Cite this article as: Odey O. C. (2025). Literature and National Values in Walt Whitman’s Leave of Gras. Zamfara International Journal of Humanities,3(3), 223-231. www.doi.org/10.36349/zamijoh.2025.v03i03.021
LITERATURE AND
NATIONAL VALUES IN WALT WHITMAN’S LEAVE OF GRASS
By
Okache C. Odey
Department of
English & Literature
Nnamdi Azikiwe
University, Awka
Abstract: Literary artists often act as the
reflector of the socio-cultural and political issues of their society and time.
In many societies, the literary artist is the chronicler of societal experience
and sometimes charts the path for society to achieve sanity and progress. The
concern of this paper therefore is to examine how writers can function as the
conveyers of values tailored to foster sanity and development in their society.
A work of literature could help shape how citizens view themselves and their country
in relation to other countries. This paper aims to demonstrate the role of
literature in fostering national values in citizens. Every country operates on
values that act as the driving force for communal harmony and national
development. Through literature, writers, aside from political leaders, can
help firmly cement those values and visions of their country in the people's
hearts. This study examines how the notion of national value is reflected in
the work of American poet, Walt Whitman in Leaves of Grass. The paper draws
from postcolonial theory and concepts of transcendentalism to examine national
values in some selected poems in Whitman’s Leaves of Grass. This paper
concludes that through the power of literary imagination, writers can shape the
values of their country.
Keywords: Literature, national values,
postcolonial theory, transcendentalism, American Literature.
Introduction
Writers play an important role in the development of any
society. One of the roles writers play is by depicting their country's values
to shape their society's identity and value system. Through the vehicle of
literature, the country's values are taught to the citizens as a means of
shaping national identity and driving national development. Writers can help
shape people’s perceptions of themselves and their country. By creating
awareness about the core values of the nation, writers can effect positive change
in their society. Akachi Ezeigbo (2008) asserts that “literature has proved a
veritable tool for social engineering, for creating social awareness and
redirecting society and projecting into the future” (14). If we take a close
look at the literary evolution of American literature and also literature
elsewhere, we find how writers are inspired to create awareness about the
values and visions of their society as a way of inspiring the people to forge a
common front for national unity and development. Writers through the power of
words convey their country's values to the people. King-Aribisala writing on
the role of literature and language in shaping national values, states that:
Language, being the medium through which these experiences
are conveyed, is also an able barometer of the beliefs and attitudes of any
given nation, and together literature and language not only reflect the
consciousness of a nation but under the
critical analysis of scholars provide an understanding, discussion or dialogue
as to how nations individually and collectively may live in global harmony.
(xvii)
In the United States of America, the values enshrined in the
Declaration of Independence were geared toward guiding future generations of
Americans toward societal harmony and prosperity. Therefore, it is not
surprising that American writers often reflect distinctly American values such
as equality, liberty, individual rights, opportunity, and democracy in their
literary work. Early American writers crafted values that were different from
those of the former occupying power, England. Tripathi (2015) points out that
in contrast to English literature, “American literature emerged from a context
of colonialism expansion” (111). Tripathi further points out that while
“English literature drew from a long-standing poetic tradition, American
literature was shaped by the unique experiences of the New World, sought to
forge a distinct national identity and explore new philosophical ideas” (114).
Walt Whitman was a prominent poet in the early years of the
United States of America whose viewpoint was shaped by the history of America
and also, by the core ideals of the American Transcendentalism movement.
Transcendentalism is a 19th-century American philosophy propagated by writers
such as Ralph Wado Emerson and Henry David Thoreau which espoused the inherent
goodness of every individual, liberty, and equality. Gura (2014) notes that
“Transcendentalism thus seemed the ideal philosophy for a nation dedicated to
the proposition that all men are created equal and have the same inalienable
rights” (1). Whitman employed transcendent philosophy in Leaves of Grass to concretize the cultural, social, and political
values of the founding fathers of America captured in the Declaration of
Independence document.
Whitman’s Leaves of
Grass was aimed at reinvigorating Americans' national consciousness about
the values and visions of their country. King-Aribisala (2006) states that
“National consciousness is seen as a means of authenticating or validating a
particular nation’s identity the better for that nation to contribute cultural
“wealth” to the larger body of the human race” (xvi). Many of Whitman’s poems
are a means to liberate the people's sub-consciousness from England's
retreating influence and inspire Americans to be conscious of living up to the
ideals of the country's founding fathers. The quest to liberate the people is
why Emerson (1844) refers to poets as “liberating gods” (334) in society
because they inspire and also, help the people to know what they need to know.
To Emerson, poets are important because they advocate for a new way of thinking
and “unlock our chains and admit us to a new scene” (336). Whitman in his
artistic obligation was conscious of the need to portray in his work,
distinctly American values.
Discourse on the
role of the Poet in Whitman’s Leaves of
Grass
Walt Whitman was an American poet considered by many to be
the champion of democracy. Whitman’s Leaves
of Grass is quite significant in the canon of American literature as it
helped to define America and what it means to be an American. According to
Berenson (1995), “You cannot really understand America without Walt Whitman,
without Leaves of Grass” (4).
Whitman’s poetic expression provided him the means to convey American national
values in contrast to that of the former occupying power, England. Said (1978)
notes that citizens in politically emancipated societies project “their vision
of what they are and want to be” (XIV) and this is profoundly reflected in many
of the poems in Whitman’s collection. To Whitman, the development of the young
nation can only be realized in the founding values of America. In the preface
to the 1855 edition of Whitman’s Leaves
of Grass, Whitman declares, in the language that now seems rather quaint
and overly optimistic that:
The Americans of all nations at any time upon the earth have
probably the fullest poetical nature. The United States themselves are
essentially the greatest poem …. Here is not merely a nation but a teeming
nation of nations. Here is action united from strings, necessarily blind to
particulars and details, magnificently moving in vast masses. Here is the
hospitality that forever indicates heroes. (3-4)
He indicates in the preface that the genius of the United
States rests solidly on no other thing but “always most in the common people”
(4). He outlines the common values of the people as equality, freedom,
individual rights, and democracy. Elsewhere in this grand, linguistically
intoxicated preface, Whitman (1885) asserts that “The American poets are to
enclose old and new, for America is the race of races. Of them, a bard is
commensurate with a people. To him, the other continents arrive as contributors….
His spirit responds to his country’s spirit.” (5). Soyinka’s (1967) assertion
that the writer is the “voice of vision of his own time” (21) fits into the
role Whitman envisaged for himself as evident in the thematic preoccupations of
many of his poems. Whitman was an ardent follower of Emerson who equated
America to a poem (338). According to Emerson, the poet has to deploy the power
of his words and his poetic imagination to inspire and guide the people. He
enjoins poets like Whitman to “write primarily what will and must be spoken,”
because the poet is the “beholder of ideas and an utterer of the necessary”
(322). In sections nine to eleven of “By Blue Ontario’s Shore” Whitman affirms
Emerson’s position on the place of the poet in society as he declares that:
Of all races and eras these States with
veins full of poetical stuff most need poets, and are to have the greatest and
use them the greatest, Their presidents shall not be their common referee, so
much as their poet shall. (399)
Of those States, the poet is the
equable man …
He bestows on every object or quality
its fit proportion, neither more nor less
He is the arbiter of the diverse, he is
the key
He is the equalizer of his age and
land,
He supplies what wants supplying, he
checks what wants checking.
In peace out of him speaks the spirit
of peace, large, rich, thrifty. (399)
As he sees the farthest, he has the
most faith, For the great idea, the idea of a perfect and free individual, for
that the bard walks in advance, leader of leaders, The attitude of him cheers
up slaves and horrifies foreign despots...
For the great idea, That O my brethren,
is the mission of the poets. (400)
To Whitman, poets possess a better understanding of society
than anyone and they are eminently positioned to comment on and guide the
people on the path to the sustainable development of their society. In section
twelve of “By Blue Ontario’s Shore,” Whitman boldly asserts that of any
individual in the society, the poet is better placed to inspire the people to
rise to the founding values of the United States of America through several
rhetorical questions:
Who are you indeed who would talk or sing to America?
Have you studied out the land, its idioms and men?
Have you learn’d physiology, phrenology, politics,
geography, pride, freedom, friend
Of the land? Its
substrations and objects?
Have you considered the organic compact of the first day of
the first year of Independence, Sign’d by the commissioners, ratified by the
States, and read by Washington at the head of army? Have you possess’d yourself
of the Federal Constitution? (401)
Whitman’s great achievement, even if we are to judge him
solely on the strength of Leaves of Grass,
was to create an extended poetic world that matched in literary breadth the
geographical and human breadth of the United States. The world of American arts
and letters has always operated in stark contrast to and with its old European
forebears with the latter perceived as the older and ostensibly more
established tradition. Even if in political terms, the American society even in
Whitman’s time had come to see itself as the new Rome in cultural terms it was
a relative upstart. Not that this discouraged its writers, Whitman included,
from attempting to create, using their authentic vernacular, their literary
tradition. Toward the end of that 1855 preface, Whitman argues that the
“English language befriends the grand American expression”
and “It is the powerful language of resistance … it is the dialect of common
sense. It is the speech of the proud and melancholy races and of all who
aspire. It is the chosen tongue to express growth faith self-esteem freedom
justice equality friendliness amplitude prudence decision and courage. It is
the medium that shall well-nigh express the inexpressible.” (29)
This brief passage in the overall context and length of the
preface encapsulates starkly the themes that animate not just American national
values of faith, individuality, freedom, justice, and equality but also,
Whitman’s own idiosyncratic grand American expression that gives a distinct
flavour to his poems in Leaves of Grass.
Whitman took liberties with the English language and he constantly enriched the
American lexicon with words and phrases.
Literature and
American National Values in Whitman’s Leaves
of Grass
To begin with, Berenson’s assertion that “You cannot really
understand America without Walt Whitman, without Leaves of Grass” (4) is reflected in Whitman’s vast collection of
poems. Many of the poems in Leaves of
Grass capture America as a country and more importantly, the values that
have defined Americans as a people. Whitman assigned himself the role of the
definer of America as a country. In “To Foreign Lands,” Whitman asserts that
his poems define America and capture American values.
I
heard that you ask’d for something to prove this puzzle the New World. And to
define America, her athletic Democracy, Therefore, I send you my poems that you
behold in them what you wanted. (17)
To Whitman, his poems are essentially a
reflection of the United States of America. Leaves
of Grass in the entirety of its content is quite reflective of American
norms and values. Whitman’s poems offer an understanding of the value system
that helped to shape America into the superpower it is today.
In
“Poem of Remembrance for a Girl or a Boy of These States,” Whitman urges his
fellow citizens to always remember the distinctly American national values as
stated by the founding fathers. His poems become a medium of preserving and
also conveying the nation's values to the generations to come. The poet's
persona creates a sense of nationhood by urging the people to:
“Remember the pledge of the Old Thirteen
thenceforward to the rights, life, liberty, equality of man, Remember what was
promulgated by the founders, ratified by The States, signed in black and white
by the commissioners, and read by Washington at the head of the army, Remember
the purposes of the founder –
Remember Washington;
Remember the copious humanity streamlining from every
direction towards America;
Remember
the hospitality that belongs to nations and men; (Cursed be nation, woman, man,
without hospitality!)
Remember, government is to subserve individuals,
Not any, not the President, is to have one jot more than you
or me,
Not any habitant of America is to have on jot less than you
or me.” (468-469)
Whitman
assumes the role of the chronicler of the people’s history. The above lines
therefore help in facilitating the continuation of the national ethos and also
carved a unique identity for Americans across generations. “Poem of Remembrance
for a Girl or a Boy of these States,” reveals liberty, equality, hospitality,
and representative government as the core values of the United States of
America.
Another
short poem in Whitman’s corpus, quotable in its entirety, that best reflects in
poetic form, the notion of safeguarding liberty if we can say of his writing,
is “To the States”:
To the
States or any one of them, or any city of the States, Resist much, obey little, Once unquestioning
obedience, once fully enslaved,Once fully enslaved, no nation, state, or city,
of this earth, ever afterward resumes its liberty. (28)
“To
the States” is a call by Whitman to the people to fiercely resist any situation
that will erode their liberty. To Whitman, the absence of a rational evaluation
of issues will invariably lead to the absence of freedom in the country. At the
heart of the poem is a call for freedom of expression and personal liberty
against the stifling of dissenting voices or the emasculation of the will of
the people. Whitman’s use of free verse and non-rhythmic lines structure in “To
the States” and nearly all his poems reflect his advocacy for freedom of
expression and the liberty of every individual to seek their path in life.
In “I
Hear America Singing,” Whitman extols the vibrancy of ordinary Americans such
as the mechanics, carpenters, masons, boatmen, shoemakers, and wood-cutter
because together, they are the bedrock of the genius of the United States and
“Each singing what belongs to him or her and no none else” (33). Whitman’s
position in the preface that the true greatness of the United States of America
is the common people is depicted in “I Hear America Singing.” To Whitman, the
people constitute the United States of America. The poet persona declares that
the America he hears singing is “varied carols” (33). This shows Whitman’s
acceptance of the multicultural reality of the American state. Just like in
“Song of Myself,” Whitman portrays himself as an embracer of diversity in this
poem. “I Hear America Singing” also celebrates the spirit of communal
interaction and the efforts of the ordinary people towards national
development. The poem reflects the transcendentalist belief in the equality of
every human being irrespective of race, gender and social class. The poem is in
line with Mudd’s (2018) assertion that many of Whitman’s “poems reflect the
inclination towards community, glorifying the common people” (8) and it also
reflects the convivial spirit of Americans.
In
“Song of Myself,” Whitman declares on a personal level what will later form the
nation’s basis for relating with other countries in the world. The somewhat
unspoken or unwritten notion that other nations of the world must always toe
the line of the United States. The nineteen-century poet asserts in the opening
lines of “Song of Myself” that:
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good
as belonging to you. (52)
Whitman aligns with the common people in the poem because he
was the son of a farmer and essentially a native son. He says “My tongue, every
atom of my blood, form’d from this soil, this air, born here of parents born
here from parents the same, and their parents the same” (52). Again in “Song of
Myself,” he highlights hospitality as one of the core national values of
America. The poem in section ten depicts Whitman attending to a runaway slave.
Manzari (2012) notes that to adherents of transcendentalism “slavery was
inherently wrong” (1793). By offering the slave water, “some coarse clean
clothes” and also for the fact that he sat next to the slave “at the table,”
(60) depicts Whitman as not just a transmitter but also a doer of what he
advocates. Again, Whitman expresses the need to acknowledge the different
groups of people in the new nation as it is necessary for national cohesion and
development. He states:
“Of every hue and caste am I, of every
rank and religion,
A farmer, mechanic, artist, gentleman,
sailor, quaker,
Prisoner, fancy-man, rowdy, lawyer,
physician, priest.
I resist anything better than my own
diversity,
Breathe the air but leave plenty after
me.” (66)
While Whitman advocates for diversity and an egalitarian
society, some lines in some of his poems portray him as a study of
contradictions. Kayum (2015) argues that “more than any other American or
English poet, Whitman has sung rhapsodic praises of egalitarianism” (55), while
Kayum’s position is true to a large degree of Whitman’s poetic ideals in Leaves of Grass yet there are equally
expressions in that same collection that portray Whitman as a racist. He
considers slavery distasteful but he makes some disparaging statements about
black people. In “Song of Myself,” Whitman declares “I will not have a single
person slighted or left away” but a few lines later, he derogatorily describes
black people as “The heavy-lipped slave” (67). In section thirty-three of “Song
of Myself,” Native Americans are also depicted in an unsavoury light when he
writes that they are “Far from the settlements studying the print of animals’
feet, or the moccasin print.” The demeaning words the poet employed both for
black people and native Americans expose his prejudicial state of mind even
when he tends to portray America as a country that accommodates all races. It
undermines the notion that equality was indeed a core national value of America
in Whitman’s time as it is today. Also, in “Pioneers O Pioneers,” the pioneers
that Whitman refers to are “Western youths” and he considers the white race the
“elder race” and also, the “beloved race in all” (257). Again in another poem,
“To Think of Time,” he refers to Africans and Asians as the “barbarians of
Africa and Asia are nothing” (492). People of African and Asian descent despite
Whitman’s advocacy for equality were not exactly regarded by him as of equal
standing with white people. It shows he was unable to completely transcend the
racial prejudices of his time. He admits in the last lines of “Song of Myself”
that “Do I contradict myself? Very well then I contradict myself. (I am large;
I contain multitudes)” (104). But one area that Whitman did not contradict
himself is the system of government Americans should embrace.
In postcolonial discourse, according to Bhabha (1994), there
exists “the cusp of the opposed political spheres” (248). He asserts further
that there is usually a “negotiation of differential meanings and values” (248)
between the contending political structures. In “Song of Myself,” Whitman’s
poetic vision for the new nation is to adopt a different system of government
to that of the former occupying power; England. Democracy as a system of
government is what Whitman recommends in the poem. Bhushan asserts that (2009)
in Whitman’s poetic vision, “democracy means liberty” (1304) for Americans. In
“Song of Myself,” he declares unequivocally that:
I speak of the pass-word primeval, I
give the sign of democracy,
By God, I will accept nothing which all
cannot have their counterpartof on the same term.
Through me many long dumb voices,
Voices of the interminable generation
of Prisoners and Slaves, (72)
In section one of “By Blue Ontario’s Shore,” he asserts that
the consent of the people is required in the formation of any government as it
reflects the values of America’s founding fathers. To Whitman, democratic
government is the system that best serves the interest and also, guarantees the
fundamental rights of the people. Thus, Whitman considers democracy as one of
the national values that America can share with other countries and he predicts
that it will be replicated in many countries in the world in section seventeen:
(Democracy, while weapons were everywhere aim’d at your
breast.
I saw you serenely give birth to immortal children, saw in
dreams your dilating form, Saw you with spreading mantle covering the world.)
According to Mudd (2018), Whitman’s poems speak to a
“broader culture of America that celebrates the triumph of democracy and looks
towards its role in changing the world” (8). Nearly two centuries later,
America is not just the bastion of democracy; the country has not stopped
selling democracy as the best system of government to countries around the
world.
Aside from democracy, Whitman also advocated for a republic
founded on the tenets of democratic principles against the monarchy system of
government in England with its practice of class stratification. Mudd (2018)
notes that Whitman’s poems “represent a major departure from the philosophy of
absolutist European monarchies, feudal lords and aristocrats” (10). Whitman
asserts in section nine of “By Blue Ontario’s Shore” that a nation formed
through coercion rather than agreement among men will not fare well, “By them
all native and grand, by them alone can these States be fused /Into the compact
organism of a nation/ To hold men together by paper and seal or by compulsion
is no account.” These lines in “By Blue Ontario’s Shore” particularly
accentuate Whitman’s denunciation of government formed without the consent of
the people.
The notion of gender equality also runs through many of
Whitman’s poems. In the poem “America,” Whitman dwells on gender equality as
one of the core values of the United States of America. According to Whitman,
daughters are not perceived as lesser than sons in America. Transcendentalists
were, of course, fierce critics of gender inequality. To Emerson, irrespective
of race, social status, and gender, every individual is equal. It is not out of
place therefore that Whitman influenced by Emerson’s philosophy of gender
equality became an advocate of the equality of the sexes. By proclaiming
America as the “Centre of equal daughter, equal sons… perennial with the Earth,
with Freedom” (584), Whitman reflects the convergence of transcendentalist
ideals of gender equality with the national values of America. Again in “By
Blue Ontario’s Shore” he reiterates this idea as he declares unequivocally in
section six that “The perfect equality of female with the male, the fluid
movement of the population.” In both “America” and “By Blue Ontario’s Shore,”
Whitman reveals the equality of men and women as one of the core values of
America.
In poems such as “By Blue Ontario’s Shore” and “Crossing
Brooklyn Ferry,” Whitman's poetic lens dissects the value of individualism in
American society. At the core of American Transcendentalism is the place of the
individual in society to other values like liberty and freedom of expression.
Manzari (2012) notes that Whitman’s “Leaves
of Grass praised the individual and appreciated personal expression, and
freedom” (1800). In section fifteen of “By Blue Ontario’s Shore” for example,
Whitman places strong emphasis on the recognition of individualism as an
integral component of America’s founding values as he says:
I swear nothing is good to me now that ignore individuals,
The American Compact is together with individuals,
The only government is that which makes minutes of
individuals.
By strongly advocating for the recognition of the individual
and fundamental rights such as personal freedom and freedom of expression,
Whitman equally explores how individuals can contribute to the overall good of
American society. He notes that the well-being of the individual will translate
to the well-being of the larger society. To Whitman, we all need one another to
create a productive and peaceful society. In section nine of “Crossing Brooklyn
Ferry,” Whitman declares that:
Not you anymore shall be able to foil us, or withhold
yourself from us,
We use you, and do not cast you aside, we plant you
permanently within us,
We fathom you not – we love you – there is perfection in you
also,
You furnish your parts towards eternity, Great or small, you
furnish your parts toward the soul.
In Whitman’s poetic vision, everyone has a part to play in
the development of the country. Every member of society is required to
contribute their part towards furnishing the soul of the country for the
betterment of all. Whitman considered himself the conduit through which this
idea was transmitted to the people through his poetic expressions.
In “Pioneers! O Pioneers!” Whitman looks to the future and
speaks to those unborn about the work of the founding fathers and what they
must do to make America great.
“Come my tan-faced children,
Follow well in order, get your weapon
ready…
For we cannot tarry here,
We must march my darlings; we must bear
the brunt of danger,
We the youthful sinewy races, all the
rest of us depend,
Pioneers! O pioneers!
All the past we leave behind,
We debouch upon a newer mightier world,
a varied world,
Fresh and strong the world we seize,
the world of labor and the march,
Pioneers! O Pioneers! (194)
Whitman in a way envisaged the place of the United States in
the twentieth century in his groundbreaking work, Leaves of Grass. The notion of American founding ideals such as
equality, liberty, hospitality, and the propagation of the principle of
democracy has helped to shape the country's place in the world today. Whitman
articulates core American values that continue to inspire readers around the
world today.
Conclusion
This paper examined the role of the literary artist as an
articulator of the values of his society in Walt Whitman’s Leaves of Grass. The study established how a literary artist can
function as the voice of change of his time and also as a transmitter of the
ideals of his society to future generations. The study also explored the
relevance of literature in not only shaping societal values but also that a
society can thrive based on the values of its citizens. The study revealed that
just like the United States of America, Nigeria and other African countries can
equally excel if the citizens imbibe values that will accelerate national
development.
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