Citation: Maikiyari, M. & Nuhu, A.S. (2026). Modal Grammar and Point of View: A Stylistic Study of Aliyu Kamal’s The Imam of the Corner Mosque. Tasambo Journal of Language, Literature, and Culture, 5(1), 124-132. www.doi.org/10.36349/tjllc.2026.v05i01.013.
MODAL GRAMMAR AND
POINT OF VIEW: A STYLISTIC STUDY OF ALIYU KAMAL’S THE IMAM OF THE CORNER MOSQUE
By
Mohammed Maikiyari,
PhD
Department of English
and Literary Studies,
Bayero University,
Kano
Email: mmaikiyari.eng@buk.edu.ng
Phone: 2348068953812
&
Auwal Sani Nuhu
Department of
English,
School of Languages,
Jigawa State College
of Education and Legal Studies, Ringim,
Email:
auwalsaninuhukz@gmail.com
Phone: 2349061656879
Abstract
This study applies Simpson’s (1993) modal grammar of point
of view in Aliyu Kamal’s The Imam of the Corner Mosque to investigate the
narrative point of view. To this end, it uses qualitative and quantitative
methods. Also, a purposive sampling technique is used to select six relevant
passages in the novel that contain the modal systems. The study finds that the
novel belongs to Simpson’s category B narratorial mode with negative shading
that is foregrounded through epistemic and perception modal systems to express
the certainty and uncertainty of the narrative through an external narrator.
However, the narrative contains a few deontic and boulomaic modal systems that
are usually highlighted in the positive mode. These modal systems are used to
foreground some religious and moral obligations and also the characters’
desires and wishes. Furthermore, the narrative contains verba sentiendi,
evaluative adjectives and adverbs, etc. Epistemic and perception systems are
used to allow readers to have access to the characters’ thoughts, feelings, and
certainty or uncertainty through the external narrator, while deontic and
boulomaic systems are used to foreground some religious and moral obligations
and the characters’ desires and wishes through the external narrator.
Keywords: Modal Grammar,
Point of View, Narratorial Mode and Stylistics
Introduction
Point of view denotes a vantage point, angle, or perspective
from which a narrative or story is perceived by readers. It is through the
point of view that events as well as the actions of characters in a story are
viewed for interpretation and comprehension of the narrative. For instance, in
a first-person narrative, the events are viewed and told by the same person who
happens to be the narrator of the story, whereas in the third-person narrative,
the events are viewed and told by different persons who happen to be the
narrator and the viewers (Neary 2014:176). Both of these points of view have
advantages and disadvantages. For instance, first-person narrative enables the
author to enter into the mind of his main character in a “stream of
consciousness manner” or in another way. However, the author, the main
character, and the reader cannot read the thoughts as well as feelings of the
other characters. Mostly, the third-person narrative is both omniscient and
limited omniscient. Generally, it is the preferable method of point of view by
novelists (Childs and Fowler 2006:182).
In recent years, there have been many narrative theories
that have attempted to explain and describe the function of point of view in
literary works (Genette 1980, 1988, and Bal 1985). These theories have
attempted to bring together terminology that has been common in the discussion
of point of view, such as external/internal, first/third person,
limited/unlimited, and personal/impersonal, into theoretical models that are
fundamental options and are available to writers of narrative fiction in their
choice of point of view, moving from a purely visual formulation. However,
Rimmon-Kenan (1983) stressed the psychological and ideological facets. However,
none of these approaches to point-of-view analysis relate the generality of the
function of point of view to discourse in order to provide a linguistic
identification.
Furthermore, Fowler (1986), deriving from Uspensky’s (1973)
model of point of view, proposed an analysis that involves four systems of
psychological point of view as a whole, briefly describing the spatio-temporal
and ideological point of view. Similarly, Simpson (1993) stressed the
psychological point of view while proposing a model based on modal grammar
within a systemic functional linguistic approach, and the model involves nine
points-of-view polarities that combine Uspensky with Genette. McIntyre (2006:29)
stated that modality is the key concept of Simpson’s model of point of view, in
which Simpson explained the speaker’s attitude or opinion about the proposition
expressed by a sentence. He added that Simpson’s model proposed different kinds
of modality that are found in a text, which provide a more precise method that
differentiates between kinds of narrators, similar to Fowler’s (1996) model.
Thus, this study uses Simpson’s (1993) model of point of view in Kamal’s The
Imam of the Corner Mosque to investigate the author’s narrative style
through the point of view of the narrative.
Modality in Language
Among the functions of linguistic communication is the
establishment and maintenance of social mutual relations among people. This can
be achieved if speakers and writers have creative and effective linguistic
expressions through which they can communicate complex emotional states and
feelings to one another. Many of these linguistic features are found in
modality. The term modality is used to define the grammatical elements of
language that are used to express a speaker’s or writer’s attitude to a particular
subject (Gavins 2007:91). Furthermore, the term modality is used in grammatical
and semantic analysis to denote the differences in speakers’ moods expressed in
verbs and their related classes (Crystal 2008:308). However, Bussmann
(1996:754) stated that in the English language, modal differences are mainly
expressed by some modal auxiliary verbs, such as may, will, and can, among
others; modal lexical verbs, such as want, hope, and wish, among others; and
modal adverbs, such as hopefully, maybe, and apparently, among others.
Modal Systems of the
English Language
The term modality is used “rather loosely to refer to
attitudinal features of language.” Fowler (1986) identified various grammatical elements that are used as
means to express “modal commitment”, such as auxiliaries, modal adverbs or
sentence adverbs, evaluative adjectives and adverbs, generic sentences and
verbs of knowledge, prediction, and evaluation. These modal grammatical
elements are supplemented by other types of modality found in English, and
these supplements are mainly on point of view analysis (Simpson 1993:47).
Furthermore, modality extends to “situation context” or event described by a
sentence. Thus, it is a representation of “interpersonal function of language”
(ibid). Simpson (1993) proposed four modal systems of English, such as deontic,
boulomaic, epistemic, and perception.
Deontic Modal
System expresses “duty”, that is, “a speaker’s
attitude to the degree of obligation in relation to the performance of some
actions. Examples:
(1) You may
leave. (permission)
(2) You should
leave. (permission through obligation)
(3) You must
leave. (obligation)
Some of these modal auxiliary verbs may also be used as
epistemic forms. Deontic expression can also combine adjectives and participles
in BE……. THAT and BE…..TO to express a degree of modal commitment. Examples:
(4) You are permitted to leave. (BE+Participle+To)
(5) It is possible for you to leave. (BE+Adjective+To)
(6) You are obliged to leave. (BE+Participle+To)
Deontic system is very important in social interaction
particularly for when used for persuasion and politeness (Simpson 1993:47-48).
Boulomaic Modal
System is closely related to deontic as it is
used to express desire. It is realized in modal lexical verbs that express
wishes and desires of the speaker. Examples:
(7) I hope
that you will leave.
(8) I wish
you’d leave.
(9) I regret
that you’re leaving.
Also, adjectives and participial constructions, such as
BE……..TO or BE…….THAT can be used to express boulomaic commitment, although
modal adverbs can also be used. Examples:
(10)
It
is hoped that you will leave.
(BE+Participle+THAT)
(11)
It’s
good that you’re leaving (BE+Adjective+THAT)
(12)
Hopefully, you will leave (modal adverb) (ibid).
The epistemic
modal system is said to be the most important
modality in the analysis of point of view in fiction. It is used to express the
speaker’s confidence or lack of confidence in the truth of a proposition. The
following auxiliary verbs are used in their epistemic sense:
(13)
You
could be right.
(14)
You
may be right.
(15)
You
must be right.
(16)
You
might have been right.
(17)
You
should have been right.
The epistemic system can be grammaticalized in modal lexical
verbs:
(18)
I
think you are right.
(19)
I
suppose you’re right.
(20)
I
believe you are right.
The epistemic system also can be expressed in the following
constructions: (BE…..TO and BE….. THAT). Examples:
(21)
You
are sure to be right.
(22)
It’s
certain that you’re right.
(23)
It’s
doubtful that you’re right.
The epistemic system is also expressed in modal adverbs,
such as arguably, maybe, perhaps, probably, certainly, allegedly etc.
Perception is best regarded as a subcategory of epistemic modality just
as Perkins (1983: 81) pointed out.” It is used to express the degree of
commitment to the truth of a proposition that is predicated on the basis of
human perception, particularly visual perception. This is highlighted in
adjectives in BE……..THAT construction and modal adverbs:
(24)
It
is clear that you are right.
(25)
You’re
clearly right.
(26)
It
is obvious that you are right.
(27)
It
is obviously right.
(28)
It
is apparent that you’re right.
(29)
Apparently,
you’re right. (Simpson 1993:49-50).
To sum up, deontic expresses obligation, duty, and
commitment, boulomaic expresses desire, epistemic-knowledge, belief and
cognition, and perception-visual perception.
Here is the same text with only spelling, punctuation, and
grammatical errors corrected. The structure, wording, and pattern are
preserved.
The Simpson (1993) Modal Grammar of Point of View in
Narrative Fiction
Simpson (1993) proposed two categories of point of view in
narrative fiction, which he termed categories A and B, and each of these is
further divided into positive, negative, and neutral. Category A are those
narratives that are narrated in the first person by a participating character
within the story. This category is similar to Genette’s homodiegetic narrative,
in which a narrator takes part in the storytelling. Category A positive (A+) is
called positive because it involves positive shading highlighted by deontic and
boulomaic modal systems that foreground the narrator’s duties, obligations,
desires, and opinions on events and other characters. It also involves verba
sentiendi that express feelings and thoughts, such as feel and suffer, etc.,
and evaluative adjectives and adverbs. The epistemic and perception systems are
suppressed, unlike in the negative category. Thus, propositions are not
asserted, perhaps because of the limited knowledge of the narrator. In this
category, it is very rare to find epistemic modal adverbs such as possibly,
probably, maybe, and perhaps, and modal auxiliaries in verb phrases such as
might have been, could have been, and must have been, etc., and perception
modal adverbs such as evidently and apparently, etc. This category is not
difficult to be identified in narratives (Simpson 1993:56–58).
Category A negative (A–) highlights clearly epistemic and
perception modal systems that are absent in the positive category. In this
category, epistemic modal auxiliaries, modal adverbs, and modal lexical verbs
such as I suppose, I imagine, and I assume, and perception adverbs such as
evidently and apparently are prominent. It also involves comparative structures
that have some basis in human perception, such as It looked as if…, It seemed…,
It appeared to be, etc. These modal systems make the category to be shaded
negatively and to be similar to Fowler’s External type D, although it is within
the participating character’s consciousness. In category A neutral (A(N)),
there is an absence of modal markers (ibid).
Category B is a third-person narrative and is mainly
classified into two: the narratorial and reflector modes. In the narratorial
mode, the events are told outside the consciousness of characters, while in the
reflector mode, the events are told inside the consciousness of characters. In
the narratorial mode, only the narrator’s voice is heard, but if a third person
embarks on the “license of omniscience” and moves after a long time into the
active mind of a particular character, then it is said to be a reflector mode.
Furthermore, like their category A counterparts, category B narratives in each
of the two modes are classified on the basis of positive, negative, and neutral
shading. Thus, this model comprises nine point-of-view polarities. In category
B narratorial mode positive (B+(N)), deontic and boulomaic modal systems are
foregrounded to express desires, duties, obligations, and permissions. This
category is also rich in evaluative adjectives and adverbs, generic sentences,
and verbs of sentiendia that express feelings and thoughts. However, in
category B negative, epistemic and perception systems are highlighted to
foreground the narrator’s certainty or lack of certainty about the events of
the narrative. In category B narratorial mode neutral, there is an absence of
modal systems, and it is externally focalized. Furthermore, category B
reflector mode is also classified into positive, negative, and neutral. These
subcategories have similar modal systems to their category B narratorial mode
counterparts. The only difference is that in reflector mode, the narration is
told inside the consciousness of the characters, while in the narratorial mode,
the narration is told outside the consciousness of the characters (Simpson
1993:62–67).
Methodology
This study adopted qualitative and quantitative methods to
analyze data. In doing so, the data were selected from Aliyu Kamal’s The Imam
of the Corner Mosque using a purposive sampling technique, through which
relevant passages that involve instances of modality were selected to analyze
the narrative point of view based on the modal category of point of view. These
passages were presented in the form of excerpts and were analyzed individually.
Thereafter, the frequency of each modal system was presented in tabular form to
determine the shading of the category of point of view of the narrative. This
study sourced the data from Aliyu Kamal’s The Imam of the Corner Mosque. The
novel under study contains much data, and dealing with a large amount of data
causes redundancy or repetition; also, a sample of data can be used to
represent the whole data. Thus, this study used a purposive sampling technique
to select six relevant passages based on Simpson’s (1993) modal grammar of
point of view. Each passage was analyzed based on Simpson’s (1993) model of
grammar of point of view; that is, all the available modal systems contained in
the passages were identified and analyzed to determine their stylistic effects.
The frequency of the available modal systems was presented in tabular form to
determine the modal shading of the narrative. Thereafter, the category of the
modal point of view of the narrative was identified and stated.
The Application of Simpson’s (1993) Modality and Point of
View in Aliyu Kamal’s The Imam of the Corner Mosque
The Imam of the Corner Mosque is a story about a religious
leader whom the author named Imam. Imam is polygamous. He battles with the
rivalry between his wives and prays for divine intervention in favor of some
businesspeople who want to prosper; meanwhile, his daughter deserts her
husband’s house for unnecessary reasons. The story reaches its peak when the
Imam is deceived by his son-in-law with a fake house loan and loses his house
to urban development. He moves with his large family to his son-in-law’s house.
He battles with religious duties and the heartfelt ambition to make life better
at the expense of the people close to him, whom he never wants to hurt.
This story is narrated and viewed through a third-person
omniscient narrator. The story is heard from an external narrator who is a
non-participating character. It is shaded negative, as foregrounded through
epistemic and modal systems. Thus, it is categorized as B narratorial mode
negative. However, there are boulomaic and deontic modal systems in the
narrative. In each of the following passages, the modal words are italicized
for easy identification.
Passage A
After the departure of Abashe’s mother, Sa’a and Shatu chose to differ in finally resolving the issue of Halisa’s marriage. Insofar as her
husband’s mother would be taken on
her words, then Halisa had not told the truth. Shatu in consequence sided with the Imam. In effect, Halisa must go back to her husband’s house.
Unlike the Imam, who had been premature, as his daughter saw it, in thinking that the poor relations between his wives were on the mend just because they
agreed that she should stay put at home, she thought
that there was still a yawning gap
that Shatu signaled by her decision later not to side with Sa’a, who still maintained that Abashe must come to explain what led to the
rift between him and his wife. Halisa could
imagine the softening his stance
and was proven right to hear him say
that it was in order to demand that
Abashe offer some explanations. But in the end, as a Hausa adage had it, as a
tree Halisa’s roots would remain in
her parental home but throw her shaded in of her husband. By relenting, she believed that the Imam, two, had not completely dispelled the issue of the lingering rivalry between his wives out
of his mind. (p. 16)
In the above excerpt, the deontic system of obligation is
found in auxiliary verb phrases “must go” in line (5) to express Halisa’s
obligatory duty, as offered by the Imam and Shatu, of going back to her husband’s
house and “must come” in line (12) to express Sa’a’s stand on Abashe’s
obligatory duty to come and explain the rift between him and his wife. Boulomaic
modal system is found in the modal verbs “chose” in line (1) to express Sa’a
and Shatu’s desire to resolve Halisa’s marital issue, “demand” in line (15) to
express the desire of requesting Abashe to offer some explanations about the
rifts. Furthermore, the verbs of sentiendi, such as “thinking” in line (7) and
“thought” in line (9), are used to express Halisa’s thoughts. Also, epistemic modal
adverbs, such as “completely” in line (19) and “finally” in line (2), and
evaluative adjectives, such as “poor” in line (7), “softening” in line (13),
and “lingering” in line (19). The excerpt also involves epistemic modal auxiliary
verbs, such as “would be taken” line (3), “should” in line (9), “could imagine”
in line (13), “would” in line (17) and epistemic modal verbs, such as “sided”
in line (5), “was proven” in line (14), “believed” in line (19) to express the
certainty of the characters about the propositions stated in the sentences.
Perception modal systems, such as “signaled” in line (10) and “dispelled” in
line (19) are found.
Passage B
Nonetheless, Shatu nursed the
hope believed in it that his
attention would gravitate more towards her for going out of her way to be very
indulgent on him. In the neighborhood, he was known to be an ascetic
adherent to the prophetic hadith saying that asceticism is the restriction of
hopes. People looked at his style of
attire: they considered the condition
of his house: they never knew him to
ingratiate abysmally to anyone for a
handful of favors; flirted with juvenile delinquency in all that, people would adjudge him as a gentleman of the highest order. Nonetheless,
Sa’a and Halisa believed that Shatu would remain standing with her bow down
taut and ready to shoot. (p21)
The above excerpt is rich with epistemic modal lexical verbs,
such as “nursed” and “believed” in line (1) another “believed” in line (13),
“known” in line (4), “considered” in line (7), “knew”, line (8) and “adjudge”
in line (11) to express Shatu’, Sa’a and Halisa’s certainty about the
prepositions expressed by the sentences. It also involves epistemic modal
auxiliary verbs, such as “would” in lines (10) and (13), epistemic modal
adverbs such as “never” in line (8), “abysmally” in line (9), and “nonetheless”
in line (1) and (12). Furthermore, it involves perception verbs, such as
“looked” in line (6) and “gravitate” in line (2), and it is rich with
evaluative adjectives, such as “indulgent” in line (3), “ascetic” in line (4), and
“highest” in line (11). These are characteristics of Fowler's external type D
point of view. Thus, this narrative is told by an external narrator.
Passage C
The Imam wasn’t aware of
the decision Shatu had taken to make life difficult for Sa’a. He would have been greatly horrified,
following the understanding between him and Uawaisu, to know something brewing in his house that would put asunder the silent agreement
between him and his friend. Sa’a who was in the know, dropped hints onto which the Imam failed to cotton. Her insinuations-your indulgent bride; the one who welcomes you to and from work; your
non-time fellow conversationalist had so far appeared to be beyond his lean. (p. 31-32)
This excerpt is also rich with epistemic modal lexical verbs,
such as “aware” negative in line (1), “to know” in line (4), and “failed” in
line (8) to express the Imam’s uncertainty about Shatu’s decision. There are
also epistemic modal auxiliary verb phrases, such as “would have been” in lines
(2) to (3) and epistemic modal auxiliary verb, such as “would” in line (5),
epistemic modal adverb, such as “greatly” in line (3) and verb of sentiendi,
such as “horrified” in line (3). The excerpt also involves perception verbs,
such as “appeared” and evaluative adjectives, such as “silent” in line (5).
Passage D
She recalled a
hadith read to them at the Islamiyya School on the drift the canine harbours.
It is that if one comes into contact with dog salive, he must purify himself four time with water including once with sand.
She was thus not surprised to know that people avoided keeping dogs as pets. Another hadith had it that to keep
such a pet is to lose a mark out of
the mark recorded for one from the acts of devotion that comes out every day.
Hunters, on the other hand, are allowed
to keep hunting dogs to bring game they shot
or want them to chase and bring over
after overpowering and wounding it, they must utter Bismillah, or
the opening verse of the Qur’an to make the game lawful just in case the dog bites it before lately. (p. 70)
The above excerpt involves a deontic modal auxiliary verb
system, such as “must” in lines (3) and (12), and deontic modal verbs, such as
“avoided” in line (6) and “allowed” in line (10), to express religious
obligatory duties as well as permission granted on keeping a dog as a pet. Also,
there is a boulomaic modal lexical verb, such as “want” in line (11) to express
the hunters’ desire of using dog. There are epistemic modal verbs and adverbs,
such as “to know” in line (5), “to lose” in line (7), and “lately” (15). This
excerpt is also rich with perception verbs, such as “shot” and “to chase” in
line (11), “overpowering” and “wounding” in line (12) and verbs of sentiendi,
such as “bite” in line (14), “not surprised” in line (5) and “recalled” in line
(1) to express the feelings and thoughts of the characters. There is also a
deictic, such as “bring over” in line (11).
Passage E
Uwaisu kept quiet; he didn’t
trust himself to speak. He wanted
to draw the Imam back into the house where they could talk at ease. But the visitor had other plans. The most pressing was to reduce the length
of time Shatu remained in the taxi
with the driver, who Sharia law forbids
to stay close to her for long, while
the less pressing was to get his
money back. The enormity of the repercussions of transgressing the dictates of
the Sharia led the cleric to relevant
on the second issue, which he could
afford to give more time to pass before he collected
what was due to him. Yet, the Imam didn’t mention his concerns about his wife
but other issue. (p78-79)
In this excerpt, there are a boulomaic modal lexical verbs,
such as “wanted” in line (2), and a deontic system, such as “forbids” in line (6),
to express wishes and religious obligations. The excerpt is rich with epistemic
modal auxiliary verbs, such as “could” in lines (3) and (10), and epistemic
verb phrases, such as “didn’t trust” in line (1) and “led” in line (9), to
express uncertainty as well as certainty about the propositions of the
sentences. There are also perception verbs, such as “remained” in line (5) and
“collected” in line (11), to express the visual perception of the characters.
Furthermore, there are evaluative adjectives, such as “most” in line (5) and
“less” in line (7), and near deictic, such as “close” in line (7).
Passage F
Halisa was having a talk with Sa’a in sitting room when her
handset chimed. She wondered who would text a message to her. It wouldn’t be Baraka; she preferred voice calls. Uwais’s wife had
gone to attend a weeding and taken Hannun with her as she began to address the
girl as her very own daughter. Looking
at the screen, Halisa was surprised to
see that it was her husband. Sa’a asked her who it was before the receiver of
the message switched it open. It was Abashe, she said confidently. Gone were the early days of
Hali’s marriage when Sa’a disappointed
very strongly to hear her mention his
name. The wife shows good mannners, she could remember Sa’a counsel by avoiding her husband’s name. Halisa
didn’t feel any different on reading
the short message.
In the above excerpt, there are verbs of sentiendi, such as “wondered”
in line (2), “surprised” in line (7), “disappointed” in line (12), “remember”
in lines (14), and “feel” in line (14) to express the feelings and thoughts of
Halisa and Sa’a. There are also perception verbs, such as “Looking” in line
(7), “switched” and “open” in line (9), and “shows” in line (13) to express
Halisa and Sa’a’s visual perception. Epistemic modal auxiliary verbs, such as
“would” in line (2), “wouldn’t” in line (3), and “could” in line (13) to
express uncertainty and certainty about the propositions of the sentences. In
addition, there are epistemic modal adverbs, such as “confidently” in line (10)
and “very strongly” in line (12). Lastly, there is a boulomaic modal lexical
verb, such as “preferred” in line (4) to express Halisa’s desire.
Passage G
If the company had been in business for some time, you could have made inquiries to see how
many deposits had collected the keys to their houses. At the same time, if it
was new and has just started the business, you could have waited until some people collected the keys to their
houses before you the fray. Now that you mentioned it, said the Imam
sheepishly, I realize that I should have consulted someone especially Uwaisu, about it. Yes, Rabo
said, and even considered why he lent
you the money without raising any caution about the deal. You need to find out who run the company and how they handle their operations.
I will ask Uwaisu about it. He wouldn’t tell you, Rabo chickled. Why
Rabo? You want to know the truth? You
tell me. Then dust off your ears, Liman, and suffer from shock. Uwaisu has a hand in running the company. Rabo,
the Imam sat up abruptly and glared at him, this is a very serious matter. Still, I don’t believe Uwaisu will ever cheat me. (p. 76)
In the above excerpt, there are epistemic auxiliary verb
phrases, such as “could have” in lines (2) and (5), “should have” in line (8),
“will” in lines (13) and (20), and “wouldn’t” in line (14). There are also
epistemic modal lexical verbs, such as “to know” in line (15), “believe” in
line (20), “need” in line (11) and “cheat” in line (21) and epistemic modal
adverbs, such as “especially” in line (9), “abruptly” in line (19) and “ever”
in line (20). The excerpt also involves perception verbs, such as “realize” in
line (8), “find out” in line (12), and “glared” in line (18), and verbs of
sentiendi are found in “considered” in line (10) and “suffer” in line (16).
There is also a boulomaic lexical verb, such as “want” in line (15), as well as
an evaluative adjective, such as “serious” in line (19).
The Modality and
Evaluative Adjectives and Adverbs in Kamal’s The Imam of the Corner Mosque
|
Modal Elements |
Deontic |
Boulomaic |
Epistemic |
Perception |
Evaluative Adjectives |
Evaluative Adverbs |
Verb of Sentiendi |
|
Modal Adverbs |
|
|
|
|
|
|
|
|
Modal Auxiliary Verbs |
4 |
5 |
16 |
|
|
|
|
|
Modal Lexical Verbs |
4 |
1 |
21 |
20 |
9 |
|
10 |
|
Modal Adverbs |
|
|
13 |
|
|
|
|
|
Total |
8 |
6 |
52 |
20 |
9 |
|
10 |
Based on the above table, epistemic and perception modal
systems are prominent in Kamal’s The Imam
of the Corner Mosque. Thus, the narrative received negative shading in
Category B narratorial mode.
Discussion
In Aliyu Kamal’s The
Imam of the Corner Mosque, the epistemic modal system and perception modal
system received the predominant rank. The epistemic is used to express the
narrator’s factuality of the prepositions expressed or uncertainty of the
narrator’s truth of the prepositions, and epistemic to express the characters’
view positions of the narrative events. The prominence of these modal systems
shaded the narrative negatively. Similar to Neary (2014:184), deontic and
boulomaic modal systems are used to express religious and moral obligations and
permissions, as well as the characters’ desires or wishes. This results in the
use of positive modal shading in negative for the aforementioned effects. Also,
the narrative is rich with verbs of sentiendi, that express feelings and
thoughts, evaluative adjectives and adverbs, among others.
Furthermore, narrative point of is category B narratorial
mode with negative shading as the narrative is told by a non-participating
character through “a floating” view position, that is, outside the
consciousness of the characters as Simpson (1993:55) described this mode as a
narrative told and viewed from an external narrator that is foregrounded
through epistemic and perception modal systems to externalize the appearance
and actions of characters and to let readers have access to the psyche of the
characters to make judgment of the villain by expressing necessity and desire
of the characters through external narrator. Thus, the author uses this
narrative point of view and modal systems for these effects.
Summary of the
Findings
The following are the findings of this study on the
narrative style of point of view in Aliyu Kamal’s The Imam of the Corner Mosque:
a. The narrative involves epistemic and
perception modal systems prominently.
b. The narrative is externalized (category
B narratorial mode negative) and has negative shading.
c. The view position of the narrative is
externalized through epistemic and perception modal systems.
d. Deontic and boulomaic modal systems are
used to express religious and moral obligation, permission, and desires and
wishes of the characters.
Conclusion
Aliyu Kamal’s The Imam
of the Corner Mosque is viewed from third person omniscience point of view,
which Simpson (1993) categorized as B narratorial mode and shaded negatively
with epistemic and perception modal systems. The author uses this mode to make
readers view the narrative from an external narrator who is a non-participating
character in the story, and this viewpoint is similar to Fowler’s (1986)
external type D. The prominent modal systems are used to allow readers to have
access to the characters' thoughts and certainty or uncertainty through the
external narrator. Also, the author uses some modal elements of positive
shading, such as deontic and boulomaic systems, to foreground some religious
and moral obligations and characters’ desires and wishes through the external
narrator.
References
Bal, M. (1985). Narratology: Introduction to the Theory of Narrative. Toronto:
University of Toronto Press.
Bussmann, H. (1996). Dictionary of Language and Linguistics.
London: Routledge.
Childs, P. and Fowler, R. (2006). The Routledge Dictionary of Literary Terms.
London: Routledge.
Crystal, D. (2008). A Dictionary of Linguistics and Phonetics
(six edition). UK: Blackwell Publishing L.T.D.
Fowler, R. (1986). Linguistic Criticism. Oxford: Oxford University Press.
Gavins, J. (2007). Texts World Theory: An Introduction. Edinburgh: Edinburgh
University Press.
Genette, G. (1980). Narrative Discourse. Oxford: Basil
Blackwell.
Genette, G. (1988). Narrative Discourse (Revised). Oxford:
Basil Blackwell.
Kamal,
A. (2021). The Imam of the Corner
Mosque. Kano: Sagagi Publishers
Kamal, A. (2021). The Imam of the Corner Mosque. Kano:
Sagagi Publishers McIntyre, D. (2006). Point
of View in Plays: A Cognitive Stylistics Approach to View Point in Drama and
Other Text Types. Amsterdam: John Benjamins Publishing Company.
Neary, C. (2014). “Stylistics, Point of
View and Modality.” In Burke, M. (2014). The
Routledge Handbook of Stylistics. London: Routledge pp175-190.
Rimmon-Kenan, S. (1983). Narrative Fiction. London: Methuen.
Simpson, P. (1993). Language,
Ideology and Point of View. London: Routledge.
Uspensky, B. (1973). A Poetics of Composition. Berkeley:
University of California Press.
Modal Grammar and
Point of View: A Stylistic Study of Aliyu Kamal’s The Imam of the Corner Mosque
Citation: Maikiyari, M. & Nuhu, A.S.
(2026). Modal Grammar and Point of View: A Stylistic Study of Aliyu Kamal’s The
Imam of the Corner Mosque. Tasambo Journal of Language, Literature, and
Culture, 5(1), 124-132. www.doi.org/10.36349/tjllc.2026.v05i01.013.
MODAL GRAMMAR AND
POINT OF VIEW: A STYLISTIC STUDY OF ALIYU KAMAL’S THE IMAM OF THE CORNER MOSQUE
By
Mohammed Maikiyari,
PhD
Department of English
and Literary Studies,
Bayero University,
Kano
Email: mmaikiyari.eng@buk.edu.ng
Phone: 2348068953812
&
Auwal Sani Nuhu
Department of
English,
School of Languages,
Jigawa State College
of Education and Legal Studies, Ringim,
Email:
auwalsaninuhukz@gmail.com
Phone: 2349061656879
Abstract
This study applies Simpson’s (1993) modal grammar of point
of view in Aliyu Kamal’s The Imam of the Corner Mosque to investigate the
narrative point of view. To this end, it uses qualitative and quantitative
methods. Also, a purposive sampling technique is used to select six relevant
passages in the novel that contain the modal systems. The study finds that the
novel belongs to Simpson’s category B narratorial mode with negative shading
that is foregrounded through epistemic and perception modal systems to express
the certainty and uncertainty of the narrative through an external narrator.
However, the narrative contains a few deontic and boulomaic modal systems that
are usually highlighted in the positive mode. These modal systems are used to
foreground some religious and moral obligations and also the characters’
desires and wishes. Furthermore, the narrative contains verba sentiendi,
evaluative adjectives and adverbs, etc. Epistemic and perception systems are
used to allow readers to have access to the characters’ thoughts, feelings, and
certainty or uncertainty through the external narrator, while deontic and
boulomaic systems are used to foreground some religious and moral obligations
and the characters’ desires and wishes through the external narrator.
Keywords: Modal Grammar,
Point of View, Narratorial Mode and Stylistics
Introduction
Point of view denotes a vantage point, angle, or perspective
from which a narrative or story is perceived by readers. It is through the
point of view that events as well as the actions of characters in a story are
viewed for interpretation and comprehension of the narrative. For instance, in
a first-person narrative, the events are viewed and told by the same person who
happens to be the narrator of the story, whereas in the third-person narrative,
the events are viewed and told by different persons who happen to be the
narrator and the viewers (Neary 2014:176). Both of these points of view have
advantages and disadvantages. For instance, first-person narrative enables the
author to enter into the mind of his main character in a “stream of
consciousness manner” or in another way. However, the author, the main
character, and the reader cannot read the thoughts as well as feelings of the
other characters. Mostly, the third-person narrative is both omniscient and
limited omniscient. Generally, it is the preferable method of point of view by
novelists (Childs and Fowler 2006:182).
In recent years, there have been many narrative theories
that have attempted to explain and describe the function of point of view in
literary works (Genette 1980, 1988, and Bal 1985). These theories have
attempted to bring together terminology that has been common in the discussion
of point of view, such as external/internal, first/third person,
limited/unlimited, and personal/impersonal, into theoretical models that are
fundamental options and are available to writers of narrative fiction in their
choice of point of view, moving from a purely visual formulation. However,
Rimmon-Kenan (1983) stressed the psychological and ideological facets. However,
none of these approaches to point-of-view analysis relate the generality of the
function of point of view to discourse in order to provide a linguistic
identification.
Furthermore, Fowler (1986), deriving from Uspensky’s (1973)
model of point of view, proposed an analysis that involves four systems of
psychological point of view as a whole, briefly describing the spatio-temporal
and ideological point of view. Similarly, Simpson (1993) stressed the
psychological point of view while proposing a model based on modal grammar
within a systemic functional linguistic approach, and the model involves nine
points-of-view polarities that combine Uspensky with Genette. McIntyre (2006:29)
stated that modality is the key concept of Simpson’s model of point of view, in
which Simpson explained the speaker’s attitude or opinion about the proposition
expressed by a sentence. He added that Simpson’s model proposed different kinds
of modality that are found in a text, which provide a more precise method that
differentiates between kinds of narrators, similar to Fowler’s (1996) model.
Thus, this study uses Simpson’s (1993) model of point of view in Kamal’s The
Imam of the Corner Mosque to investigate the author’s narrative style
through the point of view of the narrative.
Modality in Language
Among the functions of linguistic communication is the
establishment and maintenance of social mutual relations among people. This can
be achieved if speakers and writers have creative and effective linguistic
expressions through which they can communicate complex emotional states and
feelings to one another. Many of these linguistic features are found in
modality. The term modality is used to define the grammatical elements of
language that are used to express a speaker’s or writer’s attitude to a particular
subject (Gavins 2007:91). Furthermore, the term modality is used in grammatical
and semantic analysis to denote the differences in speakers’ moods expressed in
verbs and their related classes (Crystal 2008:308). However, Bussmann
(1996:754) stated that in the English language, modal differences are mainly
expressed by some modal auxiliary verbs, such as may, will, and can, among
others; modal lexical verbs, such as want, hope, and wish, among others; and
modal adverbs, such as hopefully, maybe, and apparently, among others.
Modal Systems of the
English Language
The term modality is used “rather loosely to refer to
attitudinal features of language.” Fowler (1986) identified various grammatical elements that are used as
means to express “modal commitment”, such as auxiliaries, modal adverbs or
sentence adverbs, evaluative adjectives and adverbs, generic sentences and
verbs of knowledge, prediction, and evaluation. These modal grammatical
elements are supplemented by other types of modality found in English, and
these supplements are mainly on point of view analysis (Simpson 1993:47).
Furthermore, modality extends to “situation context” or event described by a
sentence. Thus, it is a representation of “interpersonal function of language”
(ibid). Simpson (1993) proposed four modal systems of English, such as deontic,
boulomaic, epistemic, and perception.
Deontic Modal
System expresses “duty”, that is, “a speaker’s
attitude to the degree of obligation in relation to the performance of some
actions. Examples:
(1) You may
leave. (permission)
(2) You should
leave. (permission through obligation)
(3) You must
leave. (obligation)
Some of these modal auxiliary verbs may also be used as
epistemic forms. Deontic expression can also combine adjectives and participles
in BE……. THAT and BE…..TO to express a degree of modal commitment. Examples:
(4) You are permitted to leave. (BE+Participle+To)
(5) It is possible for you to leave. (BE+Adjective+To)
(6) You are obliged to leave. (BE+Participle+To)
Deontic system is very important in social interaction
particularly for when used for persuasion and politeness (Simpson 1993:47-48).
Boulomaic Modal
System is closely related to deontic as it is
used to express desire. It is realized in modal lexical verbs that express
wishes and desires of the speaker. Examples:
(7) I hope
that you will leave.
(8) I wish
you’d leave.
(9) I regret
that you’re leaving.
Also, adjectives and participial constructions, such as
BE……..TO or BE…….THAT can be used to express boulomaic commitment, although
modal adverbs can also be used. Examples:
(10)
It
is hoped that you will leave.
(BE+Participle+THAT)
(11)
It’s
good that you’re leaving (BE+Adjective+THAT)
(12)
Hopefully, you will leave (modal adverb) (ibid).
The epistemic
modal system is said to be the most important
modality in the analysis of point of view in fiction. It is used to express the
speaker’s confidence or lack of confidence in the truth of a proposition. The
following auxiliary verbs are used in their epistemic sense:
(13)
You
could be right.
(14)
You
may be right.
(15)
You
must be right.
(16)
You
might have been right.
(17)
You
should have been right.
The epistemic system can be grammaticalized in modal lexical
verbs:
(18)
I
think you are right.
(19)
I
suppose you’re right.
(20)
I
believe you are right.
The epistemic system also can be expressed in the following
constructions: (BE…..TO and BE….. THAT). Examples:
(21)
You
are sure to be right.
(22)
It’s
certain that you’re right.
(23)
It’s
doubtful that you’re right.
The epistemic system is also expressed in modal adverbs,
such as arguably, maybe, perhaps, probably, certainly, allegedly etc.
Perception is best regarded as a subcategory of epistemic modality just
as Perkins (1983: 81) pointed out.” It is used to express the degree of
commitment to the truth of a proposition that is predicated on the basis of
human perception, particularly visual perception. This is highlighted in
adjectives in BE……..THAT construction and modal adverbs:
(24)
It
is clear that you are right.
(25)
You’re
clearly right.
(26)
It
is obvious that you are right.
(27)
It
is obviously right.
(28)
It
is apparent that you’re right.
(29)
Apparently,
you’re right. (Simpson 1993:49-50).
To sum up, deontic expresses obligation, duty, and
commitment, boulomaic expresses desire, epistemic-knowledge, belief and
cognition, and perception-visual perception.
Here is the same text with only spelling, punctuation, and
grammatical errors corrected. The structure, wording, and pattern are
preserved.
The Simpson (1993) Modal Grammar of Point of View in
Narrative Fiction
Simpson (1993) proposed two categories of point of view in
narrative fiction, which he termed categories A and B, and each of these is
further divided into positive, negative, and neutral. Category A are those
narratives that are narrated in the first person by a participating character
within the story. This category is similar to Genette’s homodiegetic narrative,
in which a narrator takes part in the storytelling. Category A positive (A+) is
called positive because it involves positive shading highlighted by deontic and
boulomaic modal systems that foreground the narrator’s duties, obligations,
desires, and opinions on events and other characters. It also involves verba
sentiendi that express feelings and thoughts, such as feel and suffer, etc.,
and evaluative adjectives and adverbs. The epistemic and perception systems are
suppressed, unlike in the negative category. Thus, propositions are not
asserted, perhaps because of the limited knowledge of the narrator. In this
category, it is very rare to find epistemic modal adverbs such as possibly,
probably, maybe, and perhaps, and modal auxiliaries in verb phrases such as
might have been, could have been, and must have been, etc., and perception
modal adverbs such as evidently and apparently, etc. This category is not
difficult to be identified in narratives (Simpson 1993:56–58).
Category A negative (A–) highlights clearly epistemic and
perception modal systems that are absent in the positive category. In this
category, epistemic modal auxiliaries, modal adverbs, and modal lexical verbs
such as I suppose, I imagine, and I assume, and perception adverbs such as
evidently and apparently are prominent. It also involves comparative structures
that have some basis in human perception, such as It looked as if…, It seemed…,
It appeared to be, etc. These modal systems make the category to be shaded
negatively and to be similar to Fowler’s External type D, although it is within
the participating character’s consciousness. In category A neutral (A(N)),
there is an absence of modal markers (ibid).
Category B is a third-person narrative and is mainly
classified into two: the narratorial and reflector modes. In the narratorial
mode, the events are told outside the consciousness of characters, while in the
reflector mode, the events are told inside the consciousness of characters. In
the narratorial mode, only the narrator’s voice is heard, but if a third person
embarks on the “license of omniscience” and moves after a long time into the
active mind of a particular character, then it is said to be a reflector mode.
Furthermore, like their category A counterparts, category B narratives in each
of the two modes are classified on the basis of positive, negative, and neutral
shading. Thus, this model comprises nine point-of-view polarities. In category
B narratorial mode positive (B+(N)), deontic and boulomaic modal systems are
foregrounded to express desires, duties, obligations, and permissions. This
category is also rich in evaluative adjectives and adverbs, generic sentences,
and verbs of sentiendia that express feelings and thoughts. However, in
category B negative, epistemic and perception systems are highlighted to
foreground the narrator’s certainty or lack of certainty about the events of
the narrative. In category B narratorial mode neutral, there is an absence of
modal systems, and it is externally focalized. Furthermore, category B
reflector mode is also classified into positive, negative, and neutral. These
subcategories have similar modal systems to their category B narratorial mode
counterparts. The only difference is that in reflector mode, the narration is
told inside the consciousness of the characters, while in the narratorial mode,
the narration is told outside the consciousness of the characters (Simpson
1993:62–67).
Methodology
This study adopted qualitative and quantitative methods to
analyze data. In doing so, the data were selected from Aliyu Kamal’s The Imam
of the Corner Mosque using a purposive sampling technique, through which
relevant passages that involve instances of modality were selected to analyze
the narrative point of view based on the modal category of point of view. These
passages were presented in the form of excerpts and were analyzed individually.
Thereafter, the frequency of each modal system was presented in tabular form to
determine the shading of the category of point of view of the narrative. This
study sourced the data from Aliyu Kamal’s The Imam of the Corner Mosque. The
novel under study contains much data, and dealing with a large amount of data
causes redundancy or repetition; also, a sample of data can be used to
represent the whole data. Thus, this study used a purposive sampling technique
to select six relevant passages based on Simpson’s (1993) modal grammar of
point of view. Each passage was analyzed based on Simpson’s (1993) model of
grammar of point of view; that is, all the available modal systems contained in
the passages were identified and analyzed to determine their stylistic effects.
The frequency of the available modal systems was presented in tabular form to
determine the modal shading of the narrative. Thereafter, the category of the
modal point of view of the narrative was identified and stated.
The Application of Simpson’s (1993) Modality and Point of
View in Aliyu Kamal’s The Imam of the Corner Mosque
The Imam of the Corner Mosque is a story about a religious
leader whom the author named Imam. Imam is polygamous. He battles with the
rivalry between his wives and prays for divine intervention in favor of some
businesspeople who want to prosper; meanwhile, his daughter deserts her
husband’s house for unnecessary reasons. The story reaches its peak when the
Imam is deceived by his son-in-law with a fake house loan and loses his house
to urban development. He moves with his large family to his son-in-law’s house.
He battles with religious duties and the heartfelt ambition to make life better
at the expense of the people close to him, whom he never wants to hurt.
This story is narrated and viewed through a third-person
omniscient narrator. The story is heard from an external narrator who is a
non-participating character. It is shaded negative, as foregrounded through
epistemic and modal systems. Thus, it is categorized as B narratorial mode
negative. However, there are boulomaic and deontic modal systems in the
narrative. In each of the following passages, the modal words are italicized
for easy identification.
Passage A
After the departure of Abashe’s mother, Sa’a and Shatu chose to differ in finally resolving the issue of Halisa’s marriage. Insofar as her
husband’s mother would be taken on
her words, then Halisa had not told the truth. Shatu in consequence sided with the Imam. In effect, Halisa must go back to her husband’s house.
Unlike the Imam, who had been premature, as his daughter saw it, in thinking that the poor relations between his wives were on the mend just because they
agreed that she should stay put at home, she thought
that there was still a yawning gap
that Shatu signaled by her decision later not to side with Sa’a, who still maintained that Abashe must come to explain what led to the
rift between him and his wife. Halisa could
imagine the softening his stance
and was proven right to hear him say
that it was in order to demand that
Abashe offer some explanations. But in the end, as a Hausa adage had it, as a
tree Halisa’s roots would remain in
her parental home but throw her shaded in of her husband. By relenting, she believed that the Imam, two, had not completely dispelled the issue of the lingering rivalry between his wives out
of his mind. (p. 16)
In the above excerpt, the deontic system of obligation is
found in auxiliary verb phrases “must go” in line (5) to express Halisa’s
obligatory duty, as offered by the Imam and Shatu, of going back to her husband’s
house and “must come” in line (12) to express Sa’a’s stand on Abashe’s
obligatory duty to come and explain the rift between him and his wife. Boulomaic
modal system is found in the modal verbs “chose” in line (1) to express Sa’a
and Shatu’s desire to resolve Halisa’s marital issue, “demand” in line (15) to
express the desire of requesting Abashe to offer some explanations about the
rifts. Furthermore, the verbs of sentiendi, such as “thinking” in line (7) and
“thought” in line (9), are used to express Halisa’s thoughts. Also, epistemic modal
adverbs, such as “completely” in line (19) and “finally” in line (2), and
evaluative adjectives, such as “poor” in line (7), “softening” in line (13),
and “lingering” in line (19). The excerpt also involves epistemic modal auxiliary
verbs, such as “would be taken” line (3), “should” in line (9), “could imagine”
in line (13), “would” in line (17) and epistemic modal verbs, such as “sided”
in line (5), “was proven” in line (14), “believed” in line (19) to express the
certainty of the characters about the propositions stated in the sentences.
Perception modal systems, such as “signaled” in line (10) and “dispelled” in
line (19) are found.
Passage B
Nonetheless, Shatu nursed the
hope believed in it that his
attention would gravitate more towards her for going out of her way to be very
indulgent on him. In the neighborhood, he was known to be an ascetic
adherent to the prophetic hadith saying that asceticism is the restriction of
hopes. People looked at his style of
attire: they considered the condition
of his house: they never knew him to
ingratiate abysmally to anyone for a
handful of favors; flirted with juvenile delinquency in all that, people would adjudge him as a gentleman of the highest order. Nonetheless,
Sa’a and Halisa believed that Shatu would remain standing with her bow down
taut and ready to shoot. (p21)
The above excerpt is rich with epistemic modal lexical verbs,
such as “nursed” and “believed” in line (1) another “believed” in line (13),
“known” in line (4), “considered” in line (7), “knew”, line (8) and “adjudge”
in line (11) to express Shatu’, Sa’a and Halisa’s certainty about the
prepositions expressed by the sentences. It also involves epistemic modal
auxiliary verbs, such as “would” in lines (10) and (13), epistemic modal
adverbs such as “never” in line (8), “abysmally” in line (9), and “nonetheless”
in line (1) and (12). Furthermore, it involves perception verbs, such as
“looked” in line (6) and “gravitate” in line (2), and it is rich with
evaluative adjectives, such as “indulgent” in line (3), “ascetic” in line (4), and
“highest” in line (11). These are characteristics of Fowler's external type D
point of view. Thus, this narrative is told by an external narrator.
Passage C
The Imam wasn’t aware of
the decision Shatu had taken to make life difficult for Sa’a. He would have been greatly horrified,
following the understanding between him and Uawaisu, to know something brewing in his house that would put asunder the silent agreement
between him and his friend. Sa’a who was in the know, dropped hints onto which the Imam failed to cotton. Her insinuations-your indulgent bride; the one who welcomes you to and from work; your
non-time fellow conversationalist had so far appeared to be beyond his lean. (p. 31-32)
This excerpt is also rich with epistemic modal lexical verbs,
such as “aware” negative in line (1), “to know” in line (4), and “failed” in
line (8) to express the Imam’s uncertainty about Shatu’s decision. There are
also epistemic modal auxiliary verb phrases, such as “would have been” in lines
(2) to (3) and epistemic modal auxiliary verb, such as “would” in line (5),
epistemic modal adverb, such as “greatly” in line (3) and verb of sentiendi,
such as “horrified” in line (3). The excerpt also involves perception verbs,
such as “appeared” and evaluative adjectives, such as “silent” in line (5).
Passage D
She recalled a
hadith read to them at the Islamiyya School on the drift the canine harbours.
It is that if one comes into contact with dog salive, he must purify himself four time with water including once with sand.
She was thus not surprised to know that people avoided keeping dogs as pets. Another hadith had it that to keep
such a pet is to lose a mark out of
the mark recorded for one from the acts of devotion that comes out every day.
Hunters, on the other hand, are allowed
to keep hunting dogs to bring game they shot
or want them to chase and bring over
after overpowering and wounding it, they must utter Bismillah, or
the opening verse of the Qur’an to make the game lawful just in case the dog bites it before lately. (p. 70)
The above excerpt involves a deontic modal auxiliary verb
system, such as “must” in lines (3) and (12), and deontic modal verbs, such as
“avoided” in line (6) and “allowed” in line (10), to express religious
obligatory duties as well as permission granted on keeping a dog as a pet. Also,
there is a boulomaic modal lexical verb, such as “want” in line (11) to express
the hunters’ desire of using dog. There are epistemic modal verbs and adverbs,
such as “to know” in line (5), “to lose” in line (7), and “lately” (15). This
excerpt is also rich with perception verbs, such as “shot” and “to chase” in
line (11), “overpowering” and “wounding” in line (12) and verbs of sentiendi,
such as “bite” in line (14), “not surprised” in line (5) and “recalled” in line
(1) to express the feelings and thoughts of the characters. There is also a
deictic, such as “bring over” in line (11).
Passage E
Uwaisu kept quiet; he didn’t
trust himself to speak. He wanted
to draw the Imam back into the house where they could talk at ease. But the visitor had other plans. The most pressing was to reduce the length
of time Shatu remained in the taxi
with the driver, who Sharia law forbids
to stay close to her for long, while
the less pressing was to get his
money back. The enormity of the repercussions of transgressing the dictates of
the Sharia led the cleric to relevant
on the second issue, which he could
afford to give more time to pass before he collected
what was due to him. Yet, the Imam didn’t mention his concerns about his wife
but other issue. (p78-79)
In this excerpt, there are a boulomaic modal lexical verbs,
such as “wanted” in line (2), and a deontic system, such as “forbids” in line (6),
to express wishes and religious obligations. The excerpt is rich with epistemic
modal auxiliary verbs, such as “could” in lines (3) and (10), and epistemic
verb phrases, such as “didn’t trust” in line (1) and “led” in line (9), to
express uncertainty as well as certainty about the propositions of the
sentences. There are also perception verbs, such as “remained” in line (5) and
“collected” in line (11), to express the visual perception of the characters.
Furthermore, there are evaluative adjectives, such as “most” in line (5) and
“less” in line (7), and near deictic, such as “close” in line (7).
Passage F
Halisa was having a talk with Sa’a in sitting room when her
handset chimed. She wondered who would text a message to her. It wouldn’t be Baraka; she preferred voice calls. Uwais’s wife had
gone to attend a weeding and taken Hannun with her as she began to address the
girl as her very own daughter. Looking
at the screen, Halisa was surprised to
see that it was her husband. Sa’a asked her who it was before the receiver of
the message switched it open. It was Abashe, she said confidently. Gone were the early days of
Hali’s marriage when Sa’a disappointed
very strongly to hear her mention his
name. The wife shows good mannners, she could remember Sa’a counsel by avoiding her husband’s name. Halisa
didn’t feel any different on reading
the short message.
In the above excerpt, there are verbs of sentiendi, such as “wondered”
in line (2), “surprised” in line (7), “disappointed” in line (12), “remember”
in lines (14), and “feel” in line (14) to express the feelings and thoughts of
Halisa and Sa’a. There are also perception verbs, such as “Looking” in line
(7), “switched” and “open” in line (9), and “shows” in line (13) to express
Halisa and Sa’a’s visual perception. Epistemic modal auxiliary verbs, such as
“would” in line (2), “wouldn’t” in line (3), and “could” in line (13) to
express uncertainty and certainty about the propositions of the sentences. In
addition, there are epistemic modal adverbs, such as “confidently” in line (10)
and “very strongly” in line (12). Lastly, there is a boulomaic modal lexical
verb, such as “preferred” in line (4) to express Halisa’s desire.
Passage G
If the company had been in business for some time, you could have made inquiries to see how
many deposits had collected the keys to their houses. At the same time, if it
was new and has just started the business, you could have waited until some people collected the keys to their
houses before you the fray. Now that you mentioned it, said the Imam
sheepishly, I realize that I should have consulted someone especially Uwaisu, about it. Yes, Rabo
said, and even considered why he lent
you the money without raising any caution about the deal. You need to find out who run the company and how they handle their operations.
I will ask Uwaisu about it. He wouldn’t tell you, Rabo chickled. Why
Rabo? You want to know the truth? You
tell me. Then dust off your ears, Liman, and suffer from shock. Uwaisu has a hand in running the company. Rabo,
the Imam sat up abruptly and glared at him, this is a very serious matter. Still, I don’t believe Uwaisu will ever cheat me. (p. 76)
In the above excerpt, there are epistemic auxiliary verb
phrases, such as “could have” in lines (2) and (5), “should have” in line (8),
“will” in lines (13) and (20), and “wouldn’t” in line (14). There are also
epistemic modal lexical verbs, such as “to know” in line (15), “believe” in
line (20), “need” in line (11) and “cheat” in line (21) and epistemic modal
adverbs, such as “especially” in line (9), “abruptly” in line (19) and “ever”
in line (20). The excerpt also involves perception verbs, such as “realize” in
line (8), “find out” in line (12), and “glared” in line (18), and verbs of
sentiendi are found in “considered” in line (10) and “suffer” in line (16).
There is also a boulomaic lexical verb, such as “want” in line (15), as well as
an evaluative adjective, such as “serious” in line (19).
The Modality and
Evaluative Adjectives and Adverbs in Kamal’s The Imam of the Corner Mosque
|
Modal Elements |
Deontic |
Boulomaic |
Epistemic |
Perception |
Evaluative Adjectives |
Evaluative Adverbs |
Verb of Sentiendi |
|
Modal Adverbs |
|
|
|
|
|
|
|
|
Modal Auxiliary Verbs |
4 |
5 |
16 |
|
|
|
|
|
Modal Lexical Verbs |
4 |
1 |
21 |
20 |
9 |
|
10 |
|
Modal Adverbs |
|
|
13 |
|
|
|
|
|
Total |
8 |
6 |
52 |
20 |
9 |
|
10 |
Based on the above table, epistemic and perception modal
systems are prominent in Kamal’s The Imam
of the Corner Mosque. Thus, the narrative received negative shading in
Category B narratorial mode.
Discussion
In Aliyu Kamal’s The
Imam of the Corner Mosque, the epistemic modal system and perception modal
system received the predominant rank. The epistemic is used to express the
narrator’s factuality of the prepositions expressed or uncertainty of the
narrator’s truth of the prepositions, and epistemic to express the characters’
view positions of the narrative events. The prominence of these modal systems
shaded the narrative negatively. Similar to Neary (2014:184), deontic and
boulomaic modal systems are used to express religious and moral obligations and
permissions, as well as the characters’ desires or wishes. This results in the
use of positive modal shading in negative for the aforementioned effects. Also,
the narrative is rich with verbs of sentiendi, that express feelings and
thoughts, evaluative adjectives and adverbs, among others.
Furthermore, narrative point of is category B narratorial
mode with negative shading as the narrative is told by a non-participating
character through “a floating” view position, that is, outside the
consciousness of the characters as Simpson (1993:55) described this mode as a
narrative told and viewed from an external narrator that is foregrounded
through epistemic and perception modal systems to externalize the appearance
and actions of characters and to let readers have access to the psyche of the
characters to make judgment of the villain by expressing necessity and desire
of the characters through external narrator. Thus, the author uses this
narrative point of view and modal systems for these effects.
Summary of the
Findings
The following are the findings of this study on the
narrative style of point of view in Aliyu Kamal’s The Imam of the Corner Mosque:
a. The narrative involves epistemic and
perception modal systems prominently.
b. The narrative is externalized (category
B narratorial mode negative) and has negative shading.
c. The view position of the narrative is
externalized through epistemic and perception modal systems.
d. Deontic and boulomaic modal systems are
used to express religious and moral obligation, permission, and desires and
wishes of the characters.
Conclusion
Aliyu Kamal’s The Imam
of the Corner Mosque is viewed from third person omniscience point of view,
which Simpson (1993) categorized as B narratorial mode and shaded negatively
with epistemic and perception modal systems. The author uses this mode to make
readers view the narrative from an external narrator who is a non-participating
character in the story, and this viewpoint is similar to Fowler’s (1986)
external type D. The prominent modal systems are used to allow readers to have
access to the characters' thoughts and certainty or uncertainty through the
external narrator. Also, the author uses some modal elements of positive
shading, such as deontic and boulomaic systems, to foreground some religious
and moral obligations and characters’ desires and wishes through the external
narrator.
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