Cite this article as: Danjuma, A. A. (2026). Analysis of sociolect in the movie Selina Tested. Sokoto Journal of Linguistics and Communication Studies (SOJOLICS), 2(2), 214-220. https://doi.org/10.36349/sojolics.2026.v02i02.019
By
Andrew Ali
Danjuma
Department of
English
Modibbo Adama
University, Yola
08165813420
Abstract
This work studied
the sociolect in Selina Tested from Dell Hymes' sociolinguistic perspective. It
explained the social meanings of expressions used by the characters in the
movie. The empirical review of this study revealed that scholars have worked on
sociolect in films and television series using different linguistic theories.
However, no work has been done on the sociolect in Selina Tested from an
ethnographic perspective. This paper therefore, filled the gap. Dell Hymes'
Ethnography of Communication was used as a theoretical framework. Analysis was
based on three of the SPEAKING models which are setting, participants and
instrumentalities. The research is qualitative in nature. YouTube served as the
source of data. Observation and documentation were the two methods used for
data collection. 15 samples of sociolect were purposively selected as texts for
analysis. This study found out that the culture of a speech community is
expressible in their language.
Keywords: Sociolinguistics, Sociolect, Ethnography
of Communication, Communicative Competence, Speech Community.
1. Introduction
Scholars have
defined language in diverse ways. Sharndama (2018) for instance, defines
language as a functional device to communicate meaning. Language in this sense
is not only a means of communication; it also has a social function. Sharndama
observes that "any definition of language must first consider it a means
of communication, employed by homo-sapiens to convey emotions, or
thoughts". Cameron and Ivan (2014) argue that whatever personal views
individuals hold about language, its meaning and appropriateness are ultimately
determined by collective social judgments rather than isolated perspectives.
What these views buttress is that there is an interface between language and
society and that is within the scope of sociolinguistics.
Hudson (1981)
conceives sociolinguistics as the study of language in relation to society. He
further notes that:
Speech has social
function both as a means of communication and also as a way of identifying
social groups. And to study speech without reference to a society who is using
it, is to exclude the possibility of finding social explanations for the
structures that are used. Language is thus, a means of communication and an
identity marker.
Society comprises
different speech communities that are using different linguistic varieties.
Sociolect is one of such language variations.
Although a series
of studies has examined sociolect in films and television series, has provided
an ethnographic analysis of sociolect in the movie Selina Tested.
This study therefore fills this gap. The aim of this work is to analyse the
sociolect in Selina Tested with a view to unravelling the
social meaning of expressions as used in the movie. This study adopts Dell
Hymes' Ethnography of Communication as a theoretical framework.
1.1. Synopsis of the Movie
Selina Tested is a crime action web series,
produced by Lightweight Entertainment sometime in 2021. The drama is set in
Portharcourt. It revolves around the lives of two main characters named Chiboy
and Aboy. The duo grows to perceive life as the survival of the fittest.
Therefore, in order to survive the harsh realities of life, one must be
fortified. Consequently, they dabble in black magic. They engage in cultist
activities - killing and extorting from people in the streets of Holy Ground.
In the end however, these protagonists die in a gun battle leaving Tallest the
only survivor. This shows the ephemerality and vicissitude of life and the
nemesis of man's cruel actions against humanity.
2. Literature Review
2.1. Sociolinguistics
Adeyanju (1998)
underscores the importance of sociolinguistics thus:
Linguistics is
merely interested in accounting for the structure of language at various levels
without taking into consideration the socio-context in which such linguistic
structures are used. Such a study cannot be complete, hence the relevance of
sociolinguistics. Trudgil (2011) notes that:
The internal
differentiation of human society is reflected in their languages. Different
social groups use different linguistic varieties and as experienced members of
a speech community, we have learned to classify speakers accordingly.
HymesV(2003) notes that in meaning there is social as well as referential
import. He argues that in between the social and referential layers of meaning
there are other relationships which though are present in social life are not
evident in ordinary grammar.
The study affirms
the necessity for a study, a description of the means of speech and inseparably
their meanings for those who use them. These views suggest the necessity for a
study that examines social meanings as contained in linguistic materials that
embody the culture of its users as against linguistic meanings.
2.2. Sociolect
Trudgil (2011)
defines sociolect as "a variety or lect which is thought of as being
related to its speaker's social background rather than geographical
background". Sociolect is thus the language of a particular social group.
Grabias (2024) clarifies that what distinguishes a sociolect from the standard
variety is its lexical repertoire which is activated in group specific
contexts. It can therefore be averred that the main prerequisite for a
sociolect is the existence of a social group whose members maintain strong
bonds socially, professionally and culturally established through frequent
contacts with one another. People speak based on the speech community they
belong. Labov (2016) asserts that:
people are
programmed to learn to speak in ways that fit the general pattern of their
communities. Therefore, what they are surrounded with in unison with their
environment determine how they speak hence their actions and associations.
Cui (2023)
examined the relationship and mutual influence between language and society in
film dialogue. He scrutinized four cinematic works - To Kill a
Mockingbird, The Vow, My Fair Lady and Mansfield Park. The
paper adopted a multimodal discourse analysis as a theoretical framework. The
work found out that the language in film influences the way society speaks and
acts in the real world. Juan (2022) explored sociolect in audiovisual text. The
study illustrated how language levels, slang and scientific language in
audiovisual texts create humour. The paper revealed that sociolect goes beyond
the linguistic scope and connects with the aural and visual dimensions. Ahsin
(2022) analysed socio-lectic variations in the film series, Lara Ata
season 1. The research focused on the problem of language variation
that occured in the film series. The study used descriptive qualitative method.
15 data were analysed in the aspect of linguistic meaning. The work discovered
that social status influences a person's language. Amarizky (2023) investigated
sociolect in a 1951 movie version. Observation and transcription were the two
methods used in collecting data. Holmes' theory of sociolect was used to
explain the linguistic features found in the movie and the factors that
influenced the use of sociolect by the characters in the movie. The study found
out that people speak according to the norms of their social groups. The
empirical review of this study revealed that researchers have worked on
sociolect in films and television series using different linguistic theories.
However, no work has been done on sociolect in Selina Tested from
an ethnographic perspective. This study therefore, fills the existing
literature gap.
3. Methodology
This research is
qualitative in nature. Therefore, the analysis of data is both descriptive and
discursive. This design presents linguistic features as used in communicative
context rather than how they are supposed to be used. It is a design that
explains or describes language in its natural and social setting. Observation
and documentation are the two methods used to collect data from YouTube. 15
samples of conversations are downloaded from YouTube for analysis. Each speech
is tagged "text" and is analysed from Dell Hymes' three of the
SPEAKING models which are Setting, Participants and Instrumentalities which
will be represented by S, P and I respectively.
4. Theoretical Framework
This study adopts
Ethnography of Communication (EoC) by Dell Hymes as a theoretical framework.
EoC is an approach from within Linguistic Anthropology (LA) which emphasises
speaking as a social and cultural system in specific context of different
speech communities. According to Hymes (1974), the aim of Ethnography of
Communication is to describe the knowledge that participants in verbal
interaction need and display in order to communicate successfully. This paper
finds three of the SPEAKING models important for analysis: setting,
participants and instrumentalities. This is primarily because these three items
shape the discourse pattern and determine how meaning is construed.
5. Data Presentation and Analysis
Text 1
R2: Senior man,
show love
Text 2
Priest: on to?
Text 3
R2: on to say your
face no show for di unit now. Who goes you?
Text 4
Priest:
widaunajonson now? (Episode 5)
Text 5
Chiboy :una no
know dat man?
Text 6
R2: Senior man im
face no show for dis unit
Text 7
Chiboy: Priest
face show, im shoe shine. Disembark from dis place. Dissolve!
Analysis
The conversation
above takes place in a plantation farm (S). The participants (P) involved are
R2, Chiboy and Priest. The channel (I) is oral and the style is informal. Texts
1- 7 depict a scene where Priest is being accosted by R2 on his way to the Holy
Ground. R2 asks him to give some money thus he says " senior man show some
love now". Priest on realising that he is about to be extorted, then asks
why he should give him some money. Thus, he inquires "on to". R2
replies that the reason he must pay is that he is a stranger in the area. Thus,
he maintains, "on to say your face no show for di unit". He further
asks Priest who he is, he dares "who goes you". Priest is visibly
irritated by this action. He asks why R2 is misbehaving. He queries
"widaunajonson now?" While this altercation continues, Chiboy comes
to the scene. He asks if R2 does not recognise Priest, "una no know dat
man". R2 responds that Priest is a stranger in the area. He he replies
" senior man im face no show for dis unit". Chiboy in disagreement,
says Priest is not a stranger in the area. He is a recognised personality.
Thus, he argues "Priest face show, im shoe shine". Chiboy orders R2
to leave the scene. He should disappear completely. Thus, he shouts
"disembark from dis place". "Dissolve".
Data
Presentation
Text 8
Aboy: Deck. Sit
down. Sit down.
Text 9
Dera: You scared
me. What are you doing with a gun? If the police sees you what are you going to
say?
Text 10
Aboy:You get di
ododo lap dis ama
Text 11
Dera: What do you
mean? (Episode 9)
Text 12
Aboy: You get di
mind enter Holy Ground
Analysis
The dialogue in
texts 8 - 12 unfolds in Aboy's house (S). The characters (P) in discourse are
Aboy and Dera. The channel (I) is oral and the style is partly informal and
formal. Dera comes to visit Aboy in his house. He offers her a seat asking her
to sit. He says "deck". Dera does not make out the drift of his
expression hence she still stands. Aboy switches to the code known to her. He
repeats "sit down", "sit down now". Dera sits. She sees him
with a gun and that scares her. She wonders what he would say should the police
sees him with such weapon. Aboy is surprised that she takes the risk of coming
to Holy Ground, a place replete with criminal activities. He asks, "you
get the ododo lap dis ama". Dera contemplates what this expression means.
She asks what he means by that statement. Aboy clarifies, " you get di
mind enter Holy Ground".
Data
Presentation
Text 13
Chiboy: Otuaka!
Otuakasalama...Otuakasalama for you (Episode 23)
Text 14
Otuaka: You don't
look happy greeting me
Text 15
Chiboy: Otuaka joy
soap no come board. Otuaka as I dey cap you now everywhere don sakrakum. See my
men dem, dem wan open account for diamond bank.
Analysis
Texts 13-15 are
conversations that take place at Otuaka's shrine (S). The interlocutors (P) are
Chiboy and Otuaka. Chiboy has brought his friends who have sustained bullet
wounds in a duel for treatment. He greets Otuaka the medicine man. Thus, he
says "Otuakasalama for you". Otuaka acknowledges his sad countenance.
Chiboy goes on to state his plights. He says he has no joy, "Otuaka joy
soap no come board ". He says as he is talking to Otuaka everywhere is
scattered, "Otuaka as I dey cap you now everywhere don sakrakum". He
laments that his men are about to die, "see my men dem, dem wan open
account for diamond bank".
5. Discussion Of Findings
This study finds
out that the culture of a speech community is expressible through their
language. Selina Tested is a criminal social group, therefore
their language reflects criminality. For instance, the expression by R2 in text
1 "show some love" does not entail a depiction of love but an
extortion. R2 is simply trying to coerce Priest in to giving him money. This
work also discovers that where there is a breakdown in communication, the users
of sociolect adopts a strategic competence by switching to the code known to
their addressees. For example, in text 10, Aboy asks Dera, "you get di
ododo lap dis ama". Dera fails to understand what he means by that
expression. She seeks clarification by asking what he means. In text 12, Aboy
rephrases his sentence, " you get di mind enter Holy Ground". This
research further reveals that interlocutors do not only need linguistic
competence in order to use language correctly but that they also need
communicative competence in order to speak appropriately in a particular
context. Take for instance the expression by Chiboy in text 15, "see my
men dem, dem wan open account for diamond bank"; does not imply that his
men want to open an account with the diamond bank. It simply means that his men
are about to die. Similarly, the expression made by Chiboy in text 7;
"Priest face show, im shoe shine" means that Priest is a well-known
personality, he is not a stranger. The expression neither has anything to do
with any shoe nor any face as contained in linguistic structure. This
explicates that language cannot be the same in terms of the assigned role and
value therefore, it is the social situation that affects the morpho - syntactic
pattern of a language.
6. Conclusion
This paper
analysed the sociolect in Selina Tested using the Ethnography of Communication
as a theoretical framework. This study found out that, language varies
according to the participants in discourse and the social context in which
communication takes place. The work also revealed that, the culture of a speech
community is expressible in their language. The finding further affirmed that,
language has a social function both as a means of communication and also as a
way of identifying social groups.
References
Adeyanju, D.
(1998). Historicity and language function: A case study of the English language
in Nigeria. Journal of Research in Nigeria, 2(1), 62-70.
Ahsin, M. N.
(2022). Sociolectic language variations in the film series Lara Ati season
1. Journal of Social Sciences and Humanities, 1(2), 20-24.
Amarizky, J.
(2023). An analysis of sociolect in A Streetcar Named Desire {Unpublished
long essay}. Muhammadiyah University, Purwoketo.
Cameron, D., &
Ivan, R. (2014). Working with written discourse. London: Sage.
Cui, R. (2023). A
sociolinguistic analysis of film dialogue: The relationship between language
and society. Journal of Arts and Performance Letters, 4(4), 20-25.
Grabias, W.
(2024). A Contrastive Analysis of Sociolects and Registers as two kinds of
linguistic variations. Journal of Literature and Language, 4(6),
60-79.
Hudson, R. A.
(1981). Sociolinguistics (2nd ed.). Cambridge University Press.
Hymes , D.
(2003). Now I know only so far: Essays in ethnopoetics. University
of Nebraska Press.
Hymes, D.
(1974). Foundations in sociolinguistics: An ethnographic approach.
University of Pennsylvania Press.
Juan, J. (2022).
Exploring sociolects in audiovisual texts. Journal of Language and
Literature, 21(2), 91-123.
Labov, W.
(2016). Sociolinguistic patterns. University of Pennsylvania
Press.
Oko, T.K. (2020).
Language variations: A case study of sociolect in Nigeria. Journal of
Research in Nigeria, 2(1), 20-25.
Sharndama, E.C.
(2018). A linguistic analysis of variation in professional and
popularized legal texts {Unpublished doctoral dissertation}. Modibbo
Adama University, Yola.
Trudgil, P.
(2011). Sociolinguistic typology: Social determinants of linguistic complexity.
Oxford University Press.
0 Comments