as if to threaten
him, but when he came up to them they saluted stiffly" (Pg. 103 L14-15)
In (10) above, restless is understood as elevated
power, which is associated with power, in (11) dwarfsis conceptualized as lack of power and for (12) the emerged is sense as rising or elevation.
We can lay out a set of metaphorical links between the source domain and the
target domain, as in:
Source
Domain: (Power) Target Domain :(
Height)
Height Dominance
Lowliness Subordination
Verticality
Hierarchy
Elevation Authority
Distance Social
status
5.
Throat is a Container
In the
conceptual metaphor Throat is a Container,
THROAT as the target domain is understood in terms of the source domain Container. Container is seen as a
physical entity that holds, encloses or surrounds something else, such as
objects, substances or ideas. There are some linguistic expressions that talk
of that shown:
13. “Cleared his throat and spat out a
generous gob of mucus” (Pg. 1 L 14)
14. "Fullness of the month touches each
old sufferer" (Pg. 2, L 12-13)
15."The man saw his mother-in-law's face contract, oozing shame and hate mixed together" (Pg. 134 L 3-5).
In Example (13)
it depicted that clear is
metaphorically understood as emptying and free from obstruction and blockage or
congestion, while in (14) Fullness is
conceptualized as difficult in breathe, speak or swallow and in (15) Oozing is understood as the slow or
gradual flow. In the same case here, we can have these correspondences looking
at the constituent elements in source domain and target domain:
Source
Domain: (Container) Target Domain:
(Throat)
Container Throat
Emptying Clearing throat
Filling Blocking throat
Overflowing
Vomiting
Contents Emotions
6.
Movement is Progress
The conceptual
metaphor contains the two conceptual domains (i.e. movement as a source and
progress as the target domain) that to be conceptualized. movement is seen as
change in the position or location of an object or a person. This includes
walking, running, jumping or any action that involves movement from one place
to another. There are some linguistic expressions that when heard in the right
perspective, our thinking will directly go to the target domain progress as in:
16. "Driver climbed down onto the road" (Pg. 1, L 7)
17. "The easy slide" (Pg. 31 L35)
18. "Walking with an unknown
companion" (Page 100 L 3-4)
In Example (16)
above, climbed is conceptualized as
making steady progress toward a goal; in (17), slide implies falling behind, missing opportunities and for (18) walking is understood as progression,
staying on track. What makes us perceive structural similarities between the
concept of movement as source and that of progress are mapping the constituent
elements of both domains as follows:
Source
Domain: (Movement) Target Domain:
(Progress)
Movement Progress
Static Lack of progress
Direction Purpose
Speed Rate
of progress
Distance Achievement
7.
Time is Container
container is
considered as the source domain and time as the target domain. The target is
comprehended in terms of the source domain container. The linguistic
expressions of the conceptual metaphor are shown in:
19. "Coins had yielded nothing"
(Pg. 2, L 24)
20. "The walkers sleepstill" (Pg.
2, L 13-14)
21. "The man sees himself as he is, but pushed
back into time already done" (Pg. 99 L1-3)
For Example (19)
above, yielded is conceptualized as
acknowledging the limitations of time or time constraints, while in (20) still implies freezing time, pausing the
clock or suspending activity within the container of time and for (20) push-back
implies the reorganization or rescheduling appointments. The noticeable
features that can be conceptualized from the source domain container and the
target domain time as follows:
Source
Domain: (Container) Target Domain:
(Time)
Container Time
period
Emptying Wasting
time
Filling Filling
time
Contents Events/Experiences
Size Duration
Shape Structure
8.
People are Machines
The source
domain machines is a part of a network of concepts that can be conceptualized,
although the corresponding to the target domain people is similarly part of a
network of concepts that have an exclusive link, which enables mapping features
from the source to the target domain. Machine is a complex system that uses
energy, materials and information to perform specific tasks or functions. It
can be physical, electrical or digital and can range from simple devices to
complex systems. Consider the following examples:
22. "Walking corpse holds out the exact
fare" (Pg. 2, L 10)
23. "Dwarfs unable to run away"
(Pg. 2, L 14-15)
24. "Dragging them after us" (Pg.
96 L16)
As shown in
(22), the walking corpse is
understood as functioning but not thriving, going through the motions but
lacking vitality or purpose, while for (23), Dwarfs is conceptualized as limited capacity or functionality,
where one feels like they’re not operating at full capacity, or that they’re
being held back by limitation or obstacles and, in (24), Dragging implies resistance or friction, where a machine is
experiencing opposition or hindrance in its operation leading to reduced
efficiency or effectiveness. It leads one to consider certain correspondences
as mappings between the two conceptual domains as follows:
Source
Domain: (Machines) Target Domain:
(People)
Machine Person
Functioning Behavior
Malfunctioning
Breakdown
Control Agency
Energy Motivation
Maintenance Self-care
9.
People are Corpses
The metaphor
contained two conceptual domains that can be conceptualized. The concept of
corpses as a source domain is the lifeless body of a deceased person or animal.
We can understand that in the above conceptual metaphor, the constituent
elements in corpses form a systematic way of talking about people as a target
domain. The linguistic expressions include:
25. "Walking corpse holds out the exact
fare" (Pg. 2, L 10)
26. "The flesh of the snout accomplished a grotesque retreat from the
teeth" (Pg. 28 L9-10)
27. "Looked like something that had been
finally destroyed a long time back" (Pg. 180 L17-18)
In Example (25)
above, walkingcorpses is conceptualized as disconnected, where individuals
are going through the motions of life without feeling, passion or purpose.
While in (26), retreat implies as
pulling back from social interactions, relationships or activities due to fear,
anxiety or emotional pain and for (27), Destroyed
is conceptualized as losing one’s sense of identity or purpose, where
individuals struggle to find meaning, direction or fulfillment in their lives.
We can put down sets of connections between the constituent elements of the
source and those of the target as in:
Source
Domain :( Corpses) Target Domain:
(People)
Corpse Person
Decay Deterioration
Lifelessness
Emotional numbness
Fragility Vulnerability
Rot Corruption
10.
People are Small Being
The metaphor of
people as small being focuses on the source domain element and the target
domain element was presented in such a way that it evokes such features that
correspond with that of the source. Therefore, when the target (people) and
source (small being) were merged, the resulting conceptual metaphor yields some
linguistic expressions that reflect our thinking as follows:
28. "Dwarfs unable to run away"
(Pg. 2, L 14-15)
29. "Lean
figures emerged as if to threaten him..." (Pg. 103 L14-15)
30. "In the examination hall he finds all
movement impossible" (Pg. 99 L 5-6)
As shown in
(28), dwarfsimply vulnerability,
immature, where peoples struggle to develop, while in (29), lean is conceptualized as efficient or
streamlined and for (30), impossible
is metaphorically understood as feeling stuck, trapped or unable to move
forward due to fear, anxiety or self-doubt. As we can see, when a source domain
is allied to the target, only some features of the target are brought into
focus, as in the following mapping structures:
Source
Domain: (Small Beings) Target Domain:
(People)
Small being
Person
Vulnerability Powerlessness
Size Importance
Fragility
Weakness
Dependence
Need
11.
Emotions are Forces
The coming up
together between the source (Force) and the target (Emotions) concepts form the
conceptual metaphor emotions are forces. Emotions are complex psychological and
physiological states that people experience in response to various stimuli,
which includes internal thoughts, external events and social interactions,
where forces are pushes or pulls that can cause objects to change their motion
or shape. In the conceptual metaphor, there exist some linguistic expressions
that guide us in construing one concept in terms of another as follows:
31. "A strong unusual desire" (Pg.
98 L2-3)
32. "Sometimes a certain type of relief”
(Page 111 L 28)
33. "The man saw his mother-in-law's face
contract, oozing shame and hate mixed together" (Pg. 134 L 3-5)
As shown in
Example (31) above, desire clearly
means pulling or drawing, where our desires exert a force that pulls us in a
particular direction, influencing our choices and action, while in (32) relief is conceptualized as a sense of
freedom or liberty and in (33) hate
is metaphorically understood as a distance, separation or rejection. We can put
down sets of connections between the constituent elements of the source and
those of the target as follows:
Source Domain: (Forces) Target Domain: (Emotions)
Force Emotion
Strength Intensity
Direction Focus
Impact Influence
Resistance Suppression
12.
Argument is War
Elements in the
source domain war are mapped onto the elements of the target domain argument.
However, when we hear these expressions in the appropriate context, we will
interpret them to be about argument. The metaphorical linguistic expressions
are as follows:
34. "The kind of bloodlesschuckle that is intended to lead into something the
chuckler is itching to say"
(Pg. 141 L34-35).
35. "It might be possible to cutoff the
display with the kind of agreement that kills any conversation"
(Page 142 L5-6).
36.“The party
man there in front of him now, acting as if he saw himself entirely surrounded by hostile things and feared that every coming moment would turn out
to be his last’ (Pg. 162 L 5-8)
In Example (34) above, itching
is conceptualized as provoking or instigating, where an argument or a person’s
words trigger a strong reaction or response, while in (35) cutoff implies as isolation, where someone’s argument is excluded
or dismissed and kills is metaphorically understood, refuting where a
person’s words are conclusively disproven or destroyed. And in (36) surrounded implies restricted or
constrained by opposing views or evidence and hostile is understood as
confrontational, where someone’s argument is perceived as attacking, critical
or dismissive. The structure of this conceptual metaphor leads one to reflect
on certain association domains. The source domain war and the target domain
argument could be as follows:
Source
Domain :( War) Target Domain:
(Argument)
War Argument
Attack Criticism
Defense Justification
Victory Persuasion
13.
Money is Resource
The target
domain is understood in terms of the source domain. From the above conceptual
metaphor, we have money as the target domain and resource as the source domain.
The linguistic expressions here are:
37."Rich should have this effect on the poor" (Pg. 131 L13)
38. "Now another group of bellies will be bursting
with the country's riches!" (Pg. 158 L2-3)
39. Coins had yield
nothing (Pg. 2 L24)
In (37) above, rich implies productivity where
financial resources are used to generate more wealth, create opportunities or
support growth, while in (38) bursting
is understood as abundance and in (39) the yield
is conceptualized as returning or paying back. We can also arrive at these
correspondences between the constituent elements in the source and that of the
target as the following:
Source
Domain: (Resource) Target Domain:
(Money)
Resource Money
Scarcity Poverty
Abundance Wealth
Distribution
Allocation
Consumption
Spending
Flow Circulation
Storage Savings
14.
Touch is Connection
This conceptual
metaphor touch is connection constitutes two conceptual domains: the target,
touch and the source, connection. There are so many linguistic expressions that
when heard in the right context, we deduce them to be about touch. These
include:
40. "Wearing a dress that seemed to catch
each individual ray of light and aim it straight into the beholding
eye" (Pg. 148 L 10-12)
41. "Only human hand that could touch
his and not make him feels a stranger to life" (Pg. 153 L 20-21)
42. "She held his hand and led him
inside, as if he were a stranger coming into her house, or a lover not sure of
himself" (Pg. 160 L 34-35)
As shown in (40)
above, catch forms a link or bridge,
where two things are able to find a common
ground, create a sense of shared understanding or establish a
connection, while for (41) touch is
metaphorically understood as connection or intimacy, creating a sense of unity
or togetherness and in (42) held is
conceptualized as embracing or encompassing creating safety, security or
containment. We can also consider certain mapping between these concepts to
indicate that the two shared something in common as follows:
Source
Domain: (Connection) Target Domain:
(Touch)
Connection
Touch
Separation
Distance
Union Intimacy
Support Comfort
Barrier Isolation
Bond Attachment
Link Relationship
Idealized
Cognitive Models (ICMS)
The idealized cognitive model (ICMs) that operate
for the creations can be seen in the Table below:
|
1 |
Container ICM |
|
2 |
Human Being ICM |
|
3 |
Movement ICM |
|
4 |
Force ICM |
|
5 |
Object ICM |
|
6 |
Connection/Proximity ICM |
Table 2:
Summary of the Idealized Cognitive Model (ICM)
Each of these ICMs is discussed in the following subsection. At this
point, the research shows the type of experiences which cause the emergence of
these ICMs in the analysis.
1. Container ICM
A container ICM encompasses three major compositions, namely interior,
exterior and boundary. With respect to the conceptualizations of the following
conceptual metaphor throat is a container, and time is container. The present
study has provided the types of linguistic expressions, which cause the
emergence of the container ICMs.
2. Human Being ICM
For human Being ICM and Non-Human Being ICM, Croft and Cruse (2004)
claimed that a human being ICM may presuppose several different ICMs or
domains. They further stated that “a human being must be defined relative to
the domains of physical objects, living things and volitional agents and
several other domains, e.g. emotion” (p. 25). This corresponds with the view of
Langacker, who claimed that some domains involve more than one dimension
(Langacker, 1987, cited in Croft and Cruse, 2004, p. 25). Therefore, human
beings are living things with mental abilities, such as volition, intention,
cognition and emotion. The human being ICM consists of the human body that
encompasses various structures internal and external, as it is in: machines are
living things,people are machine,people are corpses and people are small being.
3. Movement ICMs
Movement ICMs are conceptual models that structure our understanding of
movement and motion. These ICMs include the Source-Path-Goal (SPG) schema,
motion-as-action, motion-as-change and self-motion vs. caused motion, which
influence linguistic expressions, cognitive processing and cultural variations.
They shape our perception, attention, and memory for motion events, reflecting
complex and multifaceted human conceptualization. As in:movement is
uncertainty,progress is movement and movement is progress.
4. Force ICM
Force ICMs conceptualize forces as entities that can exert influence,
pressure or power over objects or individuals. This ICM is evident in
expressions. Similarly, social influences can be seen as forces. By framing
forces in this way, we create a cognitive model that helps us to understand and
describe complex, abstract phenomena, such as:emotions are forces and argument
is war.
5. Object ICM
Object ICMs view abstract concepts as objects that can be perceived,
manipulated or interacted with. Similarly, money can be seen as an object. This
ICM allows us to conceptualize intangible ideas and make them more concrete and
manageable. As in: height is powerand money is resource.
6.
Connection/Proximity ICMs
Connection ICMs conceptualize relationships or interactions between
entities as physical connections or bonds. Even physical touch can be seen as a
form of connection, as in "Holding hands creates a sense of
connection." By framing connections in this way, we create a cognitive
model that highlights the importance of relationships and interactions in our
lives. As in: touch is connection.
6. Conclusion
This study identified fourteen conceptual metaphors comprising forty-two
linguistic expressions in The Beautyful
Ones Are Not Yet Born. In addition, 42 linguistic expressions were found to
reflect the extensive use of structural metaphors, demonstrating the
universality of conceptual metaphors as proposed by Lakoff and Johnson (1980)
and Kövecses (2010). Six idealized cognitive models (ICMs) were also identified
as instrumental in the creation and interpretation of these metaphors. Overall,
the findings affirm the pervasive nature of metaphor in human cognition and
language use, showing that Armah’s work vividly exploits metaphorical expressions
to reflect moral, social, and political realities. The study underscores the
vital role of linguistic expressions in literary creativity serving not only as
stylistic devices but also as cognitive tools through which writers convey deep
conceptual meanings and critique societal conditions.
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