Article Citation: AbdulRazaq Mohammed Katibi (2021). Politics in the Arabic Literary Writings in Nigeria. DEGEL: The Journal of the Faculty of Arts and Islamic Studies, Vol. 19, No. 1. ISSN 0794-9316
POLITICS IN THE ARABIC LITERARY WRITINGS IN NIGERIA
By
AbdulRazaq Mohammed Katibi
Introduction
Scholars
of political science differ sharply on the term politics. This is due to
different backgrounds, concepts, contents, methods and applications of
approaching it. The reason is not far-fetched because human, social, economics
and religious thoughts are changing (dynamic) from time to time. There are many
factors that are responsible for these changes. But one thing is principal and
central in politics that is, power. Therefore, Scholars of Politics so defined
politics in that direction. According to Dahl, politics is “any persistent
pattern of human relationships that involves to a significant extent power,
rule or authority”.(1) In the same vain, it is also defined by
Max Weber as “striving to influence the distribution of power either among
states or among groups within a state”.(2) In the beginning,
one may ask what is the relationship between Politics and Arabic, bearing in
mind that politics is about State, Governance, Democracy, Election, Freedom,
opposition, legitimacy etc while Arabic is first of all a language that is
highly connected with religion(Islam), economic and international politics.
Language is an essential tool in which human can express himself to the outside
world and thereby making human being free to demand for his right. But the
reality is, according to the political scientists human being are political in
nature majorly because their activities are strongly influenced by interest and
struggle for power or in defense of common interest in the society. Therefore,
the study of Arabic language in Nigeria derives its sources from social,
cultural and political environments in the society. For instance, all
educational activities all over the world without exception are guided by the
National Policy on Education. All principles, ideology and educational goal of
education of each country are contained in the document. For example, the
National policy on education of Nigeria states that unity, democracy, and
freedom among its philosophical and educational goal that control all academic
activities in Nigeria. It is from this platform that academicians and all
education stakeholders derive their power to present, defend support of an idea
or thoughts for the interest of peace and national coercion. It is this
academic freedom that makes writers to express himself freely their mind either
in support or against an interest viz-a-vis ideology, personality or current
issue of national interest etc which are expressed in all academic materials
eg. text –books, journals and others across all disciplines and course of
studies e.g economics, political science, sciences, religion studies, language
and literature. It must be noted that selection of reading materials, choice of
personalities to be studied and place of assignment may have political
under-tone during any serious academic exercise. This situation leads students,
researchers, and scholars to be politically conscious before they undertake any
serious academic endeavor.
In
another development, literature has played a major role in African Politics
especially during the European colonization of Africa. The literary artist
during the period contributed in their own ways to fight and free the people of
Africa from the colonial bondage and they were successful as confirmed by G.A.
Ajadi,(3) Arabic literature is one of the vibrant and highly
developed literature in the World. Since its inception in the seventh century
up till date. it has witnessed a lot of formation, reformations and inventions
due to internal and external factors.
The
most prominent of these factors is politics and political influence displayed
by the scholars, critics and the lovers of Arabic literature in the world over.
Among the major issues that affect Arabic literature is the periodization of
Arabic literature namely Pre-Islamic, Islamic, Umayyad, Abbasid, Turkish and
Modern literature. They were all named after political development of Arabs and
Islam generally. Apart from this, some of Arabic literature books sometimes
connote political influence either in content, choice of topic, personalities
and context. Like their counterparts in Europe and in Africa Sub-Sahara. They
are involved in political thoughts, personalities and environments either in
prose or poetry.(4)
In
Nigeria, Arabic literature is one of the leading literature that express the
Nigerian Cultural, social and political experiences. Because of its
acceptability and relevance to the Nigerian society, these have led to the
active involvement of Arabic literary critics and writers spread across the
country. They write on issues that affect Arabic literature in Nigeria. Their
works are respected both in academic and in public domains within and outside
Nigeria. Some of the selected scholars and their works are as follows: Adam
Abdullahi Al-Ilory (d.1992) “Misbahu Dirasaat Adabiyyat fi Diyar Naijiriyah”,
Aliy Abubakar, “Al-thaqafatul Arabiyyah fi Najiriyah Min 1750 ila 1960 (1972),
Shehu Ahmad Said Galadanci, “Harakatul llugat Arabiyyah wa Adabia fi Naijiriya”(1993).
These
books are mostly read and referred to when it comes to Arabic literary Studies
and research in Nigeria. A careful study of these books indicates that politics
directly or indirectly, consciously or unconsciously is noted in the content,
context and the choice of title of these books. Politics also affects the
arrangement of some critical topics like classification of literary period,
choice of scholars and choice of materials that are cited or used by the
scholars. Therefore, this study intends to identify the areas where the writers
have been influenced by politics directly or indirectly, consciously or
unconsciously in the course of writing the books and probably states some major
reason behind it. The import of this present work is to guide the readers,
researchers and on-coming scholars appropriately and to make them be aware of
some facts of fictions that are made from political affluence. The work shall
also reveal how politics or (game of interest) has influenced Arabic literature
books in Nigeria. Subsequently, the work is divided into sub-topics as follows:
Introduction, Arabic in the World Politics, Arabic Literary Writings in
Nigeria, Political Elements in selected Literary Works and Conclusions. The
paper shall depend on literary materials written in Arabic or English that deal
essentially on Arabic literary writings in Nigeria and Arabic worlds.
Arabic in the World Politics
Since
politics is a keyword in this paper, it is pertinent to have a very brief
discussion on the status of Arabic in the world today. Doing so, we reveal how
important the Arabs, Arabic language and its literature could be used to have
impact in the world of economic, social, cultural and Academic arena.
The
new trend of globalization that intends to make every citizen in the world
today as one entity, one people, one culture will not neglect the importance of
Arab and Arabic. Arabic language started playing a major role in the world
affair since 7th century when Qur’an was revealed in Arabic
language and was meant for mankind globally. It was further strengthened during
the Umayyad and Abbasid periods when the language was used as language of
administration, politics, business, education and of course the religion. Thus,
the language has spread beyond Arabian peninsula up to Turkey, Spain,
North-African Countries by the West and China, Indonesia and Iran in the South.(5)
In
the present world political dispensation, there are many Arab and Arabic
speaking countries spread across Asian and African Countries. In Africa, Arabic
language is most populous and widely spoken language in the continent. In Asia,
the Arab countries are major players in the Asian economic and commercial
sectors. Globally, the Arab oils constitute a large percentage of World
economy. Apart from this, the united nation approves Arabic as one of their
official languages acceptable during its plenary sessions. the language is also
used officially in the African union official deliberations. The organization
of petroleum exporting countries (OPEC) which regulate oil production in the
world today also allows Arabic as an official language in the meeting.Furthermore,
the Arab League is an umbrella organization that represent the Arab interest in
all world politics today. Trade and commerce play a major role in the
recognition of Arabic language in the Global Political Economy. Some of the
Arabian countries now become economically important to the West. These
countries include United Arab Emirates, Qatar, Kuwait, Saudi Arabia etc. This
has made many non-Arabic speaking countries to regard Arabic Language not only
as a Language of Religion, Politics but as a Language for Economic development.
Apart from the fact that Arabic Language is the most fast-spread Language in
the World today. It is widely studied in some major universities in the West
including the United State of America at different educational level.
In
the Nigerian context, Arabic language is an integral part of the Nigerian
culture and society. In the era of the Sokoto Caliphate in 1804, Arabic
language was the language of administration, international relation and also
for commercial purposes. There are documents that indicated that the Nigerian
governments during Borno and Sokoto empires had some of exchange of diplomatic
relations with Morroco and Egypt(6). (7)With the
strong presence and acceptance of Arabic in Northern Nigeria, it was a great
task for British colony to down- play Arabic language in Northern Nigeria
education system. The colonial government was forced to establish School of
Arabic Studies in 1943 in Kano when the Northern Emirs, scholars and people
engaged the government over the British policy on Arabic Education. The issue
was dragged up to the national assembly when Arabic Studies was discussed and
approved in the Nigerian education system (8). Today, Arabic
language is studied in all strata of the Nigeria education system. In the same
vein, because of the political status of Arabic in the Nigeria society,
scholars of Arabic are either elected or selected for public and political
offices. They have been elected/selected as Senators, Deputy Governor,
Ambassadors, Central Bank Governor, Minister, Commissioners, Vice-Chancellors,
Deputy Vice-Chancellors, Professors, Deans, Provosts and Principals (9).
Furthermore,
the establishment of Arabic department in some Universities has political under
tone where some prominent people have to show their political strength in
making sure that Arabic language is taught in their universities. Example of
this include the establishment of Arabic department in the University of Jos,
Lagos, Nassarawa, Kogi, Ibrahim Babangida and Kwara State Universities. Even
where Arabic is established, political interest has to be considered as to
where it can strive and to be well protected among the various available
academic units. Some Universities prefer it to be along with Islamic Studies as
in the case of University of Ibadan, Kogi State University or under the
department of Foreign Languages as in LASU or in Languages and Literary Studies
as in Kwara State University. However, some universities give it a full
autonomy as in Usmanu Dan fodiyo, Bayero University, University of Maiduguri
and University of Ilorin.
From
the above discussion, we are able to highlight the relevance and symbiotic
relationship between politics and academic especially Arabic at the national
and international levels. It must be stated categorically that politics is an
essential tool that is used to develop human society which of-course Arabic has
benefited immensely just as Islam has contributed to its development.
Arabic Literary Writings in Nigeria
It
is very difficult to ascertain when Arabic language came to Nigeria because of
lack of historical document. It is also difficult to establish whether Islam
pre-dated Arabic in Nigeria. But looking at historical account of some Nigerian
tribes, e.g Yoruba and Hausa(10). They claimed that they originated
and migrated from Arabian peninsula. This of-course lead to the presence of
sizeable number of old Arabic words in these languages. Moreover, the early
Yoruba settlers were not Muslims. This assertion makes us to believe that
Arabic was in existence before the advent of Islam in Nigeria. Nevertheless,
Arabic language has a great influence on many Nigeria languages namely: Hausa,
Fulfude, Yoruba, Kanuri, e.t.c.
However,
scholars are able to trace the date of emergence of Arabic literature to 19th century
especially during the renaissance of Sokoto Caliphate(11). In this
period, many literary works were written for different occasion and theme and
of-course they were of different quality. Nevertheless, these literary works
gave an account of true picture of the level of literary expertise of the
scholars of the period. In his study, Al-Ilory was able to defend the low
quality of Arabic poetry of the period by tracing it to many factors, including
the developmental stage and the language ability of ulamah among others (12).
Out of the major literary genres, poetry was very popular and has received a
lot of attention by the students, scholars and universities all over the world(13).
On the contrary, prose aspect of Arabic literature didn’t receive much notice
until recent when some scholars started to encouraged their students to study
them for Academic Degrees. For examples: A.H. Amin 1998 wrote his Ph.D thesis
on Epistolography and its functions in the nineteenth-century of Arabic
literature in Northern Nigeria(14) while A.S.K. Ibrahim
researched on “Arabic Oratory in Nigeria”(15). The art of story
writing recently became prominent among literary works in Nigeria today when
Isaac Ogunbiyi translated “Popular Yoruba Folk lore on Tortoise to Arabic”(16).
This was followed by Olalere Adigun who translated Cyprian
Ekwensi’s “African Night Entertainment” to Arabic(17). Also A.S.
AbdulSalam translated to Arabic the popular Yoruba novel: “Ireke
Onibudo” originally written by D.O. Fagunwa(18). In 1997,
another book written by Cyprian Ekwensi, “The Burning Grass”, was translated by
M.G.A. Raji from English to Arabic(19). In the same vain Z.I. Oseni
collected some popular fables in Afemai language in Edo State and brought to
Arabic readership in 1999. The work is titled “The Stories From Equatorial
Line”(20). These efforts continue by introducing another D.O Fagunwa
Yoruba novel “Ogboju Ode ninu Igbo Irunmole” which was
translated to Arabic language in 2002 by M.M Jimba(21). The earliest
of these translated literary works was that of Olu Owolabi’s “Igbo Ote” which
was translated by I.A Lawal in 2009(22).
The
current developmental stage, progressive imagination and yarning of the
Nigerians for Arabic literature led some highly qualified Arabist to produce an
Arabic short stories for the readers of Arabic. Some of which have been
accepted and recommended for studies both at the secondary and tertiary levels.
Some of the short story books that are originally written in Arabic and are
competing favourably with other literatures in Nigerian market are:- “Limadha
Yakrahunana” (Why Do They Hate Us) by Salisu mai Unguwar, “Khadimul
watan” (Youth Corper) by Hamid Mahmood Ibrahim (2008). “As-Sannah” (The
year) by Murtadoh Abdulsalam Al-Haqiqi (2006), “Rai Al-Ghanam” (The
Shepherd) by A’adam Yahaya Al-fulaniy, Min Ilorin ila Timbuktu (From Ilorin to
Timbuktu) by M.M. Jimba (2009) etc. Among the major issues emanated from these
literary works include; local names, Nigerian environments, social, cultural
problems. These issues are gradually being studied at the various level of
Academic degrees in the Nigerian Universities.
Pitty-Sayings (Maqamah) is
one of the fast growing Arabic literary genres in Nigeria. It is defined by
Z.I. Oseni as “An aspect of art prose which is a collection of short, often
rhyming sentences with very strong rhetorical contents”(23). It is
one of the popular literary genres which was much encouraged by Islamic rulers
during the Abasid period. Its impact could still be felt in the modern day
Arabic literature. The Maqamah which was firstly
introduced by Hamdhaniy developed by Harirey and Zamakhshariy is also known in
Nigeria.
Many
scholars have dwelt into it and made their impacts felt to reflect the
socio-cultural, political and religious aspects of the Nigerian environment.
Some of the scholars are Adam Naibi Wali Sulayman Kano, “An-Nur al-Dallal fi
Tarshid al-Atfal” (Indicative Light by which the youths are Guided),
Z.I. Oseni, “Abwaq adh-dhahab” (Trumphet of Gold), AbdulBari’l
Adetunji “A’raq adh-dhahab” (The Golden veins), Maqamaatul Al-Ilory
by Muhammadul Awwal Abdul Salam. These Maqamahs are highly appreciated by
the Makondoro scholars who are spread in Ilorin and South
Western Nigeria. Like the Maqamas of the Arab worlds, the Nigerian types also
consider Nigerian names, environment or issues as the major features.
Arabic
drama was practically introduced in Egypt in the 20th century
as an important part of literature in Egypt in the last quarter of nineteenth
century. There were classical evidences that Arabs knew about drama through
translated documents from Europe. The early Arab playwright took the style of
the European in content and context. They were able to express the major plots
in Arabic. The most prolific of these playwrights is Tawfiq Al-Hakim. In
Nigeria, Arabic drama was introduced by Islamic scholars who usually arrange
pupils/students to perform in the public/private schools. Most of the
performances are to display Islamic historical values especially during Islamic
festivals. Unfortunately, most if not all of these plays were not documented.
However, there are some prominent scholars who have written some plays and
published them for Nigerian readers. Some of which have been recommended for
studies in the Nigerian universities. Notable among them are: Professor Z.I.
Oseni who wrote “Al’Amid Al-mubajjal” (The Honourable Dean)
and “At-tabaqatul ‘Ulya” (The Upper Class), Bari Adetunji
(Destined to Survive), AbdulGaniy Adebayo “Gharat Al- nujum”, Ahmad
Rufa’I “Al ‘Ajeeb wa Najeeb”. Efforts are still on in order to
produce more Arabic plays in the Nigerian Arabic literary markets like many
Arabic prose writings in Nigeria. Issues that concern Nigeria and Nigerians are
major themes that occupy the Nigerian Arabic plays.
Arabic
literary criticism is an integral part of an Arabic literature of any language
and culture. It guides and guards literature and the literary artists from
going astray among other functions. In the Arab world, scholars like Shukry
Faisal, AbdulQadri Maziniy, Toha Hussain, Mahmood ‘Aqad, Muhammad Ghunaim Hilal
and many others have made their impacts in
the
development of modern Arabic criticism. Their comments on issues on Arabic
literature have been well conceived and considered by students and scholars
alike. In Nigeria, writing on Arabic Literary Criticism was initially slow
because of the delay in the establishment of printing press
and
wrong believe on the concept of the word “criticism” by the Nigerian populace.
Nevertheless, some scholars have written on some major issues bordering Arabic
literature in Nigeria. They discussed Arabic literature in Nigeria; the
Nigerian Arabic literature, modern trends in Arabic literature in Nigeria,
classification of Arabic literary periods in Nigeria e.t.c. Among the major
Arabic critics are Alli Abubakar, Al-Ilory, Galadanchi, Z.I. Oseni, Hamidu
Sanni, M.G.A. Raji, Awwal Abubakar, Naibi Suwedi and many others. Their works
are mainly in books, journals and lectures while their views are highly
respected(24).
Political Elements in the Selected Literary Works
We
have indicated in the early part of this paper that Arabic Scholars who write
on Arabic literature may have motive for doing so which include to impact
knowledge into others. He is at liberty to give title to his book, select
materials, select personality of his choice. And he is also at liberty to
direct his view toward a particular ideology or school of thought(s). These
choices may be consciously or unconsciously, directly or indirectly have
political interest. By political interest, we mean a situation where a writer
tries to defend an interest or by trying to ally himself with a particular
political entity or group of people or ideology in the course of writing his
work for the purpose of gaining support or create awareness for himself, his
local environment and or for national or international interest. We therefore
intend to look carefully into selected Arabic literary works written in
Nigerian and by Nigerians and see how politics reflects in their works. In the
course of studying the selected works, we shall find out how some political
factors, such as National, regional, religion and personal interest reflect on
the selected scholars and works. We have carefully selected some literary works
written by the Nigerian scholars in the major parts of the country. The works
are very popular and attested to both at the public and academic arena and they
serve as source for the study of literature in Nigeria at all Academic Levels.
The selected works are:-
(1) “Athaqofatul ‘Arabiyyah fi
Naijiriyyah” ((الثقافة
العربية فى نيجيرية, written by
Dr. Alliy Abubakar, 1972.
(2) “Misbahu Diraasatul Adabiyyah fi
Diyari Naijiriyyah” (مصباج الدراسات الأدبية
فى الديار النيجيرية)written by Adam Abdullahi Al-Ilory, 1992.
(3) "Harakatul luqatil Arabiyyah wa Aadabi’a fiy
Naijiriyyah" (حركة
اللغة العربية وآدآبها فى نيجيريا) written by Dr. Sheikh Ahmad Said Galandaci
(1993).
(1)
“Athaqofatul ‘Arabiyyah fi Naijiriyyah” min 1750 ila 1960 cam
Al-istiqlal. (Arabic culture in Nigeria between 1750 to 1960 CE).
The
book was written by Dr. Alli Abubakar and was first published in 1972. The book
was initially a Ph.D thesis submitted to University of Cairo, Egypt in
November, 1967. The writer was a lecturer in the Department of Arabic at
Abdullahi Bayero University, Kano. His father was an Islamic magistrate (Al
Qadi) in Jos and Bauchi.
The
work was the first of its kind to showcase Arabic culture which comprises the
history, the people, the culture and social aspects of Nigeria and how they
have been influenced by Arabic culture. Though, some scholars had written on
Nigeria, people, culture and history, but the problem is not only that they
were mainly in English Language, but also they were not comprehensive enough.
Some of the early writers include; Burns, Barth, Page, More Niven, Hoghen and
Hodgton (25).
The
work is divided into six chapters. The first chapter is Islam in Nigeria. The
second chapter is on social, political and religious life from nineteenth
century to independence. The third chapter is on Arabic education in Nigeria
and religious life in the nineteenth century. Chapter four discusses Arabic
literary works in the Nineteenth century. Chapter five is on prose and verse in
the 19th century. And the last chapter, six dwell on the
influence of Arabic language on Hausa and Fulfulde languages.
Looking
deeply into the content of the work, it reflected some political element in
some areas which include the following:
(a) National Interest: The title of the work promotes
National Interest and displays allegiance to the his Father Land (Nigeria).
Apart from the fact that the writer was sponsored by his University (Bayero
University, Kano) to undertake his Doctoral study, his thesis was the first
work to be done by any Nigerian on Arabic culture in Nigeria. Those who have
written on the similar work were not Nigerians. Therefore, patriotism clearly
show in his choice of title which he gallantly defended among his supervisors in
1968 in Egypt.
(b) Utilization of The Nigerian Political Development for
Classification: In his effort to breakdown the literary development in Nigeria,
Alli Abubakar used the Political development of the Nigeria History to classify
Arabic Literary Periods in Nigeria. This was reflected in his the last part of
his Ph.d "من
1750 إلى 1960 عام الإستقلال" (From 1750 to 1960 Year of Independence). As we can see,
Nationalism is reflective in the writer’s thought and action by allying himself
with the Year of Independence. The Date Nigeria gained her freedom from the
British Colony.
(c) Political Integration: Alli Abubakar was a true
Nigerian and he was conscious of the political environment of the country. The
author did not allow intra-religion sentiment in carrying out his assignment as
he was able to discuss scholars without prejudice or bias to a particular
group, tribe or region. He did not allowed intra- religion sentiments to over
ride his Academic Work. He balanced up between the Sufi and the non-Sufi
scholars while giving example on some issue in his work. This attitude displayed
by the author was quite commendable as he did not want to create political
bigotry or disaffection among Nigerians and of-course causing injury to the
Academic World.
(d) Territorial
Integrity: In furtherance to his urge to promote National unity and
geographical integration, the author did not allow the Civil War (Biafra 1967
to 1970) going on while writing his Ph.d thesis in Cairo to distract him
academically and politically, his work covered the major part of Nigeria where
Islam and Arabic are prevalent (North and South). He listed scholars, Arabic
schools and societies in the North and south west Nigeria as it shows from the
following statement:
"فقد حملنى
هذا البحث على السفر فى القاهرة إلى نيجيريا حيث قضيت ما يربو عن سنة قطعت خلالها
أكثر من خمسة عشر ألفا ميل. جبت فى أنحائها بين مدنها وقراها. فلم أبق عالما سنيا
أو غيره, قادريا كان أو تجانيا, سنوسيا أو مهديا إلا وقد اتصلت به وسألت عن تاريخه
وتاريخ معهده ومؤسسه".(26)
Translation
(This
Thesis had taken me to travel from Cairo to Nigeria which I spent close to a
Year. I covered more than 15,000 miles. I came across towns and villages. I
didn’t leave any scholar being conservative or otherwise, Qodiriyyah or
Tijaniyyah, Sanusiya or Mahdi (sects) without consulting him and asking him
about his biography, history of his school and its founder…”)
No
wonder the work is highly respected in the field of Arabic literature and its
criticism in Nigeria today(27).
(2)
“Misba’hu Diraasat Al-Adabiyyah fi Diyari Najiriyyah”(The Lamb of
Literary Studies in Nigeria).
The
book was firstly written in 1967 by Adam Abdullahi Al-Ilory (Died 1992) with
the aim of compiling scholars who have contributed into the development of
Arabic literature in their own time in Nigeria. This work (Misbahu Dirasaat) is
one of the several works written by the author in different field covering
geography, sociology, History, Islamic Studies, Arabic language, philosophy,
e.t.c. The book is very important in history of Arabic criticism in Nigeria.
The author was the first Nigerian to classify Arabic literary period which
other writers either adopt or modify later on. The book is one of the major
references in Arabic literature not only in Nigeria but in Arab world.
A
careful study of the book revealed some direct or indirect display of political
interests which are stated below:
(a)
National Interest: This is perceived from the title of the work which reflects
the political consciousness of the writer. He intended to bring the Nigerian
scholars and their contributions in Arabic literature into the lime light in
departure from the common trend when Nigerians read only literature from the
Arab words. His visit to some Arab countries (Egypt and Sudan in 1946)
encouraged him to do so.
(b)
Utilization of The Nigerian Political Development for Classification: Another
reflection of politics in this work is the authors’ classification of Arabic
literary periods. He used the Nigerian Political Development to classify Arabic
Literary Development into five stages. The periods are Borno, Wangara, Maghili,
Fulani and English (colonial periods). These periods as stated by this scholar
were periods which had political influence not only in religion but on the
social cultural aspect of Nigeria (28).
The scholar (Al-Ilory) is at Liberty to use his discretion to propound the
Arabic Literary Periods in Nigeria by using another method but for his
political consciousness and National Interest in particular made him to prefer
the former. Even though, the idea of using the political term to classify the
Arabic Literary Period in Nigeria was conceived from the experience they
gathered from a Tunnisian Arabic Literature book written by Hussein Husni
Abdulwahab as confirmed by Al-Ilory himself;
"والجدير بالذكر هنا أنى وجدت كتابا فى
محل تأريخ الأدب التونسي لمؤلفه حسن حسنى عبد الوهاب. قد جرى على تقسيم الأدب
التونسي إلى أربعة أدوار على النحو الذى يماثل حالتنا الأدبية. تشجعنى على تقسيم
أدوار أدبنا فى ما يأتى..."(29).
Translation
(It
worth mentioning that I saw a book in “Majmal Tarikh Al-Adab
A-Tunnisiy”: (Summary of The History of Tunisian Literature) written
by Hassan Husni Abdulwahab which divided Tunisian Literature into four stages
which is comparable to our Literary (Nigeria) situation. This encouraged me to
classify (Developmental) stages of our Literature into the following…).
As
we can see, his love for his country has made him to adapt and experience from
another country to his native environment (Nigeria) to further promote National
Integration and Development.
(c)
Promotion of Community Interest: Despite the fact that Al-Ilory was a
nationalist, he also had interest to promote his immediate environment or
region where he was based (South-Western Nigeria). He gave reason that some
scholars in the North like Ali Abubakar and Galandanci had concentrated much on
the northern scholars (30).
He confirmed by saying;
"وفى تلك الآونة-ولعل ذلك من توارد
الخاطر- ظهر عدد ممن كتبوا عن الثقافة العربية فى شمال نيجيريا امثال الدكتور
علي 31))أبى
بكر ثم الدكتور أحمد غلادنثي وآخرون, فكفونى مؤونة تلك الناحية الشمالية.
Furthermore,
in order to accomplish the regional interest and to display Arabic experience
by the Yoruba Arabic scholars, the author narrated the literary rivalry between
Sheikh Labib and Ibadan scholars. The situation showcases the literary ability
and linguistic mastery between the scholars from Ilorin and scholars from the
South-Western Nigeria (32).
This is to explain to the World that Arabic Language and Literature have gained
ground not only in the North but also among the Yoruba people.
(3) Harakatul
luqatil Arabiyyah wa Aadabi’a fi Naijiriyyah: (The Development of
Arabic Language and Its Literatures in Nigeria);
The
book was authored by Dr. Sheu Ahmad Said Galandanci, a retired professor of
Usmanu Dan fodio University formerly University of Sokoto, Sokoto. Indeed, he
was the first vice chancellor of the University and also a former ambassador to
the Kingdom Saudi Arabia. The book was initially a Ph.D. thesis submitted to
department of Arabic Darul Uloom College, Cairo in 1972. The book discusses the
development of Arabic language and its literature in Nigeria. It also gives
another dimension to the classification of development of Arabic literature at
different stages. Considering its importance and relevance to Arabic studies in
Nigeria, the book is recommended widely for reference in the discourse of
Arabic literature in Nigeria.
A
careful study of the book reveals that there are elements of polities either in
the choice of the title, presentation of ideas and choice of personality etc.
Some of them are as follow;
(a)
National Interest: Like his predecessors, Galadanci upheld the national
interest by concentrating on the Development of Arabic and its literature in
Nigeria. It exposes the literary works of Nigerian to Arab worlds. This has
reflected in the choice of the title and the content of the book. Most of the
scholars and the work cited emanated from Nigeria and by The Nigerians. He was
proud to discuss the works of these Nigerian scholars and bring them to the
lime light as quoted from the book;
"وفى تواضع, أزعم أن دراستى هي الأولى
فى هذا المجال, ومن هنا آثرت أن أعطي صورة كاملة للجوانب المختلفة للأدب العربى فى
نيجيريا, برغم اقتناعى بأن عددا من الظواهر يمكن أن يكون وحده دراسة مستقلة فى
المستقبل مثل شعر الحرب أو شعر المديح أو شعر الصوفية..."(33).
Translation
(With
(sense of) humility, I think that my study is the first in this field.
Therefore, I chose to give a complete picture of different aspect of Arabic
Literature in Nigeria. Despite my conviction that some phenomenon can be
studied separately in the future. For example, War poem, Elegy poem, Mystic
poem…).
(b)
Utilization of The Nigerian Political Development for Classification: Another
political interest that emanated from the book, was the classification of
Arabic literary stages using major political era of Nigeria to propound the
theory (34). Even though he built his theory on the past
experience of his predecessor (Al-Ilory) either by renaming some of the period
or by breaking them into parts or by including some missing part or unavailable
parts.
(c)
Promotion of Community (Regional) Development: Despite the fact that the book
carries the title “The development of Arabic Language and Its Literatures in
Nigeria” it is evident that the content is confined to the Northern Region.
Even with that, some parts of Northern Region were not captured in the study.
It is not clear if the writer of the book intended to protect a regional
interest in the development of Arabic literature.
(d)
Choice of scholars: Discussion on the major personality in the book did not in
any way reflect political bias neither reflect intra religion difference. He
gave examples from Sufi and non-Sufi scholars and also from Hausa, Fulani and
the Borno Arabic scholars. However, as early noticed many scholars and literary
works from the South-Western part of Nigerian are excluded. It is not clear
whether the author was totally ignorant or intentionally ignored their works.
Nevertheless, Galandanci work still remains one of the major Arabic literary
sources in Nigeria.
Conclusion
In
the last few pages, in an effort to highlight the elements of politics in
Arabic literary works of selected Nigerian scholars, we are able to conclude on
the following point; that most Arabic writers are conscious of their political
environment, and that they uphold the flag of Nationalism as it reflected on
the choice of the title of their works. They also protect the interest and
respect the mental ability and intellectual capability of Nigerians and their
works are extensively cited without much of prejudice or geographical bias.
Politics also plays a greater role in the classification of literary periods in
Nigeria as the scholars used socio-political development freely as criteria to
classify the periods. The study also revealed that community development
(regional politics) played an important role in the selection of materials and
choice of personalities in some cases. Likewise, religion sentiments were not
excluded in the writings of some of the scholars. Some of them protect the
interest of their religion (Islam) and region in the choice of area of
coverage, personality and reference materials which we think are not good in
academia. We would like to state categorically that Arabic literary writers
need to be political conscious and not political sentiment in order to further
protect and promote the overall interest of humanities and society in general.
For this, the literary writers generally should abhor unguided localization and
over protection of some literary issues so that they will be able to develop
Arabic writings beyond this level.
References
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