Citation: Ahar, M. & Unyor, T.S. (2026). Exploring Tiv Phonotactics within the Framework of Generative Phonology. Tasambo Journal of Language, Literature, and Culture, 5(2), 83-93. www.doi.org/10.36349/tjllc.2026.v05i02.010.
EXPLORING TIV
PHONOTACTICS WITHIN THE FRAMEWORK OF GENERATIVE PHONOLOGY
By
Msuega Ahar
Department of
Languages and Linguistics
Rev. Fr. Moses Orshio
Adasu University, Makurdi
aharmsuegaahar@gmail.com
+2348064835183
And
Terhile Simon Unyor
Department of
Languages and Linguistics
Rev. Fr. Moses Orshio
Adasu University, Makurdi
unyorunyorsimon@gmail.com
+234
8101081013
Abstract
This study explores
Tiv phonotactics within the theoretical framework of generative phonology, with
a focus on accounting for Tiv sound patterns and constraints that govern
well-formed syllable structures and words in the language. Tiv, a Benue-Congo
language spoken predominantly in central Nigeria, shows distinctive segmental
distribution, syllable structures, and phonotactic restrictions that allow
formal analysis. Drawing on data and descriptive analysis, the study identifies
permissible and impermissible consonant and vowel structures, syllable types,
and positional restrictions. These surface representations are considered a
result of underlying representations and ordered phonological rules within the
framework of generative phonology. It accounts for how abstract underlying
structures are transformed into surface structures through processes such as
vowel insertion, consonant deletion, and feature spreading, thereby resolving
phonetic violations. By bringing Tiv phonotactics within a rule-based generative
model, it highlights the ability of generative phonology in revealing the
general nature of Tiv sound structure and adds to the broader understanding of
phonological patterns in Benue-Congo languages.
Keywords: Generative, phonology, phonotactics, syllable, Tiv
Introduction
Interaction with
languages of the world reveals that sound patterns differ across languages; the
permissible sound combinations in one language do not always align with those
of another. Phonotactics, the set of permissible sounds and constraints on how segments
combine in a language, plays a vital role in accounting for the internal
organization of a language’s phonological structure. As a branch of phonology,
phonotactics provides insights into how languages limit segment sequencing,
allow specific syllable structures, and determine sound behavior at different
levels. Knowledge of these acceptable combinatory patterns is relevant for
explaining why certain sound structures are possible, while others are not,
particularly within the framework of generative phonology. Phonotactic
principles are structured to reflect the mental grammars that govern the
natural dispositions that underlie the surface form of a given language. This
theoretical landscape allows for the assessment of sound distribution and the processes
that shape phonological well-formedness.
As a major language
of the Benue-Congo family, Tiv is spoken largely in Benue State and the
surrounding regions of North Central Nigeria. Despite its geographical spread
and numerical strength, Tiv is poorly represented in formal phonological
literature. Existing research focuses mainly on segmental and tonal elements,
often omitting deeper structural constraints that govern the organization of
Tiv sounds. Tiv, however, exhibits interesting phonotactic characteristics,
including restrictions on consonant clusters, a tendency towards open
syllables, and a vowel sequence resolution process, among others. These
patterns, however, have not been carefully analyzed within theoretical
frameworks that can clearly explain why they occur and how they interact.
Exploring Tiv
phonetics through the framework of generative phonology offers a platform for
uncovering the underlying principles that determine Tiv sound structure. As an
analytical tool, generative phonology provides a basis for examining
phonotactic restrictions by drawing on distinctive features, underlying
representations, rule formulation, and rule ordering. This approach accounts
for both static distributional restrictions and dynamic phonological processes
that shape Tiv surface forms. A generative approach goes beyond merely
establishing possible and impossible sound combinations in Tiv; it also
explains patterns that arise through assimilation, feature spreading, and other
systematic processes.
This research
endeavor stems from the need to fill existing gaps in Tiv phonological
scholarship and contribute to broader theoretical discussions on how
Niger-Congo languages encode phonotactics within a generative framework. The study aims to describe the segmental and
syllable-level restrictions of the Tiv language and categorize them using
formal phonological rules. This will establish how the Tiv phonological system
can be understood as a structured system guided by predictable rule
interactions. The findings will be relevant to linguistic theory, African
language documentation, comparative studies, and practical applications such as
literacy materials, language pedagogy, and orthography development.
This paper
investigates the sound system of Tiv by identifying its phonotactic constraints
and analyzing them through the formal framework of generative phonology. The
study intends to deepen the understanding of Tiv phonology and to highlight the
explanatory relevance of generative theory in accounting for sound distribution
patterns in natural languages.
Statement of Problem
In spite of the
growing research endeavors in the field of linguistics, mainly on Nigerian
languages and Tiv in particular, Tiv phonotactics remains insufficiently
described and theoretically underexplored, especially within the framework of
generative phonology. Many researchers have focused primarily on segmental
inventories and tone, among other aspects, but little attention has been given
to a systematic analysis of the constraints governing permissible sound
sequences, syllable structures, and other areas. This limited analysis has
thwarted an understanding of some Tiv speakers' internalized phonotactic rules,
how these rules work together in ensuring consistent phonological patterns, and
how phonological representations are structured within a generative
perspective.
Additionally, the
lack of a comprehensive phonotactic account has created gaps in determining the
well-formedness of Tiv words, identifying constraint-driven restrictions, and
explaining alternations that emanate from irregular sequences. Without a generative
analysis, the underlying principles shaping Tiv phonological patterns remain informalized,
making it difficult to compare Tiv with other Benue-Congo languages or to
contribute meaningfully to general phonological theory. This paper therefore,
addresses the absence of a systematic, theory-driven phonotactic account of Tiv
that reveals all the underlying structure of its phonological system.
Conceptual Clarifications
To ensure clarity and
ease of understanding, key concepts in this study, such as Phonotactics, the
Tiv language, and generative phonology, are briefly discussed to guide readers
through the paper. The study integrates generative phonology and phonotactics
by analyzing Tiv sound patterns as rule-governed mental representations,
showing how Tiv phonotactic constraints are systematically generated and
explained within the generative framework.
Phonotactics
Phonotactics
encompasses the set of restrictions in a language that determine how sound
structures are arranged or organized within syllables and words. It reveals
permissible consonant and vowel patterning systems, syllable types, and
positional distribution that guide which sounds could be allowed to occur in
word-initial, medial, or final positions. This phonotactic behavior helps in
defining the phonological shape of a language and enables speakers to
distinguish well-formed phonological structures from ill-formed ones (Crystal,
2008). This study examines phonotactic patterns and constraints that are
functional in Tiv sound combinations. Crystal (2011) defines
"phonotactics" as a term used in phonology, referring to the
sequential arrangements (or tactic behavior) of phonological units in a
language and what constitutes a phonologically well-formed word. In English,
for example, consonant sequences such as /ʧ/ and /spm/ do not
occur at word initials, and there are many restrictions on permissible consonant-vowel
combinations.
Tiv Language
Some classifications
consider Tiv within the Southern Bantoid group, showing its similarities with
other central Nigerian languages (Shimizu, 1975). Tiv permits a diverse variety
of phonological patterns and has seven vowel phonemes that constitute its phonological
structure (Gbor, 1980; Pulleyblank, 1988). The language employs high, low, and
down-stepped tones for both delexical and grammatical purposes, which help
distinguish otherwise identical lexical items. Generally, Tiv favors simple
syllable structure, which includes CV and CVC, among others. These linguistic
features provide the basis for understanding Tiv phonotactic constraints and
permissible sound combinations.
Generative Phonology
Chomsky and Halle
(1968) developed the theory of generative phonology. The theory provides an
insightful framework through which Tiv phonotactics can be examined, explaining
how underlying forms are transformed into surface representation through
rule-based operations. It accounts for abstract mental representations of words
prior to the application of phonological processes (Kenstowicz &
Kisseberth, 1979). The theory explains why certain phonological structures are
unacceptable by showing how rules eliminate illicit sequences. Generative
phonology employs a feature-based method to describe sound distributional
patterns as part of phonotactic analysis. The roles of vowel harmony and tone
often influence allowable phonotactic structures, making rule-based analysis
particularly suitable. Within this framework, generative phonology serves as
both an analytical and explanatory model for investigating Tiv phonotactic
patterns.
Review of Related
LiteraturePhonotactics
is an aspect of phonology that deals with syllable structure and constraints in
languages. Ugechi and Ayagah (2021) viewed the internal structure of the Tiv
language and revealed different types as V, CV, CCV, CCCV, and CVC. They maintain
that sequences which superficially appear as consonant clusters in Tiv are
better understood as co-articulations rather than tone clusters. This has an
important point for linguistic reflection and implication for Tiv phonotactics.
As a repair strategy,
Aor (2020) investigates epenthesis in Tiv, particularly in the adaptation of
English loanwords. Using a generative framework (Chomsky and Halle), he
formulates rules showing how a vowel or consonant occurs in Tiv phonotactics
well-formedness constraint for the sample, breaking up consonant clusters that
do not agree with Tiv native syllable patterns. Tsevende (2022), from a
generative perspective, also identified phonotactic constraints that allow
palatalization in areas like /i/, /j/, or /w/ glides and maintain that
palatalization is common in processes of plural formation, deletion,
epenthesis, and metathesis. Moreover, Musa (2024) reveals the process and
effect of palatalization in Tiv, combining phonetic explanation with theoretical
understanding to account for how palatalization changes and shapes morpheme
structure and influences the distribution of phonemes. Sokpo & Shitu
(Journal of the Linguistic Association of Nigeria) look at morphophonemic
alternations in Tiv plural formation. They show how prefixation, examples,
“mba” as in “mbayev,” the plural of “wanye,” and “i” as in “igyo,” the plural
of “gyo.”
Complementing this,
Ayagah (2023) uses a more modern framework (optimality theory) for describing
how morphophonemic alignment and faithfulness constraints determine plural
affixation in Tiv, explaining the different interaction between morphology and
phonotactics. Aor & Damkor (2021) undertook a diachronic study of sound
change in the Tiv language, looking at epenthesis, deletion, and substitution.
The study highlights how Tiv's phonotactic nature emanates over time as a
result of language contact and internal change.
A close observation
reveals that existing studies on Tiv phonology lack a comprehensive theoretical
account or explanation of Tiv phonotactics; previous studies look at a single
issue other than a generative explanation that links these various patterns together.
Despite the rich descriptive study on Tiv, few have made provision for a
rule-based, feature-driven generative analysis, creating theoretical imbalances
in the Tiv phonology study. Therefore, there is a need for more comprehensive
or encompassing analysis that can explain the underlying structure, rule
interaction, or mental phonological behavior governing Tiv phonotactics. This
research focus contributes to broader linguistic theory; it qualifies to show
how Tiv fits into universal phonological principles, making complete the
documentation of Niger-Congo phonologies. In summary, initial Tiv studies on
phonotactics are descriptively narrow and precise: issue-specific, while this
study is needed to fill the theoretical gap, unify already existing findings,
and deeply account for the generative structure of Tiv phonotactics.
Theoretical Framework
Phonological studies
could be based on any linguistic theory provided it is able to explain or help
in analyzing the phonological concept and idea under consideration. This study,
however, is grounded in generative phonology, an aspect of the generative grammar
theory propounded by Chomsky and Halle (1968). This theory adopts a formal,
rule-based analysis for explaining how phonological representations are changed
or transformed into real functional surface forms available in natural
language. For example, a word like “member” in Tiv is pronounced as /m’em’bel/,
while the same word can be pronounced when speaking English as /membə(r)/
by the same person. Again, a word like “tor” can be pronounced differently by a
single speaker, giving it different tones required by the context to derive the
meaning and having to do with underlying phonological forms, the mental forms
speakers have kept. In looking at Tiv phonotactics, this framework helps the
researcher to identify, describe, and also account for the constraints and
permissible sound sequences that regulate Tiv syllable structure,
segmentations, and Tiv phonological processes.
The core assumptions
of generative phonology are that speakers of a language have mental concepts of
their language, which are technically referred to as underlying forms. This
agrees with the view expressed by Akase (2018) that language is a social and psychological
construct involving symbols, signs, and material objects that are prone to
communication. This implies that language is an interactive and mental system
between and among human beings.” The phrase "mental system" shows
that language goes beyond the external symbols or sounds. This theory also
assumes that linguistic rules are universal, but individual languages operate
with specific rules; these rules help in determining the well-formedness
through sequences that are acceptable phonotactically. The various assumptions
and tenets of this generative theory of phonology are relevant, among other
theories, for this study.
Methodology
This paper adopts a
descriptive qualitative research design, harmonizing formal linguistic analysis
with limited native speaker consultations. The research is foremostly
theoretical, which agrees with the principles of generative phonology to Tiv
existing phonotactic data. In addition, minimal field verification is included
to ensure accurate information where there are limiting data in the available
literature. The research engaged two complementing sources of data, which
include existing works on Tiv phonology and phonotactics, Tiv dictionaries and
lexicons, academic articles, theses, and dissertations, among others. Also a
minimal native consultation: A sample of adult native speakers, aged 20–45, was
consulted for pronunciation confirmation, validating surface realizations of
specific forms and ensuring that selected examples reflect actual spoken Tiv.
The researchers used purposive sampling to ensure the people are fluent, active
Tiv speakers, among others. The primary database is drawn from published linguistic
materials, using established Tiv linguistic literature to ensure constant
validity, combining both sources to avoid reliance on a single type of data.
Analysis and
Discussion
The Tiv phonotactics
allows different sequences of consonants as the surface representation of which
makes up the entire phonology. There are sequences of two, three, four, and
even more. But for the sake of this study, only the sequences of two, three, and
four are presented in the following table.
Table 1: Showing
Consonant Combinations of Two, Three, and Four
|
Sound sequences |
Words |
Word position |
Meaning |
|
/by/ |
abyaa |
Medial |
Small hoe |
|
/mz/ |
Mzembe |
Initial |
Pears |
|
/ts/ |
tsan |
Initial |
Sharp |
|
/gh/ |
tugh |
Final |
Night |
|
/mt/ |
mtsem |
Initial |
Potash |
|
/ngw/ |
ungwa |
Medial |
Hear |
|
/gby/ |
Igba |
Medial |
Kinsman |
|
/mngb/ |
mngbagh |
Initial |
Roast |
|
/rtsw/ |
iortswam |
Medial |
People hate |
|
/ghgb/ |
mzoughgba |
Medial |
A gathering |
This table is a clear
and simple representation of various kinds of consonant sequences in Tiv
phonology. Like any other language, the phonotactics allows the above-stated
consonant sequences in varying word positions as indicated on the above table.
The “by” functions as a word initial, as in “bya,” a disease that affects a man
with various wounds; it can also occur at the word medial position, as stated
in number one on the table, but it cannot occur at the word final position.
While “mz,” “ts,” “mls,” and “mggs” operate at word initials in Tiv, they may
be found operating at the medial but not at the final position. On the contrary
“gh”, manner of distribution can take place at the medial and final word
positions. The “rtsw” and “ghgh” can only operate at the medial position in Tiv
words. This understanding is very important to help both readers and speakers
of the language,, “gh” even non-native speakers. However, consonant
combinations like “pl,” “lp,” “th,” and “str,” which may be applicable in other
languages, English, for example, do not have a place in the Tiv language.
Table 2: Showing the
allowable vowel sequences in Tiv phonotactics
|
Sound sequences |
Words |
Meaning |
|
/a/ |
Ma |
Drink |
|
/i/ |
Tim |
Destroy |
|
/o/ |
Tom |
Work |
|
/u/ |
Un |
Him |
|
/ee/ |
Kpee |
Tomorrow |
|
/oo/ |
loo |
Sunshine |
|
/aa/ |
Baa |
Salt |
|
/aao/ |
Gbaaondo |
Nature |
|
/aie/ |
Aie |
Lie |
|
/iao/ |
nyiaôr |
Name
of a person |
Vowels in Tiv
phonotactics are distributed in various ways and manners. The above table 2 is
a good but brief reflection of permissible vowel combinations or sequences in
Tiv phonology. The /a/, /i/, /u/, and /o/ are single representations of vowels
in Tiv; this means sequences are very flexible in nature in terms of their
distribution in Tiv. They occur at the word initial, medial, and final without
any restriction across the Tiv language. The /oo/, /ee/, and /aa/ only indicate
the long version of the short single vowels, while /aao/, /aie/, and /iao/,
among others, show how Tiv language phonotactics allow the combination to
belong to distinct syllables; these also reveal the features accountable in the
Tiv phonotactics.
Table 3: Showing Tiv
Syllable Structure
|
Syllable type |
Words |
Meaning |
|
V |
u |
Whom |
|
N |
mmem |
Rest |
|
VV |
Ie |
Lie |
|
CV |
ma |
Drink |
|
VC |
Ir |
Dirt |
|
VVC |
iev |
Images |
|
CVV |
baa |
Salt |
|
CVC |
tam |
Chew |
|
CVVC |
haav |
Roof |
Table 3 represents
the various syllable structures in Tiv phonotactics. As summarized above, the
Tiv phonotactics allows these various types of syllables to exist. In Tiv, a
vowel (v) is allowed to form a syllable or segment or can form a whole word.
“N” exists in Tiv as the syllabic nasal /m/, which is homographic with the
following consonant. This consonant sometimes appears as a phonological word,
particularly when it functions as a first-person singular pronoun. It adopts a
syllabic nature when it appears at the initial position in a word, except when
it precedes the bilabial plosive sounds /b/ and /m/; it also constitutes a
syllable when it occurs at the final position in Tiv words, where it functions
as an objective form of the personal pronoun or possessive pronoun. For
example, ‘mmem’ means “rest,” and “mtem” means “sit,” among others. As a type
of Tiv syllable “vv,” here consonants are not allowed to combine and make up
the syllable structure. This type of syllable structure is also very common in
Tiv phonotactics; examples include “oo”__ sunshine and “ie”__ lie, among
others. The CV syllable type is the common syllable structure distributed
across the Tiv language. In function also as monosyllabic words in Tiv, it
consists of an initial consonant followed by a vowel as determined by Tiv
phonotactics; it discourages consonant clusters within a single syllable; it
reflects a preference for open syllables and influences various aspects of its
phonology, morphology, and syntax. Some others include “ma” (drink), “la”
(that), and “ku” (death).
Another syllable
structure is VC, which forms a coda in Tiv but not an onset. It serves as a
morphological unit or a phonological word depending on the practical, as can be
seen here as examples: “ir” __ dirt, “pir” __ quench, and “pav” __ separate. In
the case of VVC, two vowel sequences are allowed as a combination, and with an
additional consonant, they form a syllable structure. In most cases, the
consonant at the final position is restricted to either nasals or voiced
labiodental fricatives, as in “een”—yes, “iev”—images. The CVV is also
expressed as a syllable type; a consonant at its initial position is combined
with a cluster of vowel sounds or a long vowel. This is less frequent, but
still it is part of the Tiv syllable structure. This type often results from
vowel lengthening, diphthongization, or morpheme combination and plays an
important role in tone, vowel harmony, and prosody. These include “tôô” __ take
and “hii” __ start. The CVC syllable structure, or type, is a closed syllable
type; it is heavy and made up of an initial consonant, a vowel as its nucleus,
and a final consonant. In most cases, the coda position is limited to the
consonants /m, n, ng, r, i/; it also includes /v/ as a voiced labiodental
fricative. For example, “tam” means “chew,” “sen” means “downward movement,”
and “kam” means “squeeze.” The CVVC syllable type is made up of a consonant,
two vowels, and a final consonant. This is very rare in Tiv phonotactics but
does exist under specific phonological conditions; this typically arises from
vowel lengthening, diphthongization, or morpheme combination and often appears
in verbs, nouns, stems, and borrowed words. Unlike the more common CV and CVC
syllables, CVVC structures are restricted by Tiv phonotactic rules,
particularly regarding vowel harmony and final consonant distribution. For
example, “haav” means roof, and “soom” means like one.
Onset in Tiv syllable
structure has unique features, which requires good knowledge for both native
and non-native speakers. One of these features is onset constraint: a syllable
begins with zero consonant, a single consonant, two consonants, or even three
consonants. For example, “ku” means death, “kwagh” means thing, and “tswen”
means alone, respectively. It should, however, be understood that the Tiv
language allows multiple consonants at the onset, yet these consonants are not
necessary consonant clusters, though there are few instances in Tiv
phonotactics where consonant clusters are allowed. For example, in words like
“mnenge” __ I have seen and “mtswenem” __, among others, one can see that the
/mn/ and /mt/ are serving as consonant clusters. However, their reflection and
distribution in Tiv is very minimal and does not really constitute challenges
in daily usage. Most of them are complex consonant structures that are
co-articulated and cannot be said to be consonant clusters. Vowel-initial
syllables are possible but rare or restricted; most syllables tend to have a
consonant forming their onset of consonant sequences, like “mb,” a nasalized
stop that can only operate at the initial position in the syllable and not at
the medial or final. Other sounds with similar articulation and manner of
distribution include “ndz,” “mgh,” and “ugh.” The “gh” (r), voiced velar
fricative, has its place of distribution only at the final position of a
syllable.
Tiv has a set of
vowel phonemes, both oral and nasal, including front, central, and back words.
Tiv allows various forms of vowel distribution, giving a variety of syllable
structures. Tiv phonotactics allow flexibility in the manner of vowel
distribution, where there are one, two, or three in a row across syllable or
morpheme boundaries. However, there are constraints. While Tiv phonotactics
allow various vowel distributions, the language, however, dislikes direct
vowel-vowel adjacency (hiatus) and has phonotactic rules that try to avoid it.
It is not common to have two vowels in a row across a morpheme or within a word
without some repairs. When two words meet or join in a speech, speakers try to
modify the sequence through deletion, assimilation, or insertion of a consonant
or glide to avoid unpreferred vowel distribution. As a result, vowel sequences
are regulated through repair when they arise. Some Tiv examples include
“pase+ave/pasave”__ remove hands; instead of two vowels as “ea,” /e/ has been
deleted to have a modified morpheme __ “pasave,” “kondo+ato/kondato” __ deaf
ear, and “atoatyev/atootyev” __ foreigner or non-native, among others. Vowel
assimilation and vowel elision play a critical role as the most common
strategies in Tiv to resolve vowel-vowel sequences. This presents a common
phonotactic principle in Tiv phonology.
The coda in Tiv
phonotactics is also peculiar to the language; Tiv allows syllables of the CVC
type. The Tiv coda is highly restricted
in nature. Only one consonant is permissible at the coda position in Tiv
phonotactics; complex consonant clusters are not allowed. Few consonants are
allowed at the coda position in Tiv; these include /m, n, ng, r, l/ and the
voiced labio-dental fricative /v/. So, some of these constrained Tiv syllables
are closed when the consonants belong to the above stated, as can be seen from
these words: “Tom” (word cvc), “sam” (grain cvc), and many others. As a result,
acceptable syllable structures in Tiv include v, cv, cvc, and cvv/cv_long,
among others; however, it depends on either a coda or a complex nucleus.
Complex codas do not have a place in Tiv phonotactics in the syllable
structure. And a small set of consonants can appear as final consonants;
consonant sets appear at the end. Consequently, Tiv is fairly reserved or
reserved/conservative about the coda composition or structure.
In Tiv, the
interaction between morphology and phonology to produce meaningful words adopts
various statuses. The process can be summed up as adding prefixes, suffixes,
and infixes and forming plural derivations, which allow phonological changes.
It means building new forms and words such that modifications are made to
affect either the pronunciation or the shape of the morphemes. The Tiv plural
form is achieved by prefixation, as in adding “mba,” “i,” “a,” and “u.” For
example, “wanye” means “child,” and “mbayev” means “children,” and “kpan” means
“slave,” and “ikpan” means “slaves,” respectively. In some contexts tone
interacts with the morphophonemic processes to produce new words as singular
and plural. This is because Tiv is a tonal language, and tone has a serious
role in changing the morphological form of a word from singular to plural. As
in the case of ígyó-pig and ígyó-pigs, -íyô-snake and íyô-snakes.
Moreover, when Tiv
borrows words from other languages like English, they contain sound sequences
and syllable/coda structures that are common to English and alien to Tiv, in
which they are modified to meet the acceptable phonotactic rule in Tiv. A close
observation reveals that Tiv makes use of interfixes also in forming compounds,
derived or complex words. It is the inclusion of a vowel, a syllable like
“mba,” or even a complex word. However, not every morphological process in Tiv
behaves uniformly; there are variations according to the stem, its final
sounds, and the historical/present phonological environment. It means every
general rule must be found fitting in a particular linguistic situation.
Literature describes many situations of plural formation, interfixation, and
downward adaptation, but the study, however, focuses on plurals or normal
inflection. Knowing that interaction between morphology and tones, there can be
unpredictable changes in tone when morphemes combine; it calls for careful
attention when learning or describing Tiv.
A Generative Analysis of Tiv Phonotactics
This analysis
encloses aspects of phonological elements like underlying representations, rule
formation, rule ordering and interaction, and evaluation of the generative
approach, which are considered paragraphically. Tiv has a definite consonant
inventory, which includes stops, nasals, fricatives, liquids, and approximants;
it also has vowels of different kinds. These consonants are simplified as /p,
b, t, d, k, g, f, v, s, z, ʃ, h, m, n, ŋ, l, r, w, j/, while
vowel contrasts are /I, e, u, o, Ɔ, Ə, u/. Basically, Tiv
permits CV, CVC, and also V syllable structures. Examples of the underlying
representations include (mba) and (nd). "mba" is often analyzed as a
prenasalized stop: Generatively, prenasalized stops are considered as single
segments (/mb/, /nd/, and /ŋ/) rather than normal clusters; this is because of
their co-articulatory nature as onsets in the Tiv language.
There are common
phonological rules in the Tiv language, or phonotactics. Tiv phonotactic rules
are then represented as considered under generative phonology. Tiv enclosed
articulatory vowel harmony, where vowels share common attributes in a word
environment. Simple expressions like 'Ngu a verse' are changed in speech to
'Nguevese.' In this case we have two vowel coalescences or vowel mergers; these
vowels are combined to form a single vowel or a glide + vowel sequence. The
rule here is Ѳ→e/u – v + V2 V3. Meaning e
is inserted between u and v. From the example, /Ngu/ + /a/ to /Ngua/, which is
pronounced as [Ngue-] (a common phonological system in Tiv of U+a 'u+a ue or
we). This is also referred to as vowel-to-vowel assimilation and can be seen as
assimilation through coalescence or assimilatory vowel coalescence. This
entails two vowels merging, and the outcome is a vowel that inherits features
from both; therefore, the final 'ue' vowel is an agreement formed by
assimilating features from /u/ and /a/. In some cases, vowel /a/ is taken away
or deleted once the coalescence takes place. In which case, the rule becomes
V'n 0/V-V. It now explains the deletion of the independent /a/ in 'Ngu' versus
'n Nguevese.'
Tiv also accepts
nasal place assimilation, morpheme-initial nasal sounds that assimilate to the
place of articulation. This nasal is underlying a nasal initial as the prefix
/N-/ that changes its place depending on the consonant that follows it. The
underlying form is /N+ga/; the nasal /N-/ assimilation to the place of
articulation of /g/, /g/ is a velar stop, so the nasal becomes a velar nasal
/ng/. The rule becomes N'n (ng)-g. The surface form remains /N+ga/ 'n (nga).
Small
Conclusion
This paper has
explored Tiv phonotactics through the theoretical basis of generative phonology
and uncovered the underlying principles that determine sound distribution and
permissible contributions in the language. This study has revealed that surface
phonotactic systems are determined from systematic or rule-governed processes
operating on abstract underlying representations. The findings reveal that Tiv
phonotactic constraints can be well presented through generative rules such as
feature specifications, syllable structure, patterns, and phonological
processes, including assimilation, vowel harmony, and consonant cluster
restrictions. The application of generative phonology has also shown that Tiv
phonotactics revealed a well-formed interaction overall; exploring Tiv
phonotactics within the template of generative phonology contributes to a
deeper understanding of Tiv sound patterns and reinforces the explanatory power
of the generative approach in African linguistics.
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