Cite this article as: Auwal, M. D., & Muhammad, S. A. (2026). Anthropomorphisms in Hausa political poetry: A cognitive semantic analysis. Sokoto Journal of Linguistics and Communication Studies (SOJOLICS), 2(2), 221-231. https://doi.org/10.36349/sojolics.2026.v02i02.020
By
Muhammad Dayyib Auwal, Ph. D
Department of Nigerian Languages
Northwest University, Kano
08037340691
&
Sani Abdullahi Muhammad Ph.D
Department of Nigerian Languages
Northwest University, Kano
08065845152
Abstract
This paper sets out to investigate
the cognitive aspect of Hausa anthropomorphisms. The objectives of the paper
are to reveal out the composed Hausa anthropomorphisms in some verses of the
political poetry of Malam Imam Sani Gaya titled N.P.N Dandalin Cuta. Another
objective of the paper discovers the mapping attributes of animate entity to
the non-living entity (N.P.N).The study realizes that the analyzed Hausa
anthropomorphisms are all metaphorical in nature and the study uses Conceptual
Metaphor Theory of Lakoff and Johnson (1980) as a guide frame in discovering
the attributive features of the animate and mapped onto the political party
N.P.N. Observation technique is adopted in collecting the data of the study and
one important finding of the study indicates that Hausa anthropomorphisms are
there found in the poetry of N.P.N Dandalin Cuta. Another important finding
indicates that, the attributive features of human concept are mapped upon the
inanimate (political party) conceptually, and this makes some verses of the
poetry anthropomorphized.
Keywords: Anthropomorphism, Hausa, Poetry, Cognitive Semantics
1.0 Introduction
Hausa is a language where different
researches have been conducted in both formal and cognitive semantics. The
studies that were carried out in Hausa with cognitive semantic view are that of
Almajir (2014), Auwal, (2018), Auwal (2023), Auwal & Garba (2024), Auwal
et. al. (2025) Gwarzo (2015), Imamu (2017) among others. However,
anthropomorphism as one of the figurative devices describes human
characteristics, traits, or attributes plotted upon to non-human entities like
political parties etc.
The analyzed data of this study
were observed from the poetry of Malam Imamu Sani Gaya titled N.P.N. Dandalin
Cuta. N.P.N. is a political party that stands for National Party of Nigeria. It
dominated Nigeria’s Second Republic from 1979to 1983. The party’s leader was
alhaji Shehu Shagari who won the 1979 presidential election. The party
controlled seven state governments where its tenure was married by corruption
scandals and electoral malpractices, ultimately leading to its overthrow in a
1983 military coup.
1.1 Biography of Malam Imamu
Sani Gaya
Malam Imamu Sani Gaya was born in
1943 at Gaya town of Kano state. His father Malam Sani Gaya was an Islamic
scholar popularly known as Malam Mai-Darasu Alaramma, who spent all his lives
at the Gaya town teaching the book of Allah (Qur’an).
Malam Imam studied under his
father’s guidance and memorized the whole Qur’an at the age of fifteen. He
wrote the holy Qur’an seven times in his life time and also studied many books
of Islamic Jurisprudence under his father guidance. The Imam mastered some
poetry books likeAlburda, Hamziyya, Ishriniya etc.
Sheikh Imam continued to pursue
knowledge of Tajweed from Arabic scholars who arranged seminars on theoretical
and practical teaching of Tajweed. The young Imam mastered the field of Tajweed
and later joined his father in teaching and learning activities at the father’s
school. The school was regarded popular, and produces number of students who
memorized the complete holy Qur’an. The students participated at several
organized Qur’anic Recitation Competitions both at the national and
international level. And finally, Malam Imamu died at Gaya town in 1993, he
left number poetries written both in Ajami and Western
alphabets (Boko).
1.2 Anthropomorphism
Anthropomorphism is the attribution
of human traits, emotions, or intentions to non-human entities (Epley, et.al
2007). In another words, anthropomorphism is a figure of speech in which an
animal, object, or idea is given human characteristics or qualities (Baldick,
2001).In another view, anthropomorphism refers to the tendency to attribute
human-like qualities, intentions, or emotions to non-human entities, including
animals, objects, and supernatural beings (Guthrie, 1993).The meaning of the
concept can also be seen as a literary device in which an author attributes
human qualities, emotions, or actions to non-human entities, such as animals,
objects, or abstract concepts (Abraham &Harpham, 2012).Therefore,
anthropomorphism is the mapping attributes or traits of human entity to the
concept that can no longer be a human concept or domain.
1.3 Hausa Land
Hausa has about 35 to 40 million
speakers and is one among the hundred and thirty (130) Chadic Languages of the
Afro-Asiatic phylum (Newman, 2000). In estimation, Hausa is estimated to
have about 57 million native speakers (Sani, 2009). Speakers of the language
comprise ethnic Hausa and settled Fulani, who inhabit Hausa land, which
encompasses Nigeria’s northern states right until Niger’s southern
province (Newman, 2000). The language is used by a large population in the
Chadic Language family (Greenberg, 1963). Throughout West Africa’s scattered
settlements, Hausa is spoken as a first language. Likewise, in Northern Nigeria
and some other West African countries, such as Benin, Togo, Cameroun and Ghana.
Hausa is used by millions of the non-Hausa as their second language. Hausa is a
language that structurally operates under Subject-Verb-Object (SVO) structure
(Zimmermann, 2006). Another grammatical feature of the language is that it
shows high gender distinctions (Galadanci, 1976), for example, second and
third-person pronouns in Hausa show gender distinctions. Moreover, Hausa is a
tonal language with lexical and distinctive grammatical and syntactic aspects
in both its phonological structure of tone (high, low, falling) and length
(long vs. short). The syllable patterns of the language are of two types: open
and closed.
1.4 Poetry
Poetry is a form of discourse or
literary work that employs language, sound, and rhythm to evoke emotions,
ideas, or experiences, often using techniques like metaphor, symbolism, and
imagery (Preminger & Brogan, 1993). In another scholastic view, poetry is a
type of literature that uses aesthetic and often symbolic language to evoke
meanings that may be ambiguous and multiple, often focusing on the sound and
rhythm of words (Baldick, 2001). In addition, poetry is a form of writing that
uses imaginative language, rhythm, and often rhyme to express emotions,
thoughts, and experiences in a condensed and powerful way (Fowler, 1995).
Therefore, this paper discusses the cognitive semantic aspect of Hausa anthropomorphisms
found in the poetry of Malam Imamu Sani Gaya titled N.P.N.DandalinCuta.
1.5 Cognitive Semantics
Cognitive semantics is a part of
larger enterprises of cognitive linguistics; it represents an approach to the
study of mind and its relationship with embodied experience and culture(Evans
& Green (2006).The approach also considered that, the mind of the human
being is so embodied in such a way that our conceptual systems draw largely
upon the peculiarities of the human body and the specifics of our physical and
cultural environment (Johnson, 1987; Lakoff, 1987; Lakoff & Johnson, 1987;
Yu, 2008; Maalej & Yu, 2011).
2.0 Literature Review
Almajir (2013) discussed on the
polysemy of body part-terms within the image schemas in Hausa language. Likewise,
Onoja (2014) made a comparative analysis for the hyponyms of cooking terms in
English and Igala. In the study of Danglli (2014), he investigated number of
lexical relations such as synonymy, antonymy, polysemy and homonymy, with
special attention paid to the relationship between synonymy and the other
lexical relations. In another contribution to the field of semantics, Ayegba
(2018) conducted a study on comparative hyponymous of kinship terms in Igala
and English. However, in line with the current study perspective, Taher
(2019) presented a cognitive semantic analysis of the impact of socio-cultural
factors on meaning construction in selected English and Arabic proverbs.
3.0 Theoretical Framework
The study employs Conceptual
Metaphor Theory and was developed by Lakoff and Johnson in (1980). The theory
has been highly influential both within cognitive linguistics and the social
sciences, particularly in neighboring disciplines like cognitive psychology and
anthropology.
In the metaphorical expression love
is a journey; there is a conventional link at the conceptual level between the
domain of love relationships and
the domain of journeys.
According to the view, love, which is the target (the domain being described),
is conventionally structured in terms of journeys,
which is the source (the domain in terms of which the target is described).
What makes it a metaphor is the conventional association of one domain with
another.
Lakoff and Johnson also observed
that there are a number of distinct roles that populate the source and target
domains. For example, journeys includes travellers, a means of transport, a route followed and obstacles along the route and
so on. Similarly, the target domain love
relationship includes lovers and
events in the relationship.
Evans and Green (2006:295) stress
that the metaphor works by mapping roles from the sources onto the
target: lovers become travellers (we are at a
crossroads), who travel by a particular means
of transport (we are spinning our wheels), proceeding along a
particular route (our
relationship went off course), impeded by obstacles (our marriage is on the
rocks). As these examples demonstrate, a metaphorical link between two domains
consists of a number of distinct correspondences or mappings.
4.0 Data and Methodology
The methodology used in sourcing
the working data of the study is observation. However, “Observation is a
technique of data collection in which the researcher made a personal visit to
the field or respondents and collects relevant data’ (Haruna, 2008:95). In the
process of collecting the study data, one of the poet’s books titled Wakokin
Malam Imamu Sani Gaya was read, observed and pick out the relevant data for the
study.
5.0 Analysis and Discussion
Lakoff and Johnson (1980) see
anthropomorphism as a cognitive mechanism were humans project human qualities,
characteristics, or emotions onto non-human entities, like objects, animals, or
abstract concepts. This helps us understand complex ideas or relate to the
world around us. Therefore, this part presents and analyzes the Hausa
anthropomorphisms found in the poetry verses of N.P.N Dandalin Cuta.
The poetry has seventy-one verses with two stanzas that make a single verse.
Accordingly, the analysis of the verses can be seen in the following:
Talakaawaasaiku zoo mu tafi,
Gun N.P.P mu gaidaa ta.
This is the first verse of the
poetry and the human attribute gaisuwaa ‘greeting’ that makes
the verse anthropomorphized. So let’s study the table below and see how the
mapping process is done from the animate onto the inanimate N.P.N. lets observe
the table below:
|
Source of the Feature |
Human Feature |
The Target Domain |
The Mapped Feature Upon the
Target |
|
Human |
Gaisuwaa ‘greetings’ |
N.P.P. |
Talakaawaasaiku zo mu
tafi, gun N.P.P. mu gaida ta. “Masses let gather
ourselves, to go and greet N.P.P.” |
In the table, we have seen that,
the attribute gaisuwaa “greetings” for the animate entity is
mapped upon to the non-living entity (N.P.P.), and clearly this makes the
political verse anthropomorphized. In mapping the attribute gaisuwaaupon
the human entity, we could get the expression that isn’t metaphorical. Let’s
see the statement below:
Daalibansunagaisaawaa da malam.
The students are greeting the
teacher.
But in looking at the conceptual
meaning of the attribute, we could use our mind to understand the metaphorical
expression below:
Talakaawaasaiku zoo mu tafi, gun
N.P.P. mu gaidaa ta.
Masses let gather ourselves, to go
and greet N.P.P.
Accordingly, the attached
attribute gaisuwaa ‘greetings’ to the inmate entity (N.P.P) in
the verse above, makes the expression conceptually anthropomorphized.
N.P.N.baabu baa maa yii,
Doomingirmanmaasifarta.
This is the second verse that
carries another human quality and mapped it onto the non-living N.P.N.
|
Source of the Feature |
Human Feature |
The Target Domain |
The Mapped FeatureUpon the
Target |
|
Human |
Masiifaa ‘rudeness’ |
N.P.N |
N.P.N baabu baa maa yi,
doomingirmanmasiifarta “We are not supporting N.P.N
for its rudeness” |
In the table above, we discover the
human attribute masiifaa which is mapped onto to the inanimate
concept N.P.N. Andin mapping the trait upon the animate entity itself; we might
study the expression below:
Matar da akwaimaasifaa.
The woman is very rude.
In conceptualizing the
attribute masiifaa ‘rudeness’, we might perceptually
understand that, the feature is conceptually anthropomorphized. Therefore,
let’s observe the following expression:
N.P.N. baabu baa maa yi,
doomingirmanmasiifarta.
We are not supporting N.P.N. for
its rudeness.
N.P.N tai rawaasosai,
Ta tattaakeeiyaalintaa.
This is the verse thirty of the
poetry. It contains the attributes that are considered for human concept alone.
The two attributes are rawaa ‘dancing’ and tattaaka ‘matching’.
Let’s see the following table:
|
Source of the Feature |
Human Features |
The Target Domain |
The Mapped Features Upon the
Target |
|
Human |
Rawaa
‘dancing’andtattaaka ‘matching’ |
N.P.N |
N.P.N. tai rawaa soosai,
taatattaake eiyaalinta. “N.P.N. danced a lot, and it
matches over her kids” |
In considering the above
attributes, the expressions below couldn’t sound metaphorical in nature.
Mawaakinyanaarawaasoosai.
The poet dances very well.
Binta taataaka taboo.
Binta matched on clay.
However, in considering the
cognitive aspect of the attributes, we would simply map the human qualities to
the inanimate N.P.N. The statement below says:
N.P.N. tai rawaasoosai,
kumataatattaakeeiyaalinta.
N.P.N. danced a lot, and it matches
over her kids.
Mai son maidoo da zaalincii,
Faataa Allah Yaa tsiinee ta.
In the verse above, we see the
trait zaalincii ‘wickedness’ as the mapped character onto the
inanimate N.P.N. The feature is used to describe the attitude of the political
party (N.P.N) leaders. The table below identifies the source, target and the
feature transfer to the non-animate concept.
|
Source of the Feature |
Human Features |
The Target Domain |
The Mapped Feature Upon the
Target |
|
Human |
zaalincii ‘wickedness’ |
N.P.N |
Mai son maidoo da
zaalincii, faataa Allah Yaa tsiinee ta. ‘It has the wish of
wickedness, we pray for God to curse her’ |
We have clearly seen that, the
human attribute is mapped onto the non-living entity (N.P.N) as a result of the
party leaders’ wickedness. But in given the attribute directly to human, we may
study the following statement:
Dan siyaasarazzaaluminmutum nee.
The politician is a wicked person.
Based on the assumption of
Conceptual Metaphor Theory, similar features are mapped from source to target
concepts, and this happens between the source here human and the target domain
N.P.N. lets further conceptualize the expression below:
Mai son maidoo da zaalincii,
faataa Allah Yaa tsiinee ta.
It has the wish of wickedness; we
pray for God curse her.
N.P.N ta wahalaccee mu,
Doomin baa wandazai manta.
By studying the above verse again,
what would easily come to our mind is the issue of anthropomorphism. N.P.N is a
political party and the trait wahalarwaa ‘hardship’ is used to
describe the party or the party leaders attribute.
|
Source of the Feature |
Human Feature |
The Target Domain |
The Mapped Feature Upon the
Target |
|
Human |
Wahalarwaa ‘hardship’ |
N.P.N |
N.P.Nta wahalaccee mu,
doomin baa wandazai manta. ‘N.P.N put us through
hardship and no one will forget’. |
The attribute wahalarwaa ‘hardship’
could be used to describe the attitude of human being as in the following
statement:
Shuugabankasarnaawahalar da muu.
The president is given us a hard
time.
But in conceptualizing the
anthropomorphized verse, we could easily state the following expression:
N.P.N ta wahalaccee mu, doomin
baa wandazai manta.
N.P.N put us through hardship and
no one will forget.
6. Taa faadibazaa ta
miikeeba,
N.P.N. dukmasiifarta.
This verse also explains the
mapping correspondences of traits from the source human onto the non-living
N.P.N. The table below shows the entities identification.
|
Source of the Feature |
Human Feature |
The Target Domain |
The Mapped Feature Upon the
Target |
|
Human |
Faaduwaa ‘falling/failing’ |
N.P.N |
Taa faadibazaa ta
miikeeba, N.P.N. dukmasiifarta. ‘it failed and won’t revive
again, no matter how brave it is’ |
Here, the attribute faaduwaa is
seen mapped onto to the animate concept itself as the expression below shows:
Gwamnanyaafaadizaaben.
The governor failed the election.
In perceiving the
metaphorical nature of the attribute, let’s ponder about the expression below:
Taa faadibazaa ta miikeeba,
N.P.N. dukmasiifarta.
It failed and won’t revive again,
no matter how brave it is.
By studying the above expression,
we have clearly seen the feature transfer from the two different domains.
7.Karyaa cee tsoohuwarmaiya,
Mai cin ‘yaa’yaa da
jikanta.
The trait tsohuwaa ‘old
woman’ mapped upon to the political party makes the verse metaphorical or
anthropomorphized. Let’s see the table below:
|
Source of the Feature |
Human Feature |
The Target Domain |
The Mapped Feature upon the
Target |
|
Human |
Tsoohuwaa ‘old woman’ and
maiyaa ‘witch’ |
N.P.N |
Karyaa cee
tsoohuwarmaiyaa, Mai cin ‘yaa’yaa da jikanta. ‘It’s a bitch and a
witch; it kills her kids and grandkids. |
When talking about the literal
usage of the attributes, we might say:
Matar tsoohuwaa cee.
The woman is an old.
Waccan matar maiyaa cee.
That woman is a witch.
However, in perceiving the
conceptual meanings of the features, we can study the expression below:
Karyaa cee tsoohuwaar maiyaa,
maicin ‘yaa’yaa da jikanta.
It’s a bitch and a witch; it kills
her kids and grandkids.
By thinking about the statement
above, what would come to our mind is that, the attributes clearly make the
statement metaphorical.
8.Wahalar da akee ta shaabaara,
N.P.N ce ta shiryaa ta.
In considering this additional
verse again, we might conceptually understand the kind of hardship people
experienced during the ruling time of N.P.N. The table below shows the source,
the target and the mapping processes of the feature.
|
Source of the Feature |
Human Feature |
The Target Domain |
The Mapped Feature upon the
Target |
|
Human |
Wahalarwaa‘hardship’and shiryaawaa
‘arrangement’ |
N.P.N |
Wahalar da akee ta
shaabaara, N.P.N ce ta shiryaa ta. ‘The experience of the last
year hardship was set by N.P.N. |
Therefore, the attributes here are
used to show their usage on the animate concept as in the following statements:
‘Yan siyaasar nee
sukeesanyaaraayuwarmutaanee a cikinwahalaa.
It was the politicians put
the lives of people in hardship.
Duk abubuwan nan ‘yansiyaasa ne
sukashiryaasu.
The arrangements were done by the
politicians.
However, in transferring the
attributes to the inanimate N.P.N, we could make the expression that is
metaphorically anthropomorphized:
Wahalar da akee ta shaabaara,
N.P.N ce ta shiryaa ta.
The experience of the last year
hardship was set by N.P.N.
6.0 Conclusion
In conclusion, Hausa is a language
with the figurative device anthropomorphisms, and the analyzed data were
observed and picked out from the poetry of Malam Imamu Sani Gaya titled N.P.N
Dandalin Cuta. The findings of the study indicate that, the poet uses
different human attributes and mapped them upon the non-human entity N.P.N. The
study uses Conceptual Metaphor Theory of Lakoff and Johnson (1980) in showing
the source and the target concepts in line with the mapping process of
attributes from the animate onto the non-living entity (N.P.N.).
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